Category: The Conversation

Source: The Conversation – Canada – By Sam Routley, PhD Candidate, Political Science, Western University

With the support of almost 90 per cent of party delegates, Pierre Poilievre’s Conservative party leadership review results are clear and decisive.

These results not only demonstrate that the party continues to believe that he is their best option to win the next federal election, but that a large majority of Conservatives remain broadly united behind his leadership and message.

Post-election reflection

Poilievre entered the review following a period of assessment and recovery. As is typical after an election loss, this phase involved internal debate, intense media scrutiny and renewed attention to the leader’s perceived weaknesses.

Critics pointed to a familiar set of concerns: Poilievre’s attack-dog political style, his strained relationship with much of the national media and his perceived alignment with American populism, particularly Donald Trump.

His approach, they argued, had been designed for Justin Trudeau and was less effective against the former prime minister’s replacement, Mark Carney. Polling reinforced the sense of unease. While the Conservative Party continues to be seen as a better economic manager, Poilievre also lags behind Carney in personal popularity.

Organizational concerns also compounded these doubts. Controversies over nomination processes and strained relationships with other Conservative politicians, particularly Ontario Premier Doug Ford, raised questions about party management and coalition-building.

Within conservative intellectual circles, there has also been extensive ideological debate about tone, strategy and the party’s electoral ceiling.

Poilievre, after all, had to win an Alberta by-election after he lost his Ottawa seat in the federal election and has faced high-profile floor crossings over the past several months.

Yet this moment of reflection proved more cathartic than transformative. Much of the criticism levelled against Poilievre by Conservatives proved fleeting, an emotional response to loss rather than a durable movement to replace him. Instead, it reflected a familiar post-election pattern: disappointment amplified by punditry and frustration rather than a genuine collapse of confidence within the party.

Election results

How did Poilievre survive? Likely because the election results themselves were ambiguous. Although the Conservatives failed to form government, they were otherwise successful by many other measures.

They increased their vote share, expanded their support to new voter constituencies — especially young adults and recent immigrants — and demonstrated strength on core issues such as affordability, housing and cost of living. From the conservative perspective, this suggests incompletion — an inability to seal the final deal — rather than total rejection.

With the largest share of the popular vote for any Conservative party in Canada since 1988, the only thing that stood between the party and governing was a few percentage points.

This creates a powerful argument for continuity. Replacing Poilievre would have required the party to gamble that a new leader could quickly unify the coalition, define themselves nationally and outperform an already familiar figure in Carney — all without the benefit of incumbency or clear front-runner status.

Compounding this, of course, was the absence of a clear successor. No alternative candidate commanded widespread loyalty or offered an obviously superior electoral profile. In such circumstances, continuity becomes the least risky option.

The broader political and electoral context also matters. While Carney may be more personally popular than Poilievre, he governs on top of a coalition that is internally complex, undefined and potentially short-lived.

Carney’s electoral success depended heavily on the collapse of the NDP vote and the broader political disruption caused by Trump’s threats to annex Canada. With a new NDP leader, the New Democrats could recover and cut into Liberal margins.

Meanwhile, the government’s more mixed response to issues such as pipeline development, housing and the cost-of-living crisis could push enough voters toward the Conservatives by the next federal election campaign.

Young voters like Poilievre

All this said, however, Poilievre’s support cannot be explained solely by institutional inertia or a lack of alternative leadership candidates. His leadership has and continues to generate genuine enthusiasm among some voters — especially those who are young, recently immigrated or working in trades. This support is fuelled by economic frustration, declining living standards and the sense of a lost promise.

At a moment when centre-right parties elsewhere are struggling with internal upheaval and fragmentation, Poilievre’s Conservative Party has remained cohesive and even expanded by organizing around what former communications director Ben Woodfinden calls the “locked-out:” voters who feel shut out of prosperity amid weak growth and chronic productivity problems.

In this context, Poilievre’s orthodox centre-right agenda — cutting regulatory burdens, boosting competition and removing interprovincial trade barriers — continues to attract broad, cross-class support that transcends cultural and regional divides.

The success of this can be seen from the fact that, throughout his keynote address at the Conservative Party convention, Poilievre’s core message and policy proposals haven’t changed substantively.

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Read more:
Why does Pierre Poilievre appeal to young Canadians? It’s all about economics

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But there has been a shift in style. Poilievre has begun to pair his combative style with a more personal, reflective and occasionally vulnerable public persona, an adjustment aimed at consolidating support while expanding appeal among undecided voters.

Finally, although Poilievre’s coalition wasn’t large enough to win the 2025 election, Canadian electoral history suggests that his prospects aren’t bleak. There’s a long history of decisive results or shifts playing out across two electoral successes, as coalitions are consolidated and expanded. Both John Diefenbaker and Stephen Harper, for example, endured defeats before securing durable governing mandates.

By endorsing Poilievre so decisively, Conservatives signalled their belief that he remains on an upward trajectory. The leadership review was less about absolution than affirmation: a collective judgment that the party is closer to power with Poilievre than without him.

Sam Routley does not work for, consult, own shares in or receive funding from any company or organisation that would benefit from this article, and has disclosed no relevant affiliations beyond their academic appointment.

– ref. Pierre Poilievre aces leadership review: Why the Conservatives opted to stand by their man – https://theconversation.com/pierre-poilievre-aces-leadership-review-why-the-conservatives-opted-to-stand-by-their-man-274159

Source: The Conversation – Canada – By Cornel Grey, Assistant Professor in Department of Gender, Sexuality, and Women’s Studies, Western University

When Sinners recently received a record-breaking 16 Oscar nominations, the response was overwhelmingly celebratory, but not uncomplicated.

The nominations capped a year in which the film had already defied expectations at the box office. An original horror film with no built-in franchise, Sinners broke multiple domestic and international records and earned more than US$300 million during its theatrical run.

Critics also responded strongly, praising Ryan Coogler’s direction and the film’s blend of spectacle and social commentary. Those reviews helped cement Sinners as both a commercial hit and a critical success.

Sinners doesn’t resolve longstanding debates about Black recognition or racial equity in Hollywood. However, its nominations arrive at a moment that suggests wider audience interest — and possible film industry openness — to Black films that are culturally specific, formally ambitious and uninterested in proving their importance through suffering alone.

Questions of popular success and excellence

The Academy of Motion Picture Arts and Sciences — the group of just over 10,000 film industry professionals who vote on Oscar nominations and winners — has long grappled with how to balance popular success and its self-image as an arbiter of artistic excellence.

In the wake of declining viewership, the academy proposed a new category in 2018 for “Outstanding Achievement in Popular Film.”

The plan was met with significant backlash from commentators who were offended by the implication that commercially successful films couldn’t also be great art. The idea was shelved amid concerns that it would undermine the Oscars’ standards instead of bridging the gap between popular taste and critical recognition.

Sinners is not a traditional prestige drama designed for the awards circuit. It is a piece of work that refuses easy classification, blending elements of horror, musical, Southern Gothic and Black folklore into a form that balances excess and control.

As director Ryan Coogler has said, the film resists categorical conventions, dubbing it “genre-fluid.”

Directorial innovation

Coogler’s directorial innovation is central to the cultural significance of the film’s nominations.

Historically, the Oscars have rewarded Black films that conform to a narrow range of familiar narratives. Stories centred on racial trauma, historical injustice, moral redemption or social pathology have been far more likely to receive acknowledgement than films that foreground pleasure and fantasy.

Best Picture winners like 12 Years a Slave and Green Book, along with heavily awarded films such as Precious and The Help, illustrate this pattern, as does Halle Berry’s Best Actress win for Monster’s Ball, a performance structured around sexualized suffering and endurance.

Acclaimed Black films that don’t focus on trauma or suffering have been long overlooked by the academy.

Movies like Do the Right Thing, Eve’s Bayou, Girls Trip and Sorry to Bother You received strong critical and cultural support, but were largely ignored during Oscar voting.

Rather than critiquing those films or performances, this pattern points to how Hollywood taste — reflecting racialized assumptions and values — shapes what kinds of Black stories are recognized as important and deserving of reward.

Black creative achievement and possibility

Sinners does something different. It bends and unsettles the frames that tell audiences how to read a film. Vampires, music, violence, sex and history are woven together in a way that invites audiences in, without stopping to explain or defend each choice.

The film draws on familiar genre esthetics that white audiences recognize (like horror, spectacle, supernatural myth) but it refuses to translate its cultural references or soften its Black specificity.

Viewers unfamiliar with Black Southern folklore, diasporic spiritual traditions or the film’s musical and historical cues may miss things. The film does not slow down to catch them up.

Award bodies’ reception

The film’s success also raises questions about how awards bodies respond when Black creative experimentation gains critical acclaim.

A recent example comes from the Recording Academy. After Beyoncé won Best Country Album in 2025, the Grammys split the category into “traditional” and “contemporary” — a change that expanded recognition while also reintroducing distinctions.

---

Read more:
Beyoncé’s ‘Cowboy Carter’ transmits joy, honours legends and challenges a segregated industry

---

The move echoed earlier controversies around genre-labelling, including debates over the now-retired “urban” category. It also underscored how recognition can be followed by new forms of sorting rather than lasting structural change.

Wider shift in Black creative possibility

The risk is that Sinners is celebrated as a one-off, rather than understood as part of a wider shift in Black creative possibility.

Some conservative responses have framed Sinners less as an artistic achievement and more as an example of cultural overreach, reading its genre play and historical remixing as ideological provocation rather than creative labour.

Alongside this, the film’s record-breaking nominations are likely to be interpreted by some viewers or critics as further evidence of a so-called “woke era” in awards culture, a framing that tends to downplay the craft, ambition and substance of works featuring Black talent.

These reactions reveal ongoing anxieties over who gets to reshape tradition, and how recognition by industry powerbrokers is interpreted when it is attached to Black cultural production.

Reputational weight, star power

Sinners could take these creative risks in part because of the reputational weight behind it.

Coogler’s track record of commercially successful films, combined with the star power of Michael B. Jordan and their history of delivering profitable collaborations, created a level of confidence among funding studios that is rarely extended to Black filmmakers more broadly.

The uneven distribution of that creative latitude and resourcing remains visible across the industry, where many Black directors continue to face funding barriers for innovative or less conventional projects.

Challenging esthetic norms

The academy recently introduced representation and inclusion standards for Best Picture eligibility that require films to meet benchmarks for on-screen representation, creative leadership, industry access or audience outreach to be considered for nomination.

These measures are aimed at expanding opportunities for underrepresented groups, yet they focus on who appears in and works on films rather than on how films innovate or challenge esthetic norms.

As a result, longstanding assumptions about genre bias and what counts as quality cinema are largely unexamined, even as the rules change around how films qualify for consideration.

Works that trust audiences

The recognition of Sinners by the academy points to a widening space for Black films rooted in lived experience, place and history. Similar dynamics are visible elsewhere.

Recent global successes like K-Pop Demon Hunters show that viewers are drawn to genre-blended, culturally grounded stories that stimulate the imagination rather than explain themselves away. These works trust audiences to enter unfamiliar worlds without constant translation.

---

Read more:
With _KPop Demon Hunters_, Korean women hold the sword, the microphone — and possibly an Oscar

---

Sinners belongs to this moment. Its record-breaking nominations expand the range of Black cinema visible at the highest levels of recognition and quietly signal greater room for formal experimentation. The film treats Black creativity as something that can include visual excess, genre experimentation and narrative openness, and still be recognized as artistically rigorous work.

Cornel Grey does not work for, consult, own shares in or receive funding from any company or organisation that would benefit from this article, and has disclosed no relevant affiliations beyond their academic appointment.

– ref. 16 Oscar nods for ‘Sinners’ signals a broader appetite for imaginative Black cinema – https://theconversation.com/16-oscar-nods-for-sinners-signals-a-broader-appetite-for-imaginative-black-cinema-274191

Source: The Conversation – Canada – By Elizabeth Kusi Appiah, PhD Candidate, Faculty of Nursing, University of Alberta

Racism has long disrupted relationships, deepened social divisions and hindered collective action on global challenges. While modern societies strive to be just and advocate against social injustices, many still turn away from engaging in conversations surrounding racism, health inequities and racial tensions.

Yet these issues significantly impact health — including the care Black people receive and their health outcomes. Research shows that racism has many long-term effects on health, and is linked to both poorer mental and physical health overall.

Black History Month is an opportunity to reflect critically on the impact of racism in health care and how to address it. As researchers focused on Black women’s acute and critical care experiences, our recent review draws lessons from studies on Black women’s health-care experiences in high-income countries to propose an approach for addressing racism.

The review included 10 studies conducted in the United States between 1987 and 2024. We found that Black women’s experiences in health care continue to be marked by reports of structural racism, microaggressions and persistent mistrust of the care system and care providers. Such experiences reduced the chances for shared decision-making, early detection of health issues, adherence to treatments, pain management and person-centred care.

We revealed that the enduring legacy of racism in medicine contributes to suboptimal communication and poor-quality care for Black women. Some of the women did not receive appropriate followup for diagnostic tests or see a specialist because their physician dismissed their concerns. Most of the women felt invisible because their providers disregarded their concerns. As a result, they felt discouraged from seeking care.

For instance, in one of the studies included in our review, a woman described her experiences of arriving at the emergency department for care. She said:

“As a Black woman I was told that it was a female problem, instead of my heart….The head doctor took a look at me and said, she doesn’t have a heart problem, this is absolutely no heart problem, it’s some kind of female problem. It was in my head.”

Another described feeling dismissed by doctors due to the way she described her pain, stating:

“I called it a wrecking ball pain. That’s what I was experiencing … Then my doctor, who likes to joke about everything, would say ‘Oh! Here’s the lady with the wrecking ball disease.’”

This left the patient feeling like a medical novelty — rather than being seen as a person worthy of respect and care.

Our discussions also identified how some Black adult patients responded to racial tensions and unjust conditions in their care.

When feeling disregarded by clinicians, some people purposefully limited what they shared. Others changed how they spoke to clinicians to fit white-dominated medical culture. Some even disengaged from the care decision-making process entirely — while others chose to advocate for themselves.

Further, if the physician appeared dismissive or disrespectful, some people ignored their medical advice as they felt the doctor didn’t have their best interests at heart. Others became hyper-vigilant against injustices and were likely to interpret subsequent care encounters based on past experiences.

Impact of racism on health care work

Health-care staff are compassionate people who want to provide the best care for patients. But they may not always be sure how to avoid getting it wrong.

Research indicates that nurses worry about getting it wrong and coming across as disrespectful when caring for people from different cultural backgrounds. Likewise, many nurses fear being labelled as racist, as they say it implies they’re a terrible person. Yet many are unwilling to accept personal responsibility for their actions — or inactions — if such a label is given to them.

There’s also a lack of clarity among nurses regarding what constitutes racist practices. This causes them anxiety. Some find it upsetting to think that their actions have been perceived as racist when that wasn’t their intention. Others are hesitant to express their genuine opinions on issues of this nature due to the fear of being called racist.

A separate study on nurse-patient relationships found that racism hinders nurses’ ability to meet a patient’s care needs and threatens patients’ and nurses’ dignity in the care system. Racism from patients also increases nurses’ stress and causes emotional trauma.

Racism in health-care settings continues to have a detrimental effect on the care patients are receiving. It’s clear institutions need to do more to ensure patients aren’t being harmed when receiving care.

Inclusive and nurturing communities

We believe that building inclusive and nurturing communities that counter racism and celebrate our interdependence is how we can move forward and address racism in health care.

Inclusive and nurturing communities equip people to have difficult conversations about race — whether that’s in health care, the classroom, universities, workplaces and neighbourhoods.

This type of community teaches people the importance of listening and engaging authentically and open-mindedly, and of learning about racism through the experiences of others. It doesn’t see people who engage in racist practices as inherently racist — but as people who need more support in recognizing and addressing racism.

In such spaces, every person bears a social responsibility to combat racism in their own ways — whether by fostering conversations about racism in their homes, workplaces or shared community spaces.

We’re hoping to conduct research investigating how such spaces can be built — and how this framework can be used in health-care settings to address the racism patients experience there.

We’re all part of the bigger picture. When we create safe and brave spaces for thinking, analyzing and talking about racial tensions, we’re inviting everyone to authentically participate in problem-solving.

Research shows trust is essential in building strong and productive human relations. So in order to build inclusive and nurturing communities, we need to invest time and effort into restoring the broken trust of racialized communities through accountability, transparency, consistency and genuine efforts to address systemic racism.

Elizabeth Kusi Appiah is affiliated with the GROWW national mentorship program.

Elisavet Papathanasoglou receives funding from Women & Children health Research Institute (WHCRI).

– ref. Black women’s health-care experiences remain marked by structural racism — here’s how institutions should move forward – https://theconversation.com/black-womens-health-care-experiences-remain-marked-by-structural-racism-heres-how-institutions-should-move-forward-250337

Source: The Conversation – Canada – By Cornel Grey, Assistant Professor in Department of Gender, Sexuality, and Women’s Studies, Western University

When Sinners recently received a record-breaking 16 Oscar nominations, the response was overwhelmingly celebratory, but not uncomplicated.

The nominations capped a year in which the film had already defied expectations at the box office. An original horror film with no built-in franchise, Sinners broke multiple domestic and international records and earned more than US$300 million during its theatrical run.

Critics also responded strongly, praising Ryan Coogler’s direction and the film’s blend of spectacle and social commentary. Those reviews helped cement Sinners as both a commercial hit and a critical success.

Sinners doesn’t resolve longstanding debates about Black recognition or racial equity in Hollywood. However, its nominations arrive at a moment that suggests wider audience interest — and possible film industry openness — to Black films that are culturally specific, formally ambitious and uninterested in proving their importance through suffering alone.

Questions of popular success and excellence

The Academy of Motion Picture Arts and Sciences — the group of just over 10,000 film industry professionals who vote on Oscar nominations and winners — has long grappled with how to balance popular success and its self-image as an arbiter of artistic excellence.

In the wake of declining viewership, the academy proposed a new category in 2018 for “Outstanding Achievement in Popular Film.”

The plan was met with significant backlash from commentators who were offended by the implication that commercially successful films couldn’t also be great art. The idea was shelved amid concerns that it would undermine the Oscars’ standards instead of bridging the gap between popular taste and critical recognition.

Sinners is not a traditional prestige drama designed for the awards circuit. It is a piece of work that refuses easy classification, blending elements of horror, musical, Southern Gothic and Black folklore into a form that balances excess and control.

As director Ryan Coogler has said, the film resists categorical conventions, dubbing it “genre-fluid.”

Directorial innovation

Coogler’s directorial innovation is central to the cultural significance of the film’s nominations.

Historically, the Oscars have rewarded Black films that conform to a narrow range of familiar narratives. Stories centred on racial trauma, historical injustice, moral redemption or social pathology have been far more likely to receive acknowledgement than films that foreground pleasure and fantasy.

Best Picture winners like 12 Years a Slave and Green Book, along with heavily awarded films such as Precious and The Help, illustrate this pattern, as does Halle Berry’s Best Actress win for Monster’s Ball, a performance structured around sexualized suffering and endurance.

Acclaimed Black films that don’t focus on trauma or suffering have been long overlooked by the academy.

Movies like Do the Right Thing, Eve’s Bayou, Girls Trip and Sorry to Bother You received strong critical and cultural support, but were largely ignored during Oscar voting.

Rather than critiquing those films or performances, this pattern points to how Hollywood taste — reflecting racialized assumptions and values — shapes what kinds of Black stories are recognized as important and deserving of reward.

Black creative achievement and possibility

Sinners does something different. It bends and unsettles the frames that tell audiences how to read a film. Vampires, music, violence, sex and history are woven together in a way that invites audiences in, without stopping to explain or defend each choice.

The film draws on familiar genre esthetics that white audiences recognize (like horror, spectacle, supernatural myth) but it refuses to translate its cultural references or soften its Black specificity.

Viewers unfamiliar with Black Southern folklore, diasporic spiritual traditions or the film’s musical and historical cues may miss things. The film does not slow down to catch them up.

Award bodies’ reception

The film’s success also raises questions about how awards bodies respond when Black creative experimentation gains critical acclaim.

A recent example comes from the Recording Academy. After Beyoncé won Best Country Album in 2025, the Grammys split the category into “traditional” and “contemporary” — a change that expanded recognition while also reintroducing distinctions.

---

Read more:
Beyoncé’s ‘Cowboy Carter’ transmits joy, honours legends and challenges a segregated industry

---

The move echoed earlier controversies around genre-labelling, including debates over the now-retired “urban” category. It also underscored how recognition can be followed by new forms of sorting rather than lasting structural change.

Wider shift in Black creative possibility

The risk is that Sinners is celebrated as a one-off, rather than understood as part of a wider shift in Black creative possibility.

Some conservative responses have framed Sinners less as an artistic achievement and more as an example of cultural overreach, reading its genre play and historical remixing as ideological provocation rather than creative labour.

Alongside this, the film’s record-breaking nominations are likely to be interpreted by some viewers or critics as further evidence of a so-called “woke era” in awards culture, a framing that tends to downplay the craft, ambition and substance of works featuring Black talent.

These reactions reveal ongoing anxieties over who gets to reshape tradition, and how recognition by industry powerbrokers is interpreted when it is attached to Black cultural production.

Reputational weight, star power

Sinners could take these creative risks in part because of the reputational weight behind it.

Coogler’s track record of commercially successful films, combined with the star power of Michael B. Jordan and their history of delivering profitable collaborations, created a level of confidence among funding studios that is rarely extended to Black filmmakers more broadly.

The uneven distribution of that creative latitude and resourcing remains visible across the industry, where many Black directors continue to face funding barriers for innovative or less conventional projects.

Challenging esthetic norms

The academy recently introduced representation and inclusion standards for Best Picture eligibility that require films to meet benchmarks for on-screen representation, creative leadership, industry access or audience outreach to be considered for nomination.

These measures are aimed at expanding opportunities for underrepresented groups, yet they focus on who appears in and works on films rather than on how films innovate or challenge esthetic norms.

As a result, longstanding assumptions about genre bias and what counts as quality cinema are largely unexamined, even as the rules change around how films qualify for consideration.

Works that trust audiences

The recognition of Sinners by the academy points to a widening space for Black films rooted in lived experience, place and history. Similar dynamics are visible elsewhere.

Recent global successes like K-Pop Demon Hunters show that viewers are drawn to genre-blended, culturally grounded stories that stimulate the imagination rather than explain themselves away. These works trust audiences to enter unfamiliar worlds without constant translation.

---

Read more:
With _KPop Demon Hunters_, Korean women hold the sword, the microphone — and possibly an Oscar

---

Sinners belongs to this moment. Its record-breaking nominations expand the range of Black cinema visible at the highest levels of recognition and quietly signal greater room for formal experimentation. The film treats Black creativity as something that can include visual excess, genre experimentation and narrative openness, and still be recognized as artistically rigorous work.

Cornel Grey does not work for, consult, own shares in or receive funding from any company or organisation that would benefit from this article, and has disclosed no relevant affiliations beyond their academic appointment.

– ref. ‘Sinners’’ 16 Oscar nods signals a broader appetite for imaginative Black cinema – https://theconversation.com/sinners-16-oscar-nods-signals-a-broader-appetite-for-imaginative-black-cinema-274191