Why Prince Andrew is still a prince – and how his remaining titles could be removed

Source: The Conversation – UK – By Craig Prescott, Lecturer in Law, Royal Holloway, University of London

A small group of MPs is calling for the government to formally remove Prince Andrew’s titles. SNP Westminster leader Stephen Flynn has tabled an early day motion asking the government to take legislative steps to remove Andrew’s dukedom.

At the time of publication, only 14 MPs have signed and there is no obligation for the government to act. But it is an opportunity for MPs to vocalise their desire for action. And it highlights that there are routes by which Andrew could be stripped of his titles.

He has already announced that he will no longer use his title, Duke of York, or honours such as holding a knighthood of the Order of the Garter. This takes further his ostracism from public life due to his associations with the convicted sex offender Jeffrey Epstein.

His announcement came the week before the publication of a posthumous memoir by Epstein victim Virginia Giuffre, who had long accused Andrew of sexually assaulting her when she was a teenager. He denies the accusations. Giuffre died by suicide in May of this year.

In 2019 after the now infamous Newsnight interview, Andrew “stepped back” from his work as a public-facing royal. In 2022, it was announced that he would defend a lawsuit against him from Giuffre (that he later settled) with confirmation that he would not return to public duties.

His remaining military positions and royal patronages were returned to the queen to be redistributed to other working members of the royal family. He also announced that he would no longer use his HRH status.

Andrew has now voluntarily stopped using his remaining titles but will continue to use his princely status. This is significant – Andrew placed great stock in his titles. Yet for the public, this maybe insufficient. Though the titles have effectively been placed into abeyance, they legally still exist.

When faced with what to do, the king is in a difficult position. The monarch must act within the confines of the law – but the law is not designed to easily allow someone to become an ex-royal. The assumption is that all titles and honours are for life. For every scandalous development in Andrew’s life, Buckingham Palace has done the minimum necessary to head off each particular media storm, each time just going a little further.

An act of parliament

Andrew’s honours, such as his Knighthood of the Order of the Garter, can be removed by the king. However, to remove some of his other titles, an act of parliament is required. The precedent for this is the Titles Deprivation Act 1917. This 1917 law was enacted during the first world war to remove titles from British princes or peers who sided with the enemy.

However, the Titles Deprivation Act 1917 only applied in the context of the “present war” – the first world war. This means that fresh legislation would be required to remove Andrew’s titles today. The 1917 act provided for a committee tasked with considering whether a peerage or a title should be removed from a person, and subject to parliament’s approval, made a recommendation to the king when action should be taken.

Rachael Maskell, MP for York Central, has suggested a model that would amend the 1917 act to apply more generally today. The SNP’s Stephen Flynn has also called for similar legislation to strip titles that would extend to others, including Lord Mandelson, who was fired from his role as the UK ambassador in Washington over his links to Epstein.

Alternatively, bespoke legislation could be enacted to remove Andrew’s peerages in law (in addition to being the Duke of York, he is the Earl of Inverness and the Baron Killyleagh). This could be relatively simple, with a clause making those peerages extinct, and instructing the keeper of the Roll of the Peerage (which is the responsibility of the Lord Chancellor) to strike out Andrew’s name.

In principle, an act of parliament could remove Andrew’s princely and HRH status (again following the 1917 precedent). Such legislation could also address his continuing position as a counsellor of state, which under the Regency Acts 1937-1953 stems from his position in the line of succession, and means he can deputise for the king. Assuming King Charles remains on the throne, Andrew will lose this position once Prince Louis turns 21.

Yet, such legislation comes with risks. Once introduced into parliament, the palace loses control over the process. It would be open to MPs to table any amendments and some may wish to extend the legislation to others, including Prince Harry, Duke of Sussex. The palace or indeed the government is unlikely to want to open up such a debate.

For this reason, the palace only asks parliament to legislate for the monarchy when absolutely necessary. One example is the Counsellors of State Act 2022, which added Princess Anne and Prince Edward to the pool of counsellors of state, avoiding the need for Andrew to ever act again.

Options without parliament

Ultimately, princely and HRH status is in the gift of the monarch of the day. Who is entitled to such status is dictated by letters patent, an official document issued by George V in 1917.

The reason for its creation was, again, the first world war, and the need to restrict princely and HRH status to those connected to the direct line of succession. This is why Andrew was born a prince with HRH status as a son of the monarch. But fundamentally, what the crown gives, the crown could take away. Again, there is precedent for this. In 1996, Elizabeth II issued letters patent to remove HRH status from former wives of princes – Sarah Ferguson (formerly known as the Duchess of York) and Diana, Princess of Wales.

Finally, Andrew remains eighth in line to the crown. This is hereditary, and would remain even if he was no longer a prince. In theory, his position in the line of succession could be removed, but such a step would also require the approval of the 14 other countries (including Canada, Australia and Papua New Guinea) that share the British monarch as their head of state.

On Monday, the king exemplified the best of the monarchy, by visiting the scene of the recent Manchester synagogue of attack to show support for the Jewish community. Yet this was almost entirely overshadowed by the coverage of Prince Andrew. Should Andrew become embroiled in further controversy, it would be in the interests of the crown to exercise what few options the king has left remaining.

The Conversation

Craig Prescott does not work for, consult, own shares in or receive funding from any company or organisation that would benefit from this article, and has disclosed no relevant affiliations beyond their academic appointment.

ref. Why Prince Andrew is still a prince – and how his remaining titles could be removed – https://theconversation.com/why-prince-andrew-is-still-a-prince-and-how-his-remaining-titles-could-be-removed-267816

Pakistan and the Afghan Taliban avoid a deeper war for now, but how long can the peace hold?

Source: The Conversation – Global Perspectives – By Amin Saikal, Adjunct Professor of Social Sciences, The University of Western Australia; Victoria University; Australian National University

In recent weeks, Pakistan and the Afghan Taliban have engaged in the most serious military clashes between the two neighbours in several years.

Qatar and Turkey mediated a ceasefire on Sunday, bringing an end to the hostilities that have killed dozens of people and wounded hundreds.

Both countries have agreed to respect one another’s territorial integrity. They will meet again in Istanbul later this week to discuss the next steps.

Yet, the situation remains tense, as the underlying causes of the conflict have yet to be resolved.

A haven for terrorism

At the heart of the conflict is Islamabad’s claim the Afghan Taliban have been harbouring and aiding the Pakistani Taliban (also known as Tehrik-e-Taliban Pakistan, or TTP) in order to change Pakistan along the lines of the Taliban’s extremist Islamic rule in Afghanistan.

The Taliban government has denied Islamabad’s accusations.

Since the Taliban’s return to power in Afghanistan in mid-2021, following the retreat of the United States and its allies, they have once again turned the country into a nest of various terrorist groups. This includes, most importantly, the TTP.

The Taliban have accommodated hundreds of TTP fighters (some with their families) in Afghanistan and boosted the TTP’s combat capabilities, so the group can now engage in deadlier cross-border operations in Pakistan.

According to the United Nations, the TTP has even accessed some of the US$7 billion (A$10.8 billion) worth of weapons left behind by the US and allied forces.

As the TTP has increased its operations in Pakistan, Islamabad has become more intolerant of the Afghan Taliban government.

It has also grown very concerned about Kabul’s ties with Pakistan’s regional rival, India. The Taliban’s acting foreign minister, Amir Khan Mutaqqi, recently visited New Delhi, where he was warmly welcomed by India’s government. Pakistan has traditionally viewed Afghanistan as being part of its backyard of influence.

Pakistan’s military and powerful military intelligence (the Inter-Services Intelligence, or ISI) have sought to counter the threat from Afghanistan by pursuing a strategy of deterrence and punishment.

This has included deporting tens and thousands of refugees back to Afghanistan, most of whom had fled the Taliban’s repressive, discriminatory and misogynist rule. Islamabad has also occasionally bombed targets in Afghanistan.

What led to the recent fighting

The situation escalated sharply this month after the TTP launched attacks on Pakistan security forces, including a suicide bombing on a police training school, killing 23 people.

Pakistan responded by striking what it claimed to be TTP sites in Kabul and Kandahar, where the Taliban’s elusive supreme leader Hibatullah Akhunzadeh reportedly lives.

In retaliation, Taliban forces attacked Pakistani posts along the disputed 2,600-kilometre Afghanistan-Pakistan border (also known as the Durand Line), resulting in considerable military and civilian casualties on both sides.

Pakistan also blocked Afghan transit routes, striking a serious blow to the already devastated Afghan economy. Although the Taliban rerouted their goods through Iranian ports, this is not as financially viable or a proper substitute for Pakistan’s transit routes.

The two sides agreed to a 48-hour ceasefire last week, but it was immediately broken when Pakistan launched more airstrikes that Kabul said killed several cricket players. Islamabad denies civilians were killed.

Pakistan’s dilemma

In the final analysis, Islamabad cannot blame anyone but itself for the challenges it faces from the Afghan Taliban. It nurtured and supported the Taliban as a terrorist group for some three decades.

As Pakistani Defence Minister Kawaja Asif recently acknowledged, Islamabad long pursued a double-edged foreign policy. It has publicly opposed terrorism, while using extremist groups, like the Afghan Taliban and their affiliates, to gain regional influence in its competition with India.

Thanks to this policy, the Afghan Taliban were able to seize power from the mid-1990s to the September 11 2001 al-Qaeda attacks on the US, and subsequently mount an effective resistance to the two-decade-long US-led intervention in Afghanistan. The Taliban were also able to regain power in 2021, to the detriment of both Afghanistan and Pakistan.

It is important to note this conflict is not between Pakistan and the people of Afghanistan, who are languishing under the Taliban’s draconian rule. Rather, this is a conflict between Pakistan and the Taliban government – a patron-client relationship that has now backfired.

The Taliban’s rule in Afghanistan is medievalist and fragile. It needs to be ousted, but this is a matter for the people of Afghanistan, not Pakistan. Foreign intervention in Afghanistan has not worked in the past.

Selfless assistance from the international community is needed to empower the people of Afghanistan to chart their own future. A combination of internal resistance to the Afghan Taliban – and external pressure on the group – is the best way forward.

The Conversation

Amin Saikal does not work for, consult, own shares in or receive funding from any company or organisation that would benefit from this article, and has disclosed no relevant affiliations beyond their academic appointment.

ref. Pakistan and the Afghan Taliban avoid a deeper war for now, but how long can the peace hold? – https://theconversation.com/pakistan-and-the-afghan-taliban-avoid-a-deeper-war-for-now-but-how-long-can-the-peace-hold-267843

Is your manager grumpy in the mornings? Poor sleep can lead to abusive and unethical behaviour

Source: The Conversation – Global Perspectives – By Stefan Volk, Professor of Management, University of Sydney

H. Armstrong Roberts/ClassicStock/Getty Images

You arrive at work, coffee in hand, ready to tackle the day. But your manager seems off, curt in meetings, impatient with questions, and unusually sharp in tone.

Before chalking it up to personality, consider this: they might just be sleep-deprived. Research in organisational behaviour and sleep science suggests that a leader’s sleep quality can significantly shape their behaviour at work – not just their mood, but their decision-making, communication style, and even ethical judgement. And the effects ripple far beyond the manager themselves.

In a multi-day field study tracking supervisors and their teams, researchers found that poor sleep on one night predicted more abusive supervisory behaviour the next day. This wasn’t a fixed trait; the same leaders behaved more positively after better sleep.

The study revealed a clear pattern: when leaders slept poorly, their capacity for self-control dropped. This affected the people around them, leading to more brittle interactions and disengaged teams.

The whole team is affected

This isn’t just about being cranky. Sleep deprivation impairs emotional regulation, reduces patience and increases impulsivity.

Tired managers are more likely to micromanage, react punitively and set an edgy tone, even when their team members are well-rested. These behaviours, in turn, reduce team engagement and discretionary effort. The result is a measurable dip in collective energy and productivity.

Frustrated CEO is angry at his colleagues during a meeting in the office.
Sleep-deprived managers are less resilient and clear-headed.
Skynesher/Getty Images

Despite the evidence, many organisations still glorify sleep deprivation. Executives who rise at 4am and start working before sunrise are often celebrated as paragons of discipline.

For some, early starts align with their natural circadian rhythms, which regulate our sleep/wake cycle. But for many others, this schedule creates circadian misalignment — a mismatch between biological clocks and social demands — which degrades alertness, mood and long-term health.

Management scholars argue that this culture begins early, in business schools and leadership development programs, where short sleep is normalised as a badge of honour.

But the consequences are serious. Chronic sleep deprivation undermines learning, performance and wellbeing, cultivating leaders who are less resilient, less clear-headed and less engaging at precisely the moments that call for steadiness and persuasion.

Leaders aren’t aware of the value of sleep

Surveys suggest nearly half of leaders report sleep problems, and more than 65% are dissatisfied with how much sleep they get.

Alarmingly, over 40% regularly sleep six hours or less, well below the recommended seven to eight hours for adults. And more than 80% of leaders say that not enough effort was spent to educate them about the importance of sleep.

The short-term effects of sleep deprivation are well known:

  • daytime sleepiness
  • reduced attention span
  • and slower reaction times.

But the long-term consequences are even more concerning. Chronic sleep deprivation increases the risk of depression, addiction, obesity and metabolic disorders. It also impairs self-regulation, making individuals more prone to impulsive behaviours, from unhealthy eating to substance misuse.

For leaders, sleep isn’t just a health issue, it’s a performance issue. Studies show sleep-deprived leaders are less inspiring, less charismatic and, as mentioned earlier, more likely to be abusive towards their teams.

They struggle to manage their emotions, and often are not aware that their hostility stems from poor sleep. This can initiate a downward spiral: negative interactions lead to rumination and stress, which further disrupt sleep, perpetuating the cycle. Even a few nights of poor sleep can damage leader-follower relationships.

And the consequences extend to ethics. Sleep deprivation compromises moral awareness and increases the likelihood of unethical behaviour. One study found a 2.1-hour reduction in sleep led to a 10% decline in moral awareness.

Education can build a healthier workplace

Given the evidence, leadership development programs must take sleep seriously. Career sustainability for leaders means building mental and physical resilience to meet high job demands, and sleep is central to that.

Leaders also play a critical role in modelling healthy behaviours for their teams. By prioritising sleep, they can foster a culture of wellbeing and sustainable performance.

Unfortunately, sleep is still undervalued in many organisations. But that can change. By educating current and future leaders about the science of sleep, organisations can cultivate more effective, ethical and engaging leadership — and healthier workplaces overall.

So next time your manager seems unusually difficult, consider what kind of night they had. A short or restless sleep might be the invisible force shaping today’s workplace dynamics.

The Conversation

Stefan Volk does not work for, consult, own shares in or receive funding from any company or organisation that would benefit from this article, and has disclosed no relevant affiliations beyond their academic appointment.

ref. Is your manager grumpy in the mornings? Poor sleep can lead to abusive and unethical behaviour – https://theconversation.com/is-your-manager-grumpy-in-the-mornings-poor-sleep-can-lead-to-abusive-and-unethical-behaviour-266793

Skims has put merkins back on the fashion map. Here’s a brief (and hairy) history of the pubic wig

Source: The Conversation – Global Perspectives – By Esmé Louise James, Doctor of Philosophy, The University of Melbourne

The Conversation/Skims

Kim Kardashian’s clothing brand, Skims, has been no stranger to a controversial campaign. Over the past few years, Skims has repeatedly made headlines for releasing divisive products such as the nipple bra and hip-enhancing shorts.

Its latest release is no exception. Last week, the brand announced the release of an A$70 faux hair micro thong, available in twelve different colour and hair texture variations. The product has rightly been identified as a merkin – a pubic wig, or hairpiece for the pubic area.

While this controversial thong has been released as part of a 1970s-themed campaign, the history of the merkin dates much further back.

Venereal disease

The merkin is believed to have originated in the Early Modern period in Europe. The Oxford Companion to the Body dates its debut to 1450, though its exact origin remains contested.

What is known for certain, however, is the function of this curious piece of clothing. By the end of the 15th century, a major syphilis epidemic had swept Europe. The initial outbreak became known as the “Great Pox”. It led to widespread death and disfigurement, before becoming less virulent in later centuries.

As historian Jon Arrizabalaga and colleagues explain:

In some cases, the lips, nose or eyes were eaten away, or on others the whole of the sexual organs.

Pubic wigs became a practical way to conceal signs of the disease around the genital area. As well as hiding syphilitic sores, merkins could help to mask the scent of rotting flesh by adding a lavender-scented powder to the material.

It has been estimated that by the 18th century, one in five Londoners suffered from syphilitic infection. Admission records of London’s hospitals and workhouse infirmaries show syphilis was particularly rife among young, impoverished and mostly unmarried women, who used commercial sex to support themselves.

With no effective cure for the disease found until the beginning of the 20th century, it is hardly surprising merkins were used to conceal undesirable symptoms.

Pubic lice

Pubic wigs also proved useful for preventing the spread of pubic lice. England and France were battling rampant infestations of lice well into the 17th century. Shaving one’s pubic hair was, understandably, a proven method to prevent infestation.

However, this hairless appearance carried a negative stigma, as it was associated with the presence of disease and prolific engagement with vice.

Pubic wigs offered a solution to this perverse beauty paradox of the time, allowing women to appear unshaven (thus, healthy and clean) while being shaven to prevent infestation and spread of lice. The wigs could be boiled or even baked after use to assure sterilisation.

Appearances in literature

Although cultural awareness clearly predates it, the first recorded use of the term “merkin” comes from John Taylor’s Observations and Travel, published in 1617. It features among a satirical list of exotic and indulgent imports – such as “apes, monkeys, merkins, marmosets” – suggesting it was already recognised as a risqué commodity associated with vanity and excess.

The merkin continued to appear across a wide range of literature from the 17th century, particularly in bawdy pieces of work, such as the following 1661 poem:

He laid her on the ground,
His Spirits fell a ferking,
Her Zeal was in a sound,
He edified her Merkin.

Its use is most commonly associated with sex workers, though it is plausible wealthy individuals would also have adorned themselves with merkins to preserve the appearance of beauty and health.

Powdered wigs were adopted by nobility in the 18th century to conceal hair loss and deformities that resulted from syphilis, so it is not a stretch to imagine merkins would have been adopted as well.

By 1786, the term “merkin” had entered the formal lexicon, defined in Francis Grose’s A Classical Dictionary of the Vulgar Tongue as “counterfeit hair for women’s privy parts”.

Merkins today

As public health improved and societal attitudes towards hygiene changed, merkins largely fell out of fashion.

By the late 19th century, they had mostly faded into obscurity and survived only as a quirky historical footnote. One example is the well-known faux-Victorian photograph of a supposed merkin salesman peddling his display case of pubic wigs, which is circulating as though it were a genuine 19th century image.

While the Skims micro thong may appear to be a cheeky novelty, the merkin itself boasts a centuries-long history – evolving from a practical accessory to a provocative fashion statement today.

The Skims line of “full bush” thongs were quickly sold out soon after they were announced. While the company hasn’t made the intention behind the product clear, its virality has certainly sparked a broader conversation about body hair politics.

In many ways, even these cultural conversations mirror those from centuries prior. The merkin’s very existence is proof that women’s body hair has, for hundreds of years, doubled as a potent symbol of health, sexuality, fashion and autonomy.

The Conversation

Esmé Louise James does not work for, consult, own shares in or receive funding from any company or organisation that would benefit from this article, and has disclosed no relevant affiliations beyond their academic appointment.

ref. Skims has put merkins back on the fashion map. Here’s a brief (and hairy) history of the pubic wig – https://theconversation.com/skims-has-put-merkins-back-on-the-fashion-map-heres-a-brief-and-hairy-history-of-the-pubic-wig-267740

Harper Lee’s unpublished stories are not ‘thrilling’ – but offer insight into a literary legend

Source: The Conversation – Global Perspectives – By Paul Giles, Professor of English, Institute for Humanities and Social Sciences, ACU, Australian Catholic University

Harper Lee with actor Mary Badham (‘Scout’ Finch), on the set of To Kill A Mockingbird in 1961. Leo Fuchs/Getty Images

The Land of Sweet Forever consists of eight previously unpublished stories and another eight non-fiction pieces by American author Harper Lee, who died in 2016. The non-fiction essays first appeared in magazines such as McCall’s and Book of the Month Club Newsletter and they are all quite short.


Review: The Land of Sweet Forever – Harper Lee (Hutchinson Heinemann)


Lee’s fame as a writer derives from her novel To Kill a Mockingbird (1960), which sold around 40 million copies and became one of the most widely taught books in United States classrooms during the second half of the 20th century. Its emollient representation of racial tensions in the Deep South chimed nicely with widespread anxieties among traditional white communities arising from civil rights movements of the 1960s.

An earlier draft of Mockingbird, entitled Go Set a Watchman, was published in 2015, shortly before Lee’s death. Again it sold very well, shifting over a million copies in the US during the first week of publication, despite this first version being more ambivalent and less sentimental in tone about enduring racial hostilities.

The eight stories in this new volume, edited by Casey Cep – who is working on an “authorised biography” of Lee – date from the writer’s early years, before Mockingbird. They are set partly in her home town of Maycomb, Alabama, and partly in Manhattan, where Lee lived during the 1950s, working first as a proofreader and then as an airline reservations clerk.

Cep describes the rediscovery of these stories, which were found in Lee’s New York apartment, as “thrilling”. In truth they are mostly slight productions, all written before Lee was 30 and none published in her lifetime. They would probably always have remained in her bottom drawer had it not been for the subsequent success of Mockingbird, but their posthumous rediscovery is valuable because it offers valuable insights into Lee’s artistic development.


Penguin Books

There is nostalgia here for the world of childhood, something that later helped to ensure Lee’s massive popularity. The narrator of one story, “The Cat’s Meow” intimates that “no matter how long I lived away from home I would always be from Maycomb, Alabama”.

Though she resists the “deep-water segregationist” atmosphere of her hometown, Lee’s narrative persona in this story continually regresses to the perspectives of childhood: “I suddenly felt ten years old again.” Indeed, the psychological conflict between the safety she nostalgically associates with her early life and a more knowing adult perspective forms the crux of Lee’s work, both in these stories and her later fiction.

Another of these early stories, “A Roomful of Kibble”, offers a sympathetic portrait of the narrator’s friend Sarah at the University of Alabama. Sarah’s alleged transgressions – having a “bottle of beer in her hand” and “an irreverent attitude toward the Dean of Women” – make the tone of this story seem comically dated.

At the end, however, Sarah shuts the door in the face of a neighbour who has accidentally set herself on fire in the kitchen, because they had previously argued about barking dogs. This causes the unfortunate woman to burn “to a crisp in the hall”. This weird juxtaposition of gentility and murderous violence anticipates Lee’s more mature gothic style.

Dark humor

The most compelling aspect of these stories is their dark humour and restrained satire. This arises from the narrator’s sense of distance from domestic pieties. Lee’s narrators are attracted instinctively to the role of onlooker, caught between two worlds, but detached from both. They are neither fully immersed in Manhattan nor entirely at home back in Alabama.

Harper Lee.
Photo: Michael Brown

One of the most amusing stories, “This is Show Business?”, features the narrator trying to help out a New York friend who is running errands by driving her car round the block in Manhattan to evade a parking patrolman.

Possessing only an Alabama driving licence and having never driven in New York, she describes the car sardonically as “one of those push-button affairs where if you know what to do, everything is done for you”. The disorientation experienced by the Southern girl is treated in an offhand manner, but her discomfort is palpable.

Yet there is a similar sense of discomfort when the focus switches back to Alabama. The story that gives this collection its title, “The Land of Sweet Forever”, starts with an ironic pastiche of Jane Austen’s famous first sentence to Pride and Prejudice:

It is a truth generally acknowledged by the citizens of Maycomb, Alabama, that a single woman in possession of little else but a good knowledge of English social history must be in want of someone to talk to.

But the story then develops into a typically double-edged description of Maycomb’s Methodist church, with the narrator ghoulishly observing: “There is nothing like a blood-curdling hymn to make one feel at home.” Given this sense of alienation, strategic silence becomes a useful tool in dealing with Bible-bashers and recalcitrant family members. Warding off her overtly racist sister, the narrator of “The Cat’s Meow” says “the first lesson of living at home these days” is “if you don’t agree with what you hear, place your tongue between your teeth and bite hard”.

‘National fantasy’

Penguin Australia, under the Hutchinson Heinemann imprint, is clearly targeting a mass audience for this book, imposing a “strict embargo” until publication day. The publisher is hoping these early stories and incidental pieces will be eagerly seized upon by Lee’s loyal fans, just as Go Set a Watchman was ten years ago.

It is certainly interesting to have these obscure and unpublished works now made available, but in truth this volume more resembles a scholarly edition of a famous author’s juvenilia than the kind of major publishing event that would mark the unearthing of literary buried treasure.

The non-fiction pieces are particularly varied in quality, with some interesting comments by Lee on her friend Truman Capote and on Gregory Peck, who played the role of Atticus Finch in the film of Mockingbird. Lee describes this as “an inspired performance” by Peck. She also writes revealingly about slavery, describing it as “man’s oldest institution”.

Harper Lee with actor Gregory Peck in 1962.
Bettmann/Getty Images

A 2006 letter to Oprah Winfrey, which appeared in The Oprah Magazine, includes some barbed remarks about e-books. Lee asks the television impresario if she could “imagine curling up in bed to read a computer” in the way she herself wept for Anna Karenina during her Alabama youth.

But Lee was certainly no systematic critic and to include her recipe from a 1961 edition of The Artists and Writers’ Cookbook seems to be scraping the barrel in every sense. The book is also not helped by the publisher’s choice of “The Land of Sweet Forever” as the running head throughout this volume, a flaw in production that makes it difficult to locate the book’s individual pieces.

Harper Lee will always have an important place in American cultural history because To Kill a Mockingbird touched a vital cultural nerve in the 1960s, just as Harriet Beecher Stowe’s Uncle Tom’s Cabin did a hundred years earlier. Like other immensely popular (and teachable) works such as The Great Gatsby, Lee’s work speaks to what critic Lauren Berlant called a condition of “national fantasy”.

In Berlant’s analysis, readers project their dreams and anxieties onto a particular version of the mythological mystique of the US. This kind of utopian vision manifests itself through material wealth and individual success in Gatsby, or through childhood security and racial harmony in Mockingbird.

Given the power of this idyllic vision, Lee was perhaps wise not to risk sullying it by engaging too actively with the rise and fall of critical fortunes normally associated with a long literary career. The social resonance of several writers in mid-20-century America – J.D. Salinger is the most obvious case – derived largely from their reticence, their unavailability for interviews or public appearances.

The apparently oracular nature of the author’s literary works seemed to be enhanced by the parsimonious scarcity of their output. Ralph Ellison’s Invisible Man (1952) promoted the invisibility not only of the novel’s fictional protagonist but also his elusive creator. This was, of course, the very reverse of today’s relentless circuit of authorial self-promotion, boosted as it is by publishing conglomerates eager for market spotlight. In this, as in so many other ways, Lee seems to be an author from a lost era.

Nevertheless, it is useful to gain from these pieces a clearer understanding of the complex historical situation within which Lee was working. It is chastening to recollect that the world Lee is chronicling is as distant in time from us as Herman Melville’s representation of New York in the 1850s was from that of F. Scott Fitzgerald in The Great Gatsby (1925).

Lee’s agent Maurice Crain described the author in 1956 as “a nice little Southern gal from Alabama”. Patronising though this undoubtedly was, it pinpointed an identity that Lee herself never entirely sought to outgrow. Many of Lee’s preoccupations can be recognised in embryonic form in The Land of Sweet Forever.

From the tone of her introduction to this book, it seems possible that Cep’s forthcoming “authorised biography” might possibly be too beholden to Lee’s legend. In due course, though, there might be opportunities for a fuller reassessment of Lee’s prominent position in 20th-century American literature.

I could imagine a critical work that would pay proper attention to her literary interplay between child and adult (perhaps involving queer theory), her perceptive probing of split selves, her capacity to bridge many different audiences and her canny awareness of how intense racial prejudice continued to lurk within ostensibly enlightened white communities in the Deep South.

Given her totemic popularity, Lee appears to be an author ripe for cultural reassessment. To that wider end, Cep’s biographical excavations may well in time prove indispensable.

The Conversation

Paul Giles previously received funding from the Australian Research Council.

ref. Harper Lee’s unpublished stories are not ‘thrilling’ – but offer insight into a literary legend – https://theconversation.com/harper-lees-unpublished-stories-are-not-thrilling-but-offer-insight-into-a-literary-legend-267842

From warning to reality: Canada’s escalating hate crisis demands action

Source: The Conversation – Canada – By Frederick John Packer, Associate Professor of Law and former Director of the Human Rights Research and Education Centre (2014-2025), L’Université d’Ottawa/University of Ottawa

Widespread, unrestrained hatred and polarization in the United States recently jolted Americans when conservative influencer Charlie Kirk was gunned down in broad daylight. As thousands of attentive students at Kirk’s Utah event watched in horror, thousands more have seen it unfold online — an experience none will easily forget.

In the aftermath of the shooting, the U.S. became engulfed in extremist reactions, unsubstantiated accusations and escalatory rhetoric.

The hatred and violence have barely subsided. U.S. President Donald Trump and War Secretary Pete Hegseth stoked further fears while addressing an assembly of American generals and admirals and warning of an “enemy from within” that needs to be met with military force in some of America’s largest cities.

Language fuels extremism

Political violence has long been associated with the United States. But heated and volatile politics is fuelling extremist movements around the world, undermining social cohesion and the political stability required for sustainable peace and prosperity.

Canada is facing this same challenge and needs urgently to reverse the trend.

In a previous article published shortly after the Oct. 7, 2023 attacks against Israel by Hamas, one of us warned of a dangerous surge in hate crimes against Jewish and Muslim communities in Canada.




Read more:
Israel-Hamas war: Canada must act to prevent hate crimes against Muslim and Jewish communities


Decisive action was urged to protect vulnerable populations. Those fears have not only materialized, but have intensified.

Crisis in Canada, too

The June 2025 assassination of Melissa Hortman, Democratic speaker of the Minnesota House of Representatives, and attacks on other legislators, starkly illustrates the prevailing threat — not just in the U.S., but in Canada as well.

Canadian lawmakers are facing greatly increased threats. In 2020, a former Canadian army reservist rammed his truck through the gates of Rideau Hall to confront Prime Minister Justin Trudeau with firearms in what a judge called a “politically motivated armed assault intended to intimidate Canada’s elected government.”




Read more:
11 years after the Parliament Hill shooting, is Canada doing enough to tackle political violence?


Some argue we’re living in a “hateful era of public speech” as toxic language emboldens real-world violence.

This grim reality echoed throughout the International Conference on Countering Hate and Polarization at the University of Ottawa in May 2025, when community leaders, scholars, practitioners and policymakers came together to discuss possible solutions to the crisis.

Rising hate crimes

Hate crimes motivated by racism, homophobia, antisemitism and Islamophobia have sharply increased in Canada, according to statistics from Canadian police services:

  • There were 4,777 hate-motivated incidents in 2023, a 32 per cent increase over 2022 (3,612 incidents)
  • That marked the third sharp rise in four years and was more than double the 2019 rate
  • Religion-based hate crimes surged 67 per cent
  • Antisemitic incidents were up 71 per cent (900 cases)
  • Islamophobic incidents were up 94 per cent (211 cases).

These are only the reported and recorded cases; undoubtedly, there are many more incidents since victims often fear reporting, or incidents are not categorized by police as hate crimes.

Marginalized groups in Canada, including diaspora communities, face particular vulnerability, as discussed at the Ottawa conference by representatives of different communities, including Hazaras, Yazidis, Hizmet and others.

Small minorities are especially targeted and vulnerable. They endure threats, intimidation and surveillance connected to overseas conflicts, compounding historical trauma and undermining their sense of safety, security and belonging in Canada.

The ongoing hate rhetoric against diaspora communities both in their countries of origin and in Canada fuels hate crimes against them and facilitates the increasing transnational repression aimed against them.




Read more:
New commission sheds light on how diaspora communities are impacted by foreign interference


The role of social media

Social media platforms thrive on outrage, amplifying divisive content that fuels anger and resentment.

Experts at the Ottawa conference emphasized that algorithms reward inflammatory posts, creating echo chambers that isolate communities and silence diverse perspectives. So far, profit-seeking social media corporations and their directors have been shielded from any accountability or liability — criminal or civil — despite established roles in political violence, including genocides.




Read more:
Unliked: How Facebook is playing a part in the Rohingya genocide


This state of affairs has motivated some jurisdictions, like Australia, to ban social media for children.

But addressing hate and polarization requires more than stronger laws. While it’s critical to enhance existing legal tools, such as clearly defining hate-motivated crimes, it’s not enough without broader systemic reforms.

5 ways to take concrete action

1. Online platforms must be held accountable.

The European Union’s Digital Services Act offers a useful model for regulating harmful online content, emphasizing transparency and responsibility. Canada should adopt similar measures, ensuring tech companies prioritize public safety over profit.

At the University of Ottawa conference, speakers highlighted Canada’s proposed Online Harms Act (Bill C-63), underlining the need for balanced, carefully defined legislation that safeguards free expression while effectively combating online hate.

2. Police and prosecutors need better training.

At the Ottawa conference, Mariam Musse of the Office of the Federal Ombudsperson for Victims of Crime, along with policy and legal researcher Hannan Mohamud, explained that police often lack the necessary cultural sensitivity and trauma-informed approaches.

Implementing mandatory anti-bias and human rights training can help build trust between law enforcement and communities. Positive examples in Toronto and Ottawa shed light, but need guaranteed, long-term funding.

3. Canada must focus its response on victims.

Strengthening the 10-year-old Canadian Victims Bill of Rights, increasing funding for culturally sensitive support services and improving access to compensation can empower victims and help communities heal. Collecting detailed demographic data is critical to understand the full impact of hate crimes and tailor effective solutions.

4. Community-led dialogue initiatives are essential.

Investing in grassroots organizations that regularly bring diverse groups together can build genuine relationships and reduce prejudice. This must begin in schools.

5. Addressing socio-economic inequalities is crucial.

At the Ottawa conference, Victoria Kuketz of the Public Policy Forum’s Democracy Project pointed out that financial pressures, housing crises and political opportunism fuel resentment and radicalization. Tackling these issues through inclusive social policies will reduce the appeal of hateful narratives.

Our shared responsibility

Effective activism requires a clear, hopeful vision, not just resistance to threats. Without a positive vision for society, efforts risk becoming reactionary rather than transformative.

Canada is long past the warning stage: hate and polarization are palpably threatening our democracy, social cohesion and public safety every day. The path forward is clear: collective, sustained and compassionate action through means and approaches that are proven to work.

So far, Canada’s response is inadequate, hesitant and late.

Policymakers need to take action, including establishing a dedicated national body to address all hate-motivated crime, working with provincial authorities to support local programs across Canada and promoting community-wide actions tailored to specific needs.

By embracing dialogue, strengthening communities and implementing systemic reforms, the rich diversity that defines Canada will be protected and a safer future will be secured for everyone. But it requires investing in the proven methods of countering hate and polarization and ending the blight with determination and urgency.

The Conversation

Frederick John Packer receives funding from the Open Society Foundations and the Social Sciences and Humanities Research Council of Canada.

Davut Akca receives funding from the Social Sciences and Humanities Research Council (SSHRC).

ref. From warning to reality: Canada’s escalating hate crisis demands action – https://theconversation.com/from-warning-to-reality-canadas-escalating-hate-crisis-demands-action-265933

What the US$55 billion Electronic Arts takeover means for video game workers and the industry

Source: The Conversation – Canada – By Johanna Weststar, Associate Professor of Labour and Employment Relations, DAN Department of Management & Organizational Studies, Western University

Electronic Arts (EA) is one of the world’s largest gaming companies. It has agreed to be acquired for US$55 billion in the second largest buyout in the industry’s history.

Under the terms, Saudi Arabia’s sovereign wealth fund (a state-owned investment fund), along with private equity firms Silver Lake and Affinity Partners, will pay EA shareholders US$210 per share.

EA is known for making popular gaming titles such as such as Madden NFL, The Sims and Mass Effect. The deal, US$20 billion of which is debt-financed, will take the company private.

The acquisition reinforces consolidation trends across the creative sector, mirroring similar deals in music, film and television. Creative and cultural industries have a “tendency for bigness,” and this is certainly a big deal.

It marks a continuation of large game companies being consumed by even larger players, such as Microsoft’s acquisition of Activision/Blizzard in 2023.




Read more:
Microsoft buys Activision Blizzard: with the video game industry under new management, what’s going to change?


Bad news for workers

There is growing consensus that this acquisition is likely to be bad news for game workers, who have already seen tens of thousands of layoffs in recent years.

This leveraged buyout will result in restructuring at EA-owned studios. It adds massive debt that will need servicing. That will likely mean cancelled titles, closed studios and lost jobs.

In their book Private Equity at Work: When Wall Street Manages Main Street, researchers Eileen Appelbaum and Rosemary Batt point to the “moral hazard” created when equity partners saddle portfolio companies with debt but carry little direct financial risk themselves.

The Saudi Public Investment Fund (PIF) is looking to increase its holdings in lucrative sectors of the game industry as part of its diversification strategy. However, private equity firms subscribe to a “buy to sell” model, focusing on making significant returns in the short term.

Appelbaum notes that restructuring opportunities are more limited when larger, successful companies — like EA — are acquired. In such cases, she says, “financial engineering is more common,” often resulting in “layoffs or downsizing to increase cash flow and service debt.”

Financial engineering combines techniques from applied mathematics, computer science and economic theory to create new and complex financial tools. The failed risk management of these tools has been implicated in financial scandals and market crashes.

Financialization and the fissured workplace

The financialization of the game industry is a problem. Financialization refers to a set of changes in corporate ownership and governance — including the deregulation of financial markets — that have increased the influence of financial companies and investors.

It has produced economies where a considerable share of profits comes from financial transactions rather than the production and provision of goods and services.

It creates what American management professor David Weil calls a “fissured workplace” where ownership models are multi-layered and complex.

It gives financial players an influential seat at the corporate decision-making table and directs managerial attention toward investment returns while transferring the risks of failure to the portfolio company.

As a result, game titles, jobs and studios can be easily shed when financial companies restructure to increase dividends, leaving workers with little access to these financial players as accountable employers.

Chasing incentives and cutting costs

The Saudi PIF has stated a goal of creating 1.8 million “direct and indirect jobs” to stimulate the Saudi economy. But capital is mobile, and game companies will likely follow jurisdictions that have lower wages, fewer labour protections and significant tax incentives.

Some Canadian governments are working to keep studios and creative jobs closer to home. British Columbia recently increased its interactive media tax credit to 25 per cent.

The move was welcomed by the chief operations officer of EA Vancouver, who said “B.C.’s continued commitment to the interactive digital media sector…through enhancements to the … tax credit … reflects the province’s recognition of the industry’s value and enables companies like ours to continue contributing to B.C.’s creative and innovative economy.”

This may buffer Vancouver’s flagship EA Sports studio, but those making less lucrative games or in regions without financial subsidies will be more at risk of closure, relocation or sale. Alberta-based Bioware — developer of games including Dragon Age and Mass Effect — could be at risk.

Other ways of aggressively cutting costs might come in the form of increased AI use. EA was called out in 2023 for saying AI regulation could negatively impact its business. Yet creative stagnation and cutting corners through AI will negatively impact the number of jobs, the quality of jobs and the quality of games. That could be a larger threat to EA’s business and reinforce a negative direction for the industry.

Game players have low tolerance for quality shifts and predatory monetization strategies. Research shows that gamers see acquisitions negatively: development takes longer, innovation is curtailed and creativity is stymied.

Consolidation among industry giants may cause players to lose faith in EA’s product — and games in general, given the many other entertainment options that are available.

Creative control and worker power at risk

Some have raised concerns that the acquisition could affect EA’s creative direction and editorial decisions, potentially leading to increased content restrictions.

While it’s still unclear how the deal will influence EA’s output, experiences in other industries might be a sign of things to come. For instance, comedians reportedly censored themselves to perform in Saudi Arabia.

The acquisition may also have a chilling effect on the workers’ unionization movement. Currently, no EA studios in Canada are unionized. Outsourced quality assurance workers at the EA-owned BioWare Studio in Edmonton successfully certified a union in 2022, but were subsequently laid off. Fears of outsourcing, layoffs and restructuring could discourage future organizing efforts.

On the other hand, the knowledge that large financial players are making massive profits could galvanize workers, especially considering that before the buyout, EA CEO Andrew Wilson was paid about 264 times the salary of the median EA employee.

The deal certainly does nothing to bring stability to an already volatile industry. Regardless of any cash injection, EA remains very exposed.

The Conversation

Johanna Weststar has received funding from the Social Sciences and Humanities Research Council and the Dancap Private Equity Research Award in the DAN Department of Management and Organizational Studies at Western University. She produces the Developer Satisfaction Survey for the International Game Developers Association.

Sean Gouglas receives funding from the Social Science and Humanities Research Council. He also serves as a member of the survey committee for the Higher Education Video Game Alliance.

Louis-Etienne Dubois does not work for, consult, own shares in or receive funding from any company or organisation that would benefit from this article, and has disclosed no relevant affiliations beyond their academic appointment.

ref. What the US$55 billion Electronic Arts takeover means for video game workers and the industry – https://theconversation.com/what-the-us-55-billion-electronic-arts-takeover-means-for-video-game-workers-and-the-industry-267206

How spacefaring nations could avoid conflict on the Moon

Source: The Conversation – UK – By Simonetta Di Pippo, Director of the Space Economy Evolution Lab, Bocconi University

In the 1960s, Frank Sinatra’s song Fly Me to the Moon became closely associated with the Apollo missions. The optimistic track was recorded in 1964, when US success against the Soviet Union in the Moon race was not assured.

Nevertheless, when the crew of the Apollo 11 mission landed first on the lunar surface in 1969, the Sinatra song became an appropriate tune for an era when, in the West, anything seemed possible.

In the 21st century, the exploration of the Moon will take a different form. Several countries want to go there and stay. The US, China and international partners on both sides have plans to establish permanent bases on the lunar surface – raising the possibility of conflict.

The bases will be located at the south pole of the Moon, which has valuable resources such as abundant water in the form of ice. This ice, locked up in permanently shadowed craters, could be turned into water for use by lunar bases and into rocket fuel to support ongoing exploration and the people living there. The Moon may also have valuable minerals, such as rare earth metals, that countries may want to extract.

But such resources will be limited, as are suitable sites for landing and building lunar bases. The potential for conflict between nations in space is not beyond the realms of possibility.

However, there are measures that can be taken to ensure that the future is a cooperative one. So a song as optimistic as Fly Me To The Moon could serve as the soundtrack to this new age in exploration, just as it did in the 1960s and 70s.

International treaties could be the solution, together with a willingness of countries to operate responsibly. The outer space treaty of 1967 says that space is not subject to national appropriation by claim of sovereignty, or by means of use or occupation. At the same time, article I of the treaty considers space as a global common, and states that the exploration and use of space is for all nations, including its resources.

A vital question is whether the Moon’s water ice be used without some level of appropriation.

Moon agreement

The Artemis accords, a set of guidelines initiated by the US, is a bottom-up attempt to establish a common behaviour. Section 10 of the Artemis accords says that the “extraction of space resources does not inherently constitute national appropriation under Article II of the Outer Space Treaty”.

It also proposes the use of temporary “safety zones” around operations to extract resources. Signatories to the Artemis accords must provide notification of their activities to other nations and commit to coordinating to avoid harmful interference.

However, these safety zones are highly controversial because they could be seen as a breach of the outer space treaty’s non-appropriation principles, to say the least. To some, these zones could create de facto ownership rights over space resources.

As of now, 56 countries have signed the Artemis accords. Thailand and Senegal have signed the US-led accords and are also involved in China’s lunar base project. As such, these nations provide a bridge between the two programmes and hope for collaboration.

The Moon agreement, adopted in 1979 by the UN, also governs how Earth’s natural satellite should be used. There are a lot of interesting features in this treaty, including a call for transparency, with requirements for states to share information about their lunar activities, and an international effort to manage lunar resources.

The aim is to build confidence between signatories to the agreement. Like the outer space treaty, it strictly prohibits the national appropriation of space resources.

A major impediment is that neither China, nor the US nor the Russian Federation have signed up. However, in my view, the Moon agreement provides the best framework for the future – without further treaties or accords. Nations just need to use it. And if one or two articles need a change, they should be changed.

New era

The world is standing on the verge of a new age in lunar exploration. Whether the US or China arrive there first, there is a new will to establish a permanent presence on Earth’s natural satellite. China, along with about ten countries, is planning a base called the ILRS (International Lunar Research Station). Nasa, meanwhile, is developing a lunar station called Artemis Base Camp.

Nasa astronaut candidates
Members of the new astronaut class could fly on missions to the Moon.
Nasa

These will take some time to build, but nations are already off the starting blocks. Nasa’s Artemis II mission, which will carry four astronauts on a flyby of the Moon, is set to launch in February 2026. On September 24 this year, the US space agency also announced a new class of astronauts who are likely to fly on future missions to the lunar surface.

These developments show that there is the potential for a more equitable future in space than the one we have experienced in the past. I couldn’t help notice, for example, that of the 10 newly selected astronauts, 60% are women, which is a first.

China recently completed a test of its crewed lunar lander, Lanyue. Its ILRS lunar base project has signed up nations without a long track record in human space exploration.

So how can countries ensure that they capitalise on the promise of a cooperative future in space and avoid transferring existing rivalries – and inequities – beyond Earth’s boundaries?

Replicating the wild west on the Moon, where the first person to arrive claims the the land, is not an option in the 21st century. Humans will all be “terrestrials” when they land on the Moon, regardless of national flags.

Space can be a platform for diplomacy as well as conflict. It can also be a tool for socio-economic development. These are powerful incentives for humankind to act as partners on the final frontier.

Expanding humanity’s footprint beyond Earth is the biggest challenge of this century and beyond. So a global effort to explore outer space collaboratively and peacefully is not only possible, but mandatory.

The Conversation

Simonetta Di Pippo does not work for, consult, own shares in or receive funding from any company or organisation that would benefit from this article, and has disclosed no relevant affiliations beyond their academic appointment.

ref. How spacefaring nations could avoid conflict on the Moon – https://theconversation.com/how-spacefaring-nations-could-avoid-conflict-on-the-moon-267125

How Jane Austen’s landscapes mapped women’s lives

Source: The Conversation – UK – By Nada Saadaoui, PhD Candidate in English Literature, University of Cumbria

Jane Austen’s novels are often remembered for their wit, romance and sharp social critique. Yet they are also profoundly geographical works: cities, seaside resorts, country estates and naval towns structure the possibilities and limitations of her heroines’ lives.

In Austen’s world, place equals power. Where a woman could walk, who she might encounter and how her movements were constrained often determined the course of her story. Tracing Austen’s fictional geographies – from Bath’s promenades to Brighton’s dangers, Portsmouth’s naval streets and the expansive grounds of Pemberley – reveals how these locations shaped women’s freedoms, reputations and choices.

For Catherine Morland in Northanger Abbey (1817), Bath is both exciting and bewildering. She is “about to be launched into all the difficulties and dangers of a six weeks’ residence in Bath”. The phrase parodies gothic terror while also capturing Catherine’s unpreparedness for the subtler hazards of urban sociability: flattery, pretence and manipulation.

Her early walks are tentative. She dutifully accompanies Mrs Allen to the Pump Room, where they “paraded up and down for an hour … looking at everybody and speaking to no one”. The scene highlights both the possibilities and frustrations of urban walking: exposure to fashionable society without any guarantee of genuine connection.


This article is part of a series commemorating the 250th anniversary of Jane Austen’s birth. Despite having published only six books, she is one of the best-known authors in history. These articles explore the legacy and life of this incredible writer.


Anne Elliot in Persuasion (1817) moves through Bath with greater clarity. Where Catherine mistakes politeness for affection, Anne recognises the city as a site of display and competition. For her, Bath represents confinement. She longs for the lawns and groves of Kellynch Hall, where she once walked freely: “She disliked Bath, and did not think it agreed with her; and Bath was to be her home.”

Bath’s crowded rooms and choreographed promenades stand in stark contrast to the restorative rural landscapes Anne loves. Through both heroines, Austen portrays the city as a stage on which women must learn to navigate visibility, reputation and choice.

Brighton: risk, display and reputation

If Bath is a space of display, Brighton brims with danger. As a fashionable seaside resort, it promised excitement and opportunity, but for young women it carried real risk.

In Pride and Prejudice (1813), 15-year-old Lydia Bennet imagines Brighton as paradise: “In Lydia’s imagination, a visit to Brighton comprised every possibility of earthly happiness … the streets of that gay bathing-place covered with officers.”

Lydia demands to go to Brighton in the 1995 adaptation of Pride and Prejudice.

Lydia’s giddy enthusiasm blinds her to danger, and the fantasy ends in disaster. Allowed too much freedom, she elopes with a cad, Wickham, disgracing her family. Yet after the marriage is hastily arranged, she boasts: “I only hope they may have half my good luck. They must all go to Brighton. That is the place to get husbands.”

Lydia’s naïve pride underscores Austen’s critique of Brighton as a site of social peril. This negative portrayal was not accidental: Brighton was strongly associated with the Prince Regent and his notorious lifestyle, whose extravagance Austen quietly mocked, despite him being a big fan. In her writing, the resort embodies a world of unregulated freedom and moral laxity – a place where allure could swiftly lead to ruin.

Portsmouth: naval life and restricted mobility

In Mansfield Park(1814), Fanny Price’s return to her family home in Portsmouth reveals another urban geography, shaped not by leisure but precarity.

This naval town, sustained by war and colonial trade, is crowded, noisy and unstable. Unlike the protected grounds of Mansfield, where walking fosters reflection, Portsmouth’s streets are chaotic and male-dominated, exposing women to scrutiny and risk.

Henry Crawford visits Fanny in Portsmouth in the 1999 film of Mansfield Park.

Fanny recoils at her new surroundings: “The men appeared to her all coarse, the women all pert, everybody under-bred.” Walking here is not liberating but “strange, awkward, and distressing״.

When Henry Crawford suggests going for a walk with Fanny, it is treated as rare and functional. Mrs Price admits her daughters “did not often get out” unless “they had some errands in the town”. Henry, wealthy and male, strolls without restriction. Fanny and her sister Susan, by contrast, can only walk under supervision.

Austen uses Portsmouth to highlight how class, gender and geography intersect to restrict women’s mobility and reinforce inequality.

Pemberley: moral geography and possibility

By contrast, the countryside walks at Pemberley in Pride and Prejudice offer Elizabeth Bennet a landscape of harmony and possibility.

Austen describes “a large, handsome stone building, standing well on rising ground״, surrounded by woods, streams and “great variety of ground”. Elizabeth and her aunt and uncle gradually ascend through “a beautiful wood stretching over a wide extent” before their first view of the house. This prompts her famous reflection: “She had never seen a place for which nature had done more … At that moment she felt that to be mistress of Pemberley might be something!”

Lizzie visits Pemberley in the 2005 adaptation of Pride and Prejudice.

Unlike the artificial grandeur of other estates, Pemberley harmonises with its natural setting, reflecting Darcy’s character. Its “natural importance” conveys authenticity rather than display. Walking here is exploratory and expansive, offering shifting perspectives that mirror Elizabeth’s changing emotions.

Pemberley becomes moral geography: a space whose openness and balance anticipate a union founded on respect, responsibility and freedom.

Across her fiction, Austen maps women’s lives through the spaces they inhabit and traverse. Bath exposes the pressures of visibility, Brighton the risks of temptation, Portsmouth the limits of mobility and Pemberley the possibilities of harmony. Walking, whether through crowded assembly rooms, along seaside promenades or across open parkland, becomes a measure of female agency.

Austen’s mapped worlds remind us that geography is never neutral. It shapes choices, relationships and power. Her novels continue to resonate because they ask a question still urgent today: where, and how freely, can women move?


Looking for something good? Cut through the noise with a carefully curated selection of the latest releases, live events and exhibitions, straight to your inbox every fortnight, on Fridays. Sign up here.


The Conversation

Nada Saadaoui does not work for, consult, own shares in or receive funding from any company or organisation that would benefit from this article, and has disclosed no relevant affiliations beyond their academic appointment.

ref. How Jane Austen’s landscapes mapped women’s lives – https://theconversation.com/how-jane-austens-landscapes-mapped-womens-lives-266878

The Twits: new Netflix adaptation brings Roald Dahl’s magic to life

Source: The Conversation – UK – By Oliver Gingrich, Programme Lead BA (Hons) Animation, University of Greenwich

A film adaptation of Roald Dahl’s classic children’s book The Twits has been promised for more than two decades. The Netflix animation plays to the strengths of the beloved classic, while adapting it to present times. Dark humour, many pranks, twists and turns ensure an enjoyable visual feast.

The film was written, directed and produced by the Oscar-nominated film-maker Phil Johnston, also known for his animated films Wreck-it Ralph (2012) and Zootopia (2016). The Twits is a fast-paced, whirlwind animation that speaks to audiences of all ages.

In this contemporary adaptation, the vindictive Mr and Mrs Twit (Johnny Vegas and Margo Martindale) are joint owners of the dilapidated amusement park Twitlandia. In a reinterpretation from the original plot, the park is now located in America, and its attractions include rides made out of toilets. The derelict rides are powered by the Muggle-Wumps – colourful monkey-like creatures that are held prisoner by the Twits.

The Twits spread their spite towards each other all over their hometown. When Twitlandia gets shut down by the police, they choose to take revenge on the city. Their evil scheming is uncovered by two unlikely heroes, orphans Beesha (Maitreyi Ramakrishnan) and Bupsie (Ryan Anderson Lopez), who set out to unmask the Twits and free the Muggle-Wumps from their misery.

The trailer for The Twits.

The story leans on the original while reimagining it for global audiences, combining Dahl’s dark humour with a contemporary tale of public deceit. The Twits remain as intransigently nasty and detestable as in the original book, in keeping with Dahl’s fairytale juxtaposition of good versus evil.

Animation artistry

Some critics have taken issue with the Americanisation of the plot. But from an animation perspective, the film’s craftsmanship and collaborative 3D animation expertise still warrant recognition.

The environment design is complex and visually eclectic. The lighting design, meanwhile, is successfully atmospheric and supports the moody and dark twilight present throughout most of the story world.

Though it has been created through CGI, at first glance the film looks like a stop-motion production. The texture of the animation appears almost realistic if not quite painterly, with an aesthetic reminiscent of the 2014 stop-motion film, Box Trolls. The character designs make original use of what is known as shape language – the effective use of simple shapes in character design to communicate both personality and emotion to the viewer.

A fast-paced story like The Twits would be difficult to tell other than through CGI animation. Set pieces such as a city sinking in hot dog grease, a house being displaced by an angry mob and the magic of the Muggle-Wumps require a wealth of technical animation skills.

The magic of animated feature films stems from a substantial team effort. And a successful animation team requires a supportive ecosystem to thrive. The talent list for this film includes more than 350 highly technically skilled artists across cinematography and layout, 3D modelling, art direction, 3D character design, rigging, 3D environment design, 3D lighting, sound, rendering and other fields.

The Twits was produced by the British animation company Jellyfish Pictures before its animation studio closed its doors forever earlier this year. Against the backdrop of a volatile animation industry landscape, it remains important to ensure a favourable climate for animation companies in the UK through continued access to funding, tax breaks and support for skills development in animation practices.

The UK has a longstanding history in children’s animation from the Woodentops in the 1950s to the many iterations of Noddy’s adventures, to Aardman Animation’s many successes, most notably Wallace and Gromit. The UK remains a leading global centre for children’s animation. It is therefore no surprise that the UK was at the heart of the animation pipeline for The Twits.

Animation UK estimates the UK Animation industry’s value at £1.7 billion, with a workforce of 16,000 and over 800 animation production companies. While there are economic challenges, the sector continues to be fuelled by a diverse, highly skilled workforce in which 93% hold a degree. Regional centres such as the University of Greenwich or the National Centre for Computer Animation provide animation degrees across 2D and 3D animation, in support of a talent pool for animated features such as The Twits.

As an international co-production, The Twits points to the fast-paced changes and challenges the animation industry is experiencing globally. But despite such economic headwinds, The Twits is a case in point for just what a labour of love an animated feature film is.


Looking for something good? Cut through the noise with a carefully curated selection of the latest releases, live events and exhibitions, straight to your inbox every fortnight, on Fridays. Sign up here.


The Conversation

Oliver Gingrich receives funding from Arts and Humanities Research Council.

Min Young Oh does not work for, consult, own shares in or receive funding from any company or organisation that would benefit from this article, and has disclosed no relevant affiliations beyond their academic appointment.

ref. The Twits: new Netflix adaptation brings Roald Dahl’s magic to life – https://theconversation.com/the-twits-new-netflix-adaptation-brings-roald-dahls-magic-to-life-267759