Benedict Cumberbatch, John Grisham and Ursula K. Le Guin’s fantasy maps: what to watch, read and see this week

Source: The Conversation – UK – By Jane Wright, Commissioning Editor, Arts & Culture, The Conversation

The more I see Benedict Cumberbatch on screen the more I marvel at his talent as an actor. Recently I have watched him in Eric on Netflix, as an unravelling Sesame Street-style puppeteer looking for his abducted son; in old re-runs of smartypants Sherlock Holmes on the BBC; and as a humiliated husband in The Roses with a truly ghastly Olivia Colman.

His latest film, The Thing With Feathers, promises another affecting performance, this time as a bewildered father struggling to look after his two small sons after the sudden death of his wife.

Based on Max Porter’s beautifully written novella Grief Is The Thing With Feathers, Cumberpatch plays Dad, a graphic artist who is unbearably sad, overwhelmed and increasingly untethered. In a film that is part tender human drama and part horror, this grief manifests as a large black crow, menacing but benevolent in its presence as a kind of guardian figure.

Harry Potter actor David Thewlis voices the character of Crow with thick Lancashire-accented sarcasm, at one point berating Dad for listening to “middle-aged, middle-class, Guardian-reading, beard-stroking, farmer’s-market widow music”, which has got to be my favourite line. But gradually Crow’s hardness shifts Dad, leading him through his sadness and apathy to something at least more bearable and liveable. “I won’t leave until you don’t need me any more,” Crow hisses, almost like a threat.

Our reviewer Dan O’Brien says it is easily the most poignant film he has seen this year, praising it for its nuanced handling of the subject. “Rather than something to be vanquished, the film suggests grief must be accommodated, even befriended. It’s a persuasive portrayal of mourning that recognises grief not as a wound to be sealed, but a permanent, unpredictable companion that you learn to live with.” Definitely on my list this spooky weekend.

The Thing With Feathers is in cinemas now

Like many people I am mad for maps. I find them not merely useful but endlessly fascinating – there is always something new to spy on close examination. So writers who include maps and invented places as part of the fabric of their stories intrigue me.

JRR Tolkien springs to mind, of course, but now a new exhibition in London is showcasing the wonderful maps created by the revered sci-fi writer Ursula K Le Guin, who rooted her genre-defying stories in fantasy worlds. Cartographer Mike Duggan finds the exhibition a fascinating insight into Le Guin’s process of other-world building.

The Word for World: Maps of Ursula K Le Guin is showing in the Architectural Association Gallery, London until December 6

Lies, spies and sleazy lawyers

I can honestly say I am never happier than when I am settling down on the sofa with a big bag of Maltesers and the latest episode of Slow Horses on the telly. And season five has not disappointed. Based on the brilliant series of Mick Herron novels, the drama plays out against a sinister and depressing landscape of dodgy politicians, media manipulation, radical terrorism and moral panics. But this is offset by much lighter tone that mines a rich seam of humour running beneath the serious plotlines.

From the sneaky, snooty toffs at the top of MI5 to the bored office bantz at Slough House, all the real-world ghastliness is leavened by the japes, sarcasm and eyerolling that go on.

I just adore the obnoxious Jackson Lamb and his spectacular insults, holey socks and suspect personal hygiene. Gary Oldman is enjoying the role of his life – you can practically smell the reek from the TV. But you also occasionally get the impression that the more Lamb insults, the more he cares. Maybe.

Spycraft expert Robert Dover examines how the series has managed to pull of this tricky combo of tense drama and hilarity, while claiming Lamb as the 21st-century version of John Le Carré’s George Smiley.

Slow Horses is on AppleTV

In John Grisham’s latest novel The Widow, a sleazy lawyer with less than ethical motives finds himself the main suspect after an elderly woman with a secret fortune that he has been “advising” is found murdered. When his shady legal dealings are uncovered, Simon F Latch looks like a man with opportunity and motive. But he’s innocent – so how does Grisham create a dodgy victim character the reader can muster up some sympathy for? Expert in human rights law Sarah Jane Coyle examines this grey area.

The Widow is in bookshops now

Set in Paris, Souleymane’s Story follows an asylum seeker from Guinea as he seeks work as a delivery cyclist. Seen through his perspective, the French capital becomes an unforgiving landscape fraught with danger and hardship as he strives to find work and survive. But Souleymane’s days are constantly taken up with exhausting negotiations with technology, bureaucracy, racism and threats. First-time actor Abou Sangaré won a best actor award at Cannes in 2024 for his raw but restrained performance, making Souleymane’s Story a compelling watch.

Souleymane’s Story is in cinemas now

The Conversation

ref. Benedict Cumberbatch, John Grisham and Ursula K. Le Guin’s fantasy maps: what to watch, read and see this week – https://theconversation.com/benedict-cumberbatch-john-grisham-and-ursula-k-le-guins-fantasy-maps-what-to-watch-read-and-see-this-week-263743

Mission to Mars: how space exploration pushes the human body to its limits

Source: The Conversation – UK – By Damian Bailey, Professor of Physiology and Biochemistry, University of South Wales

European Space Agency, CC BY-NC-ND

On January 14 2004, the United States announced a new “Vision for Space Exploration”, promising that humans would not only visit space but live there. Two decades later, Nasa’s Artemis programme is preparing to return astronauts to the Moon and, eventually, send humans to Mars.

That mission will last around three years and cover hundreds of millions of kilometres. The crew will face radiation, isolation, weightlessness and confinement, creating stresses unlike any encountered by astronauts before. For physiologists, this is the ultimate frontier: a living laboratory where the human body is pushed to, and sometimes beyond, its biological limits.

Space is brutally unforgiving. It is a vacuum flooded with radiation and violent temperature extremes, where the absence of gravity dismantles the systems that evolved to keep us alive on Earth. Human physiology is tuned to one atmosphere of pressure, one gravity and one fragile ecological niche. Step outside that narrow comfort zone and the body begins to fail.

Yet adversity drives discovery. High-altitude research revealed how blood preserves oxygen at the edge of survival. Deep-sea and polar expeditions showed how humans endure crushing pressure and extreme cold. Spaceflight continues that tradition, redefining our understanding of life’s limits and showing how far biology can bend without breaking.

To understand these limits, physiologists are mapping the “space exposome” – everything in space that stresses the human body, from radiation and weightlessness to disrupted sleep and isolation. Each factor is harmful on its own, but combined they amplify one another, pushing the body to its limits and revealing how it truly works.




Read more:
What happens to the brain in zero gravity?


From this complexity emerges what scientists call the “space integrome”: the complete network of physiological connections that keeps an astronaut alive in the most extreme environment known.

When bones lose minerals, the kidneys respond. When fluid shifts toward the head, it changes pressure in the brain and affects vision, brain structure and function. Immune cells react to stress hormones released by the brain. Every system influences the others in a continuous biological feedback loop.

The body as a biosphere

The spacesuit is the most tangible symbol of this integration. It is a wearable biosphere: a miniature, self-contained environment that keeps the person inside it alive, much as Earth’s atmosphere does for all life. The suit shields the body from the lethal physics of space, protecting against vacuum, radiation and extreme temperatures.

Inside its layered shells of mylar (a reflective plastic that insulates against heat), kevlar (a strong fibre that resists impact) and dacron (a tough polyester that maintains shape and pressure), astronauts live in delicate balance. There is just enough internal pressure to stop their bodily fluids from boiling in a vacuum, yet still enough flexibility to move and work.




Read more:
Modern spacesuits have a compatibility problem. Astronauts’ lives depend on fixing it


Every design choice mirrors a physiological trade-off. At too low pressure, consciousness fades within seconds. At too high pressure, the astronaut becomes trapped in a rigid shell.

Radiation remains spaceflight’s most insidious hazard. Galactic cosmic rays, made up of high-energy protons and heavy ions, slice through cells and fracture DNA in ways that biology on Earth was never built to repair. Exposure to these rays can cause DNA damage and chromosomal rearrangements that raise the risk of cancer.

But research into radiation biomarkers – molecular signals that show how cells respond to radiation exposure – is not only improving astronaut safety, it is also helping transform cancer treatment on Earth. The same biological markers that reveal radiation damage in space are being used to refine radiotherapy, allowing doctors to measure tissue sensitivity, personalise doses and limit damage to healthy cells.

Studies on how cells repair DNA after exposure to cosmic radiation are also informing the development of new drugs that protect patients during cancer treatment.

Microgravity presents another paradox. In orbit, astronauts lose 1–1.5% of their bone mass each month, and muscles weaken despite daily exercise. But this extreme environment also makes space an unparalleled model for accelerated ageing. Studies of bone loss and muscle atrophy in microgravity are helping uncover molecular pathways that could slow degenerative disease and frailty back home.

Astronauts aboard the International Space Station spend more than two hours a day performing “countermeasures”: intensive resistance workouts and sessions in lower-body negative pressure chambers, which draw blood back towards the legs to maintain healthy circulation.

They also eat carefully planned diets to stabilise their metabolism. No single strategy is enough, but together these help keep human biology closer to balance in an environment defined by instability.

Digital physiology

Tiny sensors embedded in spacesuits, or even placed under the skin, can now track heart rate, brain activity and chemical changes in the blood in real time. Multi-omic profiling combines information from across biology (genes, proteins and metabolism) to build a complete picture of how the body responds to spaceflight.

This data feeds into digital twins: virtual versions of each astronaut that allow scientists to simulate how their body will react to stressors such as radiation or microgravity.

The astronaut of the future will not simply endure space. They will work with their own biology, using real-time data and predictive algorithms to spot risks before they happen – adjusting their environment, exercise or nutrition to keep their body in balance.

By studying how humans survive without gravity, we are also learning how to live better with it. Space physiology has already helped shape treatments for osteoporosis and cardiovascular disease, and it is improving our understanding of age-related muscle loss.

Research into spaceflight-associated neuro-ocular syndrome – a condition in which fluid shifts in microgravity cause pressure to build inside the skull, sometimes leading to vision changes – is helping scientists understand intracranial hypertension on Earth.

Even studies of isolation and resilience in astronauts have advanced research into mental health and stress adaptation, offering insights that proved invaluable during the COVID-19 pandemic, when millions faced confinement and social separation similar to life aboard a spacecraft.

Ultimately, Mars will test our biology more than our technology. Every gram of muscle preserved, every synapse protected, every cell repaired will be a triumph of physiology. Space may dismantle the human body, but it also reveals our body’s astonishing capacity to rebuild.

The Conversation

Damian Bailey is supported by grants from the European Space Agency, SpaceX and Royal Society Wolfson Research Fellowship. He is Editor-in-Chief of Experimental Physiology and outgoing Chair of the Life Sciences Working Group and outgoing member of the Human Spaceflight and Exploration Science Advisory Committee to ESA. He is also a current member of the ESA-HRE-Biology Panel and Space Exploration Advisory Committees to the UK and Swedish National Space Agencies, and consultant to Bexorg, Inc. (Yale, USA) focused on the technological development of novel biomarkers of cerebral bioenergetic function in humans.

Angelique Van Ombergen works as Chief Exploration Scientist for the Directorate of Human and Robotic Exploration at the European Space Agency. She is an Associate Editor of NPJ Microgravity.

ref. Mission to Mars: how space exploration pushes the human body to its limits – https://theconversation.com/mission-to-mars-how-space-exploration-pushes-the-human-body-to-its-limits-267837

Girlbands Forever: BBC documentary charts the highs and lows of British girl groups – with one glaring ommission

Source: The Conversation – UK – By Joel Gray, Associate Dean, Sheffield Hallam University

There can be no doubt that any conversation about British girlbands of the last 30 years would be dominated by Spice Girls.

In whichever corner of the globe you are, they were the defacto pop force of the late 1990s – and their impact has been long-lasting. From Adele to Beyonce Knowles-Carter, many contemporary world-class artists cite them as an inspiration.

However, new BBC documentary series Girlbands Forever focuses on many other girlbands who have emerged in British pop music from the early ’90s (Eternal) to the present day (Little Mix). It takes a broadly chronological overview, charting their development, releases and eventual splits in almost forensic detail.

As both a girlband fan and researcher, I was, though, disappointed that it offers little discussion of the impact these artists have had on their fans. Also absent from discussion is the link to queer audiences – something many girlband members have made specific reference to themselves.

One celebratory theme that is strong throughout this three-episode series is diversity and sisterhood. Eternal, All Saints, Atomic Kitten, Sugababes and Little Mix were all made up of racially diverse singers. And as each girlband passed the baton to the next generation, both media and society seemed more and more at ease with this concept.

Other topics of discussion include changes in the media (from newspapers to gossip magazines to reality television to social media) and society more broadly (rave culture, “Cool Britannia” and changing governments). This grounds the girlband discussions in a wider context.

Particular attention is paid to Little Mix as the girlband who won TV talent show The X Factor in 2011 – yet no mention is made that Girls Aloud did it nearly ten years earlier, when they won Popstars The Rivals in 2002.

Indeed, the fact Girls Aloud are not mentioned at all in the series is a glaring omission. While Little Mix faced abuse from anonymous social media trolls and the Spice Girls were constantly targeted by ’90s tabloid newspapers, Girls Aloud were the defining girlband of the celebrity gossip magazine era in the mid-2000s. Experts such as author Michael Cragg have written about the band’s impact on pop culture, and fans are likely to be disappointed by their omission.

The absence of a band which produced superstar (and later X Factor judge) Cheryl Cole highlights another area which a future series could go into: the solo career struggles and successes of these girlband members. Cole had two solo no.1 albums, and joins Spice Girl Geri Halliwell as one the most successful British female artists of all time.

Girls Aloud are a notable absence from the documentary.

The success of girlbands has always nurtured rich careers in the entertainment industries for its individual members. Both Jade Thirlwall and Perrie Edwards of Little Mix had top-five albums in the same month recently. Spice Girl Mel B is an international TV icon, judging talent shows on multiple continents; Atomic Kitten Natasha Hamilton has established her own record label; and Eternal’s Louise Redknapp had a top-10 album in 2025.

Spice Girl Melanie C and the All Saints’ offshoot Appleton (composed of sisters Natalie and Nicole Appleton) have been seen in the studio this year, with projects rumoured for 2026.

There are also plentiful non-music projects to mention. Many girlband members go on to support charities and philanthropic causes. Halliwell recently received an honorary doctorate from my university, Sheffield Hallam, for her work advancing rights for women and children on projects with the United Nations and Royal Commonwealth Society for Literacy. And Mel B has received awards for raising awareness of domestic abuse.

But for every number-one record and charity ambassadorship role, there is a member who may have not had the same luck. All Saints star Melanie Blatt, for example, has taken on a “chef residency” at a London pub which, while no bad thing, feels rather different to filming television shows in LA, or the solo efforts of her Girls Aloud and Spice Girls peers.

In contrast to the documentary’s omissions, I am glad it spotlights the brilliance of Atomic Kitten stalwarts Jenny Frost and Natasha Hamilton, who were quintessential noughties pop stars and gay icons.

In lieu of much Spice Girls and Girls Aloud discussion, their energy and charisma brings a welcome feeling of personal nostalgia – and a reminder of why the world needs fantastic popstars. Their cheeky charm, which first won me over 25 years ago, still makes me smile today.


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The Conversation

Joel Gray does not work for, consult, own shares in or receive funding from any company or organisation that would benefit from this article, and has disclosed no relevant affiliations beyond their academic appointment.

ref. Girlbands Forever: BBC documentary charts the highs and lows of British girl groups – with one glaring ommission – https://theconversation.com/girlbands-forever-bbc-documentary-charts-the-highs-and-lows-of-british-girl-groups-with-one-glaring-ommission-268677

‘You can’t eat electricity’: how rural solar farms became Britain’s latest culture war

Source: The Conversation – UK – By Alex Heffron, PhD Candidate in Geography, Lancaster University

Sean Matthews, the Reform UK leader of Lincolnshire County Council, has said he’ll “lie down in front of bulldozers” to stop Britain’s largest solar farm being built in the county. He’s taking sides in a new rural culture war that pits green energy against the countryside’s traditional image of food and farming.

Reform’s opposition to renewables isn’t surprising. Fossil fuel interests have provided around 92% of the party’s funding according to research by DeSmog (when contacted by DeSmog, Reform did not comment on that finding). But solar farms have become a way for the party to mask these interests by presenting itself as a defender of farms, fields and “common sense” against what Matthews called the “nonsense” of net zero.

Meanwhile, the protest group Farmers to Action has urged supporters to “keep the land growing, not glowing”. Its leader, Justin Rogers, has called climate change “one of the biggest scams that has ever been told”, and the group now operates in lockstep with the Together Declaration, a rightwing campaign group with an explicit anti-net zero agenda.

Yet a recent protest organised by these groups in Liverpool, at the Labour Party conference, suggests there is limited enthusiasm in the farming community for these culture wars. While most of the speakers were farmers, very few working farmers showed up. (One of us, Tom, who has been to around 15 of these protests, was there in person and estimates about 50 out of around 300 people present were farmers.)

Those mobilising the culture wars are trying to turn localised rural resentments against solar panels into a wedge issue, and in the process win over rural voters to Reform as the party of anti-net zero. If Reform wins the election, it will seek to impede necessary renewable energy projects.

However, this conflicts with the majority of farmer sentiment, which shows they are concerned by climate change. So, while Reform UK is positioning itself as anti-climate, is the party, despite the rhetoric, actually anti-farmer?

‘You can’t eat electricity’

Research by the Energy and Climate Intelligence Unit (ECIU) found 80% of UK farmers are “concerned about the impact of climate change on their ability to make a living”, while 87% have experienced reduced productivity due to heatwaves, floods or other climate change-induced extreme weather.

For farmers, productivity isn’t just about profit – it’s a central pillar of what sociologists have called the “good farmer” identity. This is the idea that being a successful food producer is central to how many farmers see themselves and their role.

Since the second world war, agricultural innovations have largely been aimed at producing more food, as a way to improve domestic food security.

Now, in essence, they are being asked to shift their identity to embrace energy production along with food production. But planting fields with solar panels clashes with the productivity aspect of what it means to be a good farmer. The truism that “you can’t eat electricity”, as Farmers to Action put it, is trying to speak to this sentiment.

The accusation is that taking land out of production threatens food security. In fact, only around 0.5% of UK farmland needs to be converted to solar to achieve the government’s target figure.

At the same time, as the research by ECIU has found, the very productivity of farming is being threatened by climate change. This presents an apparent tension.

Without urgent climate action, British farms will continue to bear the costs and consequences. Environmentalists and climate activists might wish to take advantage of this tension between what farmers need and what Reform is offering. While Nigel Farage, Richard Tice and co shake their fists at the Sun, farmers suffer in the heat.

Corporate profits or community interest?

Many objections to large solar farms are driven by a sense of fairness. For example, a tenant farming family in Yorkshire is about to lose 110 acres of their best arable land – half their farm – to solar panels, without any compensation. This will have a devastating impact on their business – where they have lived and farmed for many decades.

For the landowner, the switch will probably be very lucrative, with energy companies reportedly offering rents as high as £1,000 per acre per year, on long-term contracts.

In this scenario, the landowner wins and the tenant loses, which goes against the principle of a just transition, the idea that those affected by the shift to net zero should not lose out. This is despite the prime minister, Keir Starmer, making a pre-election pledge that tenant farmers would be protected.

Effective green policy must ensure that green transitions benefit those doing the work or opposition will grow. Perhaps if the profits were recouped by local communities, not far-off corporations and large absentee landowners, nimbyism wouldn’t fester so easily.

There are fairer ways to deploy renewables, via initiatives which involve and benefit local communities. An example of this is Cwm Arian Renewable Energy, near to where one of us, Alex, lives. It has used the income from wind energy to support the local community in various ways, such as offering good employment, putting on community events and teaching land skills.




Read more:
Family farmers say their way of life is an impossible dream when ‘the bread of life is worth less than rusty metal’


Farmers, like the rest of society, are paying the price of high energy costs. Recent research has shown that wind energy alone has reduced British energy costs by at least £104 billion. Making clear that renewable energy developments can help with lowering energy bills could go some way to overcoming opposition.

Ultimately, farmers still want to farm and produce food. At the same time, agriculture must fit into broader green transitions. The challenge is to take on board the voices and concerns of farmers and see them as part of the transition – not treat them as obstacles to it. If not, there are plentiful voices on the right who are eager to offer them an alternative.


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The Conversation

Tom Carter-Brookes receives funding from Leverhulme Trust.

Tom Carter-Brookes is a member of the Green Party.

Alex Heffron does not work for, consult, own shares in or receive funding from any company or organisation that would benefit from this article, and has disclosed no relevant affiliations beyond their academic appointment.

ref. ‘You can’t eat electricity’: how rural solar farms became Britain’s latest culture war – https://theconversation.com/you-cant-eat-electricity-how-rural-solar-farms-became-britains-latest-culture-war-268128

Why is it so difficult for the UK to deport foreign criminals?

Source: The Conversation – UK – By Sarah Singer, Professor of Refugee Law, School of Advanced Study, University of London

macondofotografcisi/Shutterstock

A convicted sex offender has been deported from Britain to Ethiopia after being accidentally released from prison. Following a national manhunt, home secretary Shabana Mahmood confirmed that Hadush Kebatu – an asylum seeker who came to the UK without authorisation on a small boat – would be returned to his home country.

Kebatu was convicted in September of sexual offences against a woman and 14-year-old girl and sentenced to 12 months imprisonment. Mahmood announced she had “pulled every lever” to ensure his deportation. But shouldn’t it be easy for the government to deport someone who has committed a crime such as this?

Under UK law, the home secretary has a duty to pursue removal of foreign national offenders (FNOs). This includes “automatic” deportation of any foreign nationals who are sentenced to 12 months or more imprisonment. They also have discretion to deport a foreign national (whether or not they have committed an offence) if they believe it “is conducive to the public good”.

But for several reasons, the UK has struggled to do this. In 2006, it was revealed that some 1,013 foreign national prisoners had been released without the Home Office considering deportation. This was a scandal that led to the resignation of then home secretary Charles Clarke.

Currently, the UK deports approximately 5,000 FNOs per year. There are currently 10,700 FNOs held in UK prisons, around 12% of the total prison population.

FNOs are considered for deportation on completion of their sentence or, increasingly (given the pressure on space in prisons), before they have served their full sentence. This may be under early release schemes or prisoner transfer arrangements with their home country.

In practice, deportations are often complicated by procedural issues. Removal can be prevented by lack of travel documents, and the Home Office may have to seek an emergency travel document from an individual’s embassy before they can be removed – a process which can be frustrated if the offender or their embassy refuses to cooperate or are slow in doing so.

Deportation arrangements

To address these issues, the UK now has 110 prisoner transfer agreements with other countries – most recently, Albania and the Philippines. Through these arrangements, offenders can partially serve their sentence in the UK, and then be transferred to serve the remainder of their sentence in their home country.

There are two other schemes under which FNOs may be deported before serving their full sentences: early removal, and facilitated return schemes. Under these schemes, they do not serve the rest of their sentence in their home country.

Recent changes to the early removal scheme mean FNOs have to serve only 30% of their sentence (rather than 50%) before removal. The home secretary has indicated plans to reduce this to 0%, so offenders can be targeted for deportation as soon as they are sentenced.

The facilitated return scheme encourages voluntary removal. It “sweetens the deal” by providing the offender up to £1,500 to help them resettle in their home country, if they agree to withdraw any outstanding appeals or applications to stay in the UK.

There has been some criticism of the fact that Kebatu was given £500 after threatening to disrupt his deportation. Although his was a forced return, not part of voluntary removal, the Home Office argued this is still a smaller payment than would have been required to detain him and put him on a different flight.

In many cases, lack of coordination and administrative errors in the Home Office are the root cause of failed removals. Complications around booking flights, arranging escorts and other practicalities have all been found to prevent deportations.

Human rights concerns

Offenders may also appeal their deportations by arguing that removal would breach their right to private and family life, under article 8 of the European convention on human rights.

This is sometimes misreported as offering FNOs very broad protection against removal. For example, the wrongly reported case of an Albanian who resisted removal on the basis his son disliked foreign chicken nuggets, or Theresa May’s assertion that a foreign offender was able to stay in the UK because he had a pet cat. These attention-grabbing headlines often misrepresent the content of decisions and mischaracterise the role of human rights.




Read more:
How the UK could reform the European convention on human rights


In fact, the UK has a very strict interpretation of article 8, and decision-makers must balance the right against aims such as controlling immigration and public safety.

UK rules state that the public interest in removing foreign offenders will almost always outweigh any article 8 rights, except in the most exceptional cases. This may be, for example, if the person has lived in the UK for almost their whole life and would have real difficulty integrating in the country they would be removed to, or if removal would be “unduly harsh” on their (UK citizen) child or long-term partner. FNOs sentenced to four or more years in prison must show “very compelling circumstances over and above” these exceptions.

Foreign nationals may also argue that their life will be at risk, that they will suffer inhuman or degrading treatment, unlawful detention, or an unfair trial on return to their home country.

In practice, this means the UK government cannot deport someone if there is a high risk they would face irreparable harm including persecution, torture, ill-treatment or other serious human rights violations. In some cases, this has been relied on to prevent deportation where there was a risk of abduction and torture at the hands of police, or to face trial where evidence obtained by torture would be used.

However, this is only applicable where there is real risk of very serious harm and will not apply in all, or even most, cases. British courts have ruled it is possible to return people even to countries in conflict, if there is a safe place in the country they could move to.

The most recent data shows that between 2008 and 2021, 11% of FNO appeals against deportation succeeded on human rights grounds. This is 3%-4% of the approximately 60,000 FNOs removed from the UK during this period.

Despite the exceptional nature of these human rights protections, the challenges they are perceived to pose to a state’s ability to control its borders mean they attract a disproportionate amount of political attention. In May this year, nine European states took the unprecedented step of issuing a letter to the European Court of Human Rights, calling for greater state powers in removing foreign criminals.

The UK justice secretary has followed suit, stating that the UK will pursue reform of the European convention.


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The Conversation

Sarah Singer does not work for, consult, own shares in or receive funding from any company or organisation that would benefit from this article, and has disclosed no relevant affiliations beyond their academic appointment.

ref. Why is it so difficult for the UK to deport foreign criminals? – https://theconversation.com/why-is-it-so-difficult-for-the-uk-to-deport-foreign-criminals-268625

US squeeze on Venezuela won’t bring about rapid collapse of Maduro – in fact, it might boomerang on Washington

Source: The Conversation – Global Perspectives – By Robert Muggah, Richard von Weizsäcker Fellow na Bosch Academy e Co-fundador, Instituto Igarapé; Princeton University

A man rides past a poster of Venezuelan President Nicolas Maduro and an anti-tank barricade in Caracas on Oct. 28, 2025. Juan Barreto/AFP via Getty Images

The U.S. military buildup along South America’s northern rim is, Washington insists, aimed at “narco-terrorists.” A growing chorus of analysts aren’t convinced; they suspect what the Trump administration is really after is regime change in Venezuela.

Nicolás Maduro, the country’s leader since 2013, is taking no chances. In recent weeks he responded to the Trump administration’s moves as if invasion were imminent. After a September emergency decree and martial rhetoric about a “republic in arms,” the Venezuelan president says militias and reservists are now mobilized nationwide.

The leftist leader has ordered armed forces, police and militia to deploy across 284 battlefronts – a national defense posture that surges troops on sensitive borders. He has also massed 25,000 soldiers near Colombia, a likely vector for infiltration.

In addition, roughly 4.5 million members of the National Bolivarian Militia, an auxiliary force created in 2005 and made up of civilian volunteers and reservists, have reportedly mobilized. Civilians are being trained by the armed forces in weapons handling and tactics sessions to knit local “people’s defense” committees into the defense architecture.

Men and women in blue tops hold guns and march.
Armed civilians participate in a military deployment in support of Venezuela’s President Nicolas Maduro on Sept. 23, 2025.
Federico Parra/AFP via Getty Images

This placing of Venezuela on a war footing follows months of U.S. military buildup in the Caribbean. And there is no doubt that should it come to it, the U.S. boasts a far larger and more sophisticated military than Venezuela.

But as an expert on Latin American politics, I suspect that might not be enough to remove Maduro from power – or encourage opposition figures in Venezuela on Washington’s behalf. In fact, any direct attempt to do so might only lead to a slow process that risks entrenching Maduro’s position.

Powerful friends overseas

Alongside nationwide domestic mobilization, the Venezuelan leader still has some pretty powerful international friends. Maduro boasts some 5,000 Russian Igla-S, man-portable anti-aircraft missiles positioned at key air-defense points. While unverified, these reports are indicative of the short-range air defense and anti-ship capabilities being supplied by nations friendly to the Maduro regime.

On Oct. 28, a Russian Il-76 heavy cargo plane, operated by a sanctioned carrier tied to Russian military logistics, landed in Caracas after a multistop route through the Caucasus and West Africa. If not an outright sign of solidarity, this is a signal that Russia can airlift advisers, parts and munitions at will.

Iran’s long, quiet hand is visible in Venezuela’s drone program. It was reportedly seeded with Mohajer-2 kits and expanded over the years into armed and surveillance platforms assembled at state plants by Tehran-trained technicians.

Cuba, for its part, has for more than a decade embedded intelligence and internal security advisers across Venezuela’s military services, an underdiscussed force multiplier that helps the regime police dissent and maintain loyalty.

Although Russia, Cuba and Iran may help Maduro survive, they are unlikely to save him from any determined American campaign.

Cautious opposition

If Washington is hoping that its military squeeze may encourage Venezuelans to take matters into their own hands, the domestic scene is less favorable. The opposition to Maduro is fragmented and vulnerable after being deprived, fraudulently by most accounts, victory in a 2024 vote and a subsequent year of repression.

The Democratic Unitary Platform remains split between a pressure wing and a participation wing after the disputed vote. The jolt of morale handed to the opposition on Oct. 10, when the de facto 2024 opposition candidate María Corina Machado won the Nobel Peace Prize, has yet to move the needle.

There is a low probability, in my opinion, that the opposition can forcibly remove Maduro without a trigger, such as a major split within the security services, sustained mass mobilization with elite defections, or a massive U.S. intervention.

The regime’s domestic security architecture and control of courts, prosecutors and the electoral council make a sudden elite split unlikely. Electoral displacement is also unpromising given that the official opposition is split on tactics, faces daily repression, and Maduro has repeatedly signaled he will not accept a loss – even if he loses.

Street power, backed by sustained international leverage and U.S. military threats, are arguably the opposition’s best asset.

Diaspora politics are febrile. South Florida’s large Venezuelan exile community reads the naval buildup as a potential turning point and lobbies accordingly, even as U.S. immigration and travel policies cut against their interests. The opposition’s mainstream leaders still mouth the catechism that change should come by Venezuelan hands, but more are openly courting external pressure to tilt the balance.

A large ship is seen at sea.
The USS Gravely, a US Navy warship, departs the Port of Spain on Oct. 30, 2025.
Martin Bernetti/AFP via Getty Images

What Washington might do next

The Trump administration has certainly shown willingness to mount pressure on Maduro and encourage his opponents. Since August, the Pentagon has surged forces, destroyers and amphibious ships into the U.S. Southern Command’s patch. Then, on Oct. 24, Washington redirected the USS Gerald R. Ford carrier strike group to the Caribbean.

Meanwhile, attacks against suspected drug vessels will likely continue.

The campaign has already resulted in at least 13 strikes and 57 killed in the Caribbean Sea and eastern Pacific. And President Donald Trump has been consistent in linking the targeted cartels to Venezuela’s government and Maduro directly. Should the U.S. wish to escalate further, precision strikes on Venezuelan territory are not out of the question. With an aircraft carrier nearby and F-35s staged in Puerto Rico, the Pentagon has options.

Meanwhile, covert actions will accompany any overt military posturing. The White House has openly declared that the CIA has authority to operate inside Venezuela. A U.S. Homeland Security agent reportedly tried to recruit Maduro’s chief pilot to fly the president into U.S. custody, a plot that fizzled but hints at the psychological ops now in play. Venezuela, meanwhile, has condemned “military provocation” by the CIA and others.

It is worth recalling past attempts to unseat Maduro, including a 2018 drone attack at a Caracas parade and a failed freelance operation in 2020 that ended with deaths and dozens captured, including two former U.S. soldiers. The U.S. has denied any connection to both incidents.

In any event, such operations seldom topple strongmen – but they do seed paranoia and crackdowns as regimes chase ghosts.

Possible endgames

If Washington’s real objective is regime change, the plausible outcomes are sobering. To be sure, a quick collapse of Maduro’s government is unlikely. A short, sharp campaign that dismantles the regime’s coercive tools could trigger elite defection. Yet Cuba-hardened internal security, patronage over the generals and years of sanctions-induced siege mentality make a palace coup improbable on a timetable that suits Washington.

In my view, a slow squeeze is likelier.

A hybrid strategy involving maritime and air pressure, covert agitation and inducements, targeted strikes to degrade regime capacity, and political, legal and cyber warfare to isolate Caracas and split the officer corps is realistic. But that path risks entrenching the regime’s hard-liners and worsening a humanitarian crisis even as it degrades Maduro’s capacity.

Analysts warn that the regime change logic, once engaged, is hard to calibrate, especially if strikes kill civilians or hit national symbols.

A boomerang is always possible. Military action will very likely rally nationalist sentiment in Venezuela, fracture hemispheric consensus and drag the U.S. into a longer confrontation with messy spillovers, from uncontrolled migration to maritime security threats.

People in fatigues stand around, one holding a poster.
A Venezuelan militiawoman holds a banner with a photo of Venezuelan President Nicolas Maduro during a military parade on April 13, 2019.
Marco Bello/Getty Images

It is worth recalling that approximately 7.9 million migrants and refugees have already left Venezuela, with over 6.7 million residing in Latin American and Caribbean countries. Even the successful decapitation of Maduro’s regime would not guarantee a successor able to govern the country.

At least three signposts matter in determining what happens next.

The first is airlift cadence: More Russian cargo flights into Caracas point to accelerated military and technical aid. A second is the expansion of U.S. targets – a strike on a military installation or a presidential bunker would cross a political Rubicon, even if framed as a counter-narcotics operation. The third is opposition mobilization. If there are credible signs of Venezuelan demonstrations, protests and action, this will shape Washington’s appetite for escalation.

But even if the White House clings to its current counter-drugs and counterterrorism narrative, all evidence points to the trajectory as an incremental regime change push with less than certain outcomes.

The Conversation

Robert Muggah is the co-founder of the Igarape Institute, a think and do tank in Brazil and a principal and co-founder of SecDev, a geopolitical and digital advisory group. Dr. Muggah is an affiliated scholar at Princeton University, a Richard von Weizsäcker Fellow at the Robert Bosh Academy, and received a DPhil from the University of Oxford.

ref. US squeeze on Venezuela won’t bring about rapid collapse of Maduro – in fact, it might boomerang on Washington – https://theconversation.com/us-squeeze-on-venezuela-wont-bring-about-rapid-collapse-of-maduro-in-fact-it-might-boomerang-on-washington-268693

25 Years of the International Space Station: What archaeology tells us about living and working in space

Source: The Conversation – USA – By Justin St. P. Walsh, Professor of Art History, Archaeology and Space Studies, Chapman University

The International Space Station has housed visitors continuously for roughly 25 years. NASA

The International Space Station is one of the most remarkable achievements of the modern age. It is the largest, most complex, most expensive and most durable spacecraft ever built.

Its first modules were launched in 1998. The first crew to live on the International Space Station – an American and two Russians – entered it in 2000. Nov. 2, 2025, marks 25 years of continuous habitation by at least two people, and as many as 13 at one time. It is a singular example of international cooperation that has stood the test of time.

Two hundred and ninety people from 26 countries have now visited the space station, several of them staying for a year or more. More than 40% of all the humans who have ever been to space have been International Space Station visitors.

The station has been the locus of thousands of scientific and engineering studies using almost 200 distinct scientific facilities, investigating everything from astronomical phenomena and basic physics to crew health and plant growth. The phenomenon of space tourism was born on the space station. Altogether, astronauts have accumulated almost 127 person-years of experience on the station, and a deep understanding of what it takes to live in low Earth orbit.

A module of a space station. It has white plastic walls, but the light is pinkish-purple from a plant habitat on one side. The space is cluttered with cables and equipment. Other modules are visible through the hatch at the far end.
A view of the European Space Agency’s Columbus laboratory module on the International Space Station.
Paolo Nespoli and Roland Miller, courtesy of NASA and ASI.

If you’ve ever seen photos of the inside of the International Space Station, you’ve probably noticed the clutter. There are cables everywhere. Equipment sticks out into corridors. It doesn’t look like Star Trek’s Enterprise or other science fiction spacecraft. There’s no shower for the crew, or a kitchen for cooking a meal from scratch. It doesn’t have an area designed for the crew to gather in their downtime. But even without those niceties, it clearly represents a vision of the future from the past, one where humanity would live permanently in space for the first time.

Space archaeology

November 2025, by coincidence, also marks the 10th anniversary of my team’s research on the space station, the International Space Station Archaeological Project. The long history of habitation on the space station makes it perfect for the kind of studies that archaeologists like my colleagues and me carry out.

We recognized that there had been hardly any research on the social and cultural aspects of life in space. We wanted to show space agencies that were already planning three-year missions to Mars what they were overlooking.

We wanted to go beyond just talking to the crew about their experiences, though we have also done that. But as previous studies of contemporary societies have shown, people often don’t want to discuss all their lives with researchers, or they’re unable to articulate all their experiences.

Astronauts on Earth are usually trying to get their next ride back to space, and they understandably don’t want to rock the boat. Our research provides an additional window onto life on a space station by using archaeological evidence: the traces of human interactions with the objects and built spaces of the site.

The problem, of course, is that we can’t go to the station and observe it directly. So we had to come up with other ways to capture data. In November 2015, I realized that we could use the thousands of photos taken by the crew and published by NASA as a starting point. These would allow us to track the movement of people and things around the site over time, and to map the behaviors and associations between them.

In 2022, the International Space Station Archaeological Project also carried out the first archaeological fieldwork off the Earth, an experiment designed by my collaborator, Alice Gorman. We asked the crew to document six sample locations in different modules by taking photos of each one every day for two months.

A view from one module of a space station into the airlock. In the airlock are two spacesuits facing each other. At the threshold, there is a hatch door at the top with pictures of people and other items on it. Below is a salmon-colored bulkhead with stickers of mission patches on it.
A view of the hatch from the Node 1 (Unity) module of the International Space Station into the U.S. airlock displays a crew-created memorial to deceased colleagues on the hatch door at the top.
Paolo Nespoli and Roland Miller, courtesy of NASA and ASI.

Lessons from photos

We learned that the crew of the International Space Station is a lot like those of us on Earth – perhaps unsurprising, since they live 95% or more of their lives here with the rest of us. They decorate the walls of the station with pictures, memorabilia and, on the Russian side, religious items, the way you might put photos and souvenirs on your refrigerator door to say something about yourself and your family. They make birthday cakes for their colleagues. They love to snack on candy or other special foods that they selected to be sent.

Unlike the rest of us, however, they live without much freedom to make choices about their lives. Their days are governed by lengthy procedures overseen by Mission Control, and by lists of items and their locations.

Crew members do show some signs of autonomy, though. They sometimes create new uses for different areas. They used a maintenance work station for the storage of all kinds of unrelated things, just because it has a lot of Velcro for holding items in place. They have to come up with solutions for storing their toiletry kits because that kind of affordance wasn’t considered necessary by the station’s designers 30 or 40 years ago.

The wall of a space station module. In the center is a blue metal panel with 40 pieces of Velcro arranged in a grid. More Velcro is visible on the wall. Many different items are stuck to the wall. A yellow square is superimposed on the central part of the image.
One of the sample locations for the International Space Station Archaeological Project’s archaeological experiment on the space station was the maintenance work area in the Node 2 (Harmony) module. On the wall, many different kinds of items are stored, mostly attached to patches of Velcro. The yellow dotted line shows the boundary of the sample area.
NASA/ISSAP

We discovered that despite the international nature of the station, most areas of it are highly nationalized, with each space agency controlling its own modules and, often, the activities going on in each one. This makes sense, since each agency is responsible to their own taxpayers and needs to show how their money is being spent. But it probably isn’t the most efficient way to run what is the most expensive building project in the history of humanity.

In our latest research, we tracked changes in scientific activity, which we found has become increasingly diverse, by documenting the use of specialized experimental equipment. This work was the result of questions from one of the companies competing to build a commercial successor to the International Space Station in low Earth orbit.

The company wanted to know if we could tell them what facilities their customers were likely going to need. Of course, understanding how people have used different parts of a site over time is a typical archaeological problem. They are using our results to improve the experiences of their crews.

The archaeology of the contemporary world

Similar archaeological studies of contemporary issues here on Earth can also make future lives better, whether by studying phenomena such as migration, ethnonationalism or ecological issues.

In this way, we and other contemporary archaeologists are charting a new future for studying the past, a path for our discipline that lies alongside our traditional work of investigating ancient societies and managing heritage resources. Our International Space Station work also demonstrates the relevance of social science research for solving all kinds of problems – even ones that seem to be purely technical, like living in space.

The Conversation

ISSAP received funding from the Australian Research Council. Justin Walsh’s co-PI on ISSAP is Dr. Alice Gorman (Flinders University). Walsh co-owns Brick Moon, a space habitat consultancy.

ref. 25 Years of the International Space Station: What archaeology tells us about living and working in space – https://theconversation.com/25-years-of-the-international-space-station-what-archaeology-tells-us-about-living-and-working-in-space-268549

What is DNS? A computer engineer explains this foundational piece of the web – and why it’s the internet’s Achilles’ heel

Source: The Conversation – USA – By Doug Jacobson, University Professor of Electrical and Computer Engineering, Iowa State University

Amazon Web Services, hosted in data centers like this one in Virginia, supports thousands of websites, apps and online services – but not during its recent DNS outage. Nathan Howard/Getty Images

When millions of people suddenly couldn’t load familiar websites and apps during the Amazon Web Services, or AWS, outage on Oct. 20, 2025, the affected servers weren’t actually down. The problem was more fundamental – their names couldn’t be found.

The culprit was DNS, the Domain Name System, which is the internet’s phone book. Every device on the internet has a numerical IP address, but people use names like amazon.com or maps.google.com. DNS acts as the translator, turning those names into the correct IP addresses so your device knows where to send the request. It works every time you click on a link, open an app or tap “log in.” Even when you don’t type a name yourself, such as in a mobile app, one is still being used in the background.

To understand why DNS failures can be so disruptive, it’s helpful to know how the Domain Name System is constructed. The internet contains over 378 million registered domain names, far too many for a single global phone book. Imagine a single book containing every American’s name and phone number. So DNS was intentionally designed to be decentralized.

Each organization that owns a domain, such as google.com, is responsible for maintaining its own DNS entries in its own DNS server. When your device needs to find an IP address, it asks a DNS server, which may ask others, until it finds the server that knows the answer. No single system has to hold everything. That’s what makes DNS resilient.

Here’s how DNS works behind the scenes.

Centralization equals vulnerability

So why did AWS, the largest cloud provider in the world, still manage to break the internet for so many, from Zoom to Venmo and smart beds?

Cloud providers host web servers but also critical infrastructure services, including DNS. When a company rents cloud servers, it often allows the cloud provider to manage its DNS as well. That’s efficient – until the cloud provider’s DNS itself has a problem.

Amazon disclosed that the specific cause of the recent disruption was a timing bug in the software that manages the AWS DNS management system. Whatever the cause, the effect was clear: Any website or service relying on AWS-managed DNS could not be reached, even if its server was perfectly healthy. In this way, the cloud concentrates risk.

This wasn’t the first time DNS became a point of failure. In 2002, attackers attempted to disable the entire DNS system by launching a denial-of-service attack against the root DNS servers, the systems that store the locations of all other DNS servers. In a denial-of-service attack, an attacker sends a flood of traffic to overwhelm a server. Five of the 13 root servers were knocked offline, but the system survived.

In 2016, a major DNS provider called Dyn, which companies paid to run DNS on their behalf, was hit with a massive distributed-denial-of-service attack. In a distributed-denial-of-service attack, the attacker hijacks many computers and uses them to send the flood of traffic to the target. In the Dyn attack, tens of thousands of compromised devices flooded its servers, overwhelming them. For hours, major sites like Twitter, PayPal, Netflix and Reddit were functionally offline even though their servers were fully operational. Yet again, the issue wasn’t the websites; it was the inability to find them.

The lesson is not that DNS is weak, but that reliance on a small number of providers creates invisible single points of failure. DNS was initially designed for decentralization. Yet, economic convenience, cloud services and DNS as a service are quietly steering the internet toward centralization.

Convenience over resilience

These failures matter far beyond shopping or streaming. DNS is also how people reach banks, election reporting systems, emergency alert platforms and the artificial intelligence tools now powering critical decision-making. It doesn’t even need to fully go down to be dangerous. Simply delaying or misdirecting DNS can break authentication between users and services, block transactions or erode public trust at sensitive moments.

The uncomfortable reality is that convenience is quietly winning over resilience. As organizations increasingly outsource DNS and hosting to the same handful of cloud providers, they accumulate what could be called resilience debt – invisible until the moment it comes due. The internet was engineered to survive partial failure, but modern economics is concentrating risk in ways its original designers explicitly tried to avoid.

The lesson from the AWS outage isn’t just about fixing one software bug. It’s a reminder that DNS is critical infrastructure. That means technology companies can’t afford to treat DNS as background plumbing, and resilience needs to be designed intentionally.

Individual DNS failures inconvenience people, but the reliability of DNS on the whole defines whether the internet still works at all.

The Conversation

Doug Jacobson does not work for, consult, own shares in or receive funding from any company or organization that would benefit from this article, and has disclosed no relevant affiliations beyond their academic appointment.

ref. What is DNS? A computer engineer explains this foundational piece of the web – and why it’s the internet’s Achilles’ heel – https://theconversation.com/what-is-dns-a-computer-engineer-explains-this-foundational-piece-of-the-web-and-why-its-the-internets-achilles-heel-268336

Symbolism of cemetery plants: How flowers, trees and other botanical motifs honor those buried beneath

Source: The Conversation – USA – By Shelley Mitchell, Senior Extension Specialist in Horticulture and Landscape Architecture, Oklahoma State University

The popularity of rural cemeteries spurred the development of the first city parks. Heritage Art/Heritage Images via Getty Images

If you visit a cemetery, look closely and you’ll likely notice many flowering plants – adorning the graves, or maybe even carved into headstones.

As a horticulture Extension specialist and frequent geocacher, I often visit cemeteries in urban and rural areas across the country. The plants seen in cemeteries vary by climate as well as local history and culture. They are planted with purpose, often serving as symbols for the physical and spiritual realms.

Early rural cemeteries

In the early 1800s, cemeteries in the United States started separating from churchyards and common grounds of large cities, such as Boston Common. The population growth of cities quickly boxed in burial grounds, and they became overcrowded. The solution was rural cemeteries outside the city limits.

A black-and-white image of a cemetery on a hill, with a tower atop the hill and trees scattered throughout.
Mount Auburn Cemetery in Cambridge, Mass., between 1890 and 1901.
Heritage Art/Heritage Images via Getty Images

Mount Auburn, the first rural cemetery, was opened in 1831 in Cambridge, Massachusetts, in conjunction with the Massachusetts Horticultural Society. The developers kept the natural state in mind and drew inspiration from English landscape gardens and from a large cemetery in Paris: Père Lachaise – Napoleon’s solution for running out of space for burials in Paris.

Early rural cemeteries were closely linked with horticulture societies, and they became popular green spaces to visit to escape the pollution and crowds of the cities. The founder of one early rural cemetery, Laurel Hill outside Philadelphia, recorded all its plantings, representing over 175 different species, and created a guidebook.

Plants grown in cemeteries were selected not only based on whether they could grow in the climate, but also for the symbolism of their shapes and historical associations of their species. Plants frequently represented death and mourning, hope and immortality.

Weeping willow trees with their long, dangling branches were popular in cemeteries due to their dramatic emotional and visual effects. Evergreens symbolized eternal life. Deciduous trees represented the cycle of life because they lose their leaves in the winter, and flowers are comforting. Plants like iris and rose, which return every year, symbolized immortality.

Death in the Victorian era

Within a few decades of the beginning of the rural cemetery movement, the Victorian era began. Because of large numbers of dead from plagues and wars, death was a big part of Victorian life.

The Victorians were interested in floriography – “flower language” – and attached a symbolic meaning to almost every flower known. Consequently, flowers and other plants became commonplace on headstones.

This emphasis on botanical motifs on headstones contrasted the symbols that had been common on early gravestones in New England during colonial days. Many gravestones from those days had images such as winged skulls and crossed bones, representing the orthodox Puritan view that all humans were sinners. Mortal symbols on headstones were a reminder of death.

A stone carved with six symbols, including a skull and two bones crossed in an x.
Some 18th-century gravestones had skulls and crossed bones, which were meant to remind the viewer of their mortality.
Martyn Gorman, CC BY-SA

Horticultural symbols

Each symbol’s meaning may vary with time and place. Some plants may represent a person’s ancestry or birthplace. A thistle on a headstone could represent someone of Scottish descent, while an Irishman might have a shamrock. Willow is a common symbol on Iroquois graves.

A stone carving of a weeping willow tree.
A willow tree inscribed on a 19th-century tombstone in a cemetery in Savannah, Ga.
Pam Susemiehl/Moment via Getty Images

Yuccas, which can live for hundreds of years, can serve as headstones by themselves. African American or cemeteries for enslaved people sometimes used them as grave markers.

Statues of trees can also be gravestones, shaped as trunks, stumps or logs. The stump represents a life cut short. Branches can represent how many children the deceased had, or how many family members are in the plot. Trees can symbolize eternal life or the importance of family – as in a family tree.

These tree stones became popular in the Victorian era, reflecting common rustic design styles in Europe that included home decor featuring twigs, leaves, branches and bark. During this time of increasing urbanization, many people were nostalgic for simpler rural lives and nature.

Plants as religious symbols

Many religions have plants that are sacred and may appear on graves. In Buddhism and Hinduism, the lotus is a sacred symbol associated with spiritual enlightenment, purity and compassion.

Different facets of Christianity are represented in various ways: Grapes may represent the Sacraments, the palm Christ’s victory over death, the rose the Virgin Mary, and wheat the body of Christ.

On the Day of the Dead, people of Mexican descent use marigolds to decorate graves and form trails that lead to a home altar with the deceased’s favorite things.

A grave with orange flowers, a cross and a skull on it.
In Mexico, people decorate graves with marigolds on Day of the Dead.
Patricia Marroquin/Moment via Getty Images

Victorians used dandelions to symbolize love and grief and that life is not permanent: Its blowing seeds represent the soul’s journey upward.

Some plants represent careers or interests. Adolphus Busch, co-founder of the Anheuser-Busch brewery, has bronze hop flowers decorating his mausoleum. Corn or wheat could represent a farmer.

Flower symbolism

Some flowers traditionally represent particular values of the deceased or messages sent or received from beyond the grave. Daisies can stand for innocence and purity and are often found on children’s graves. Magnolias represent the deceased’s strength of character and leave a legacy of resilience.

Carnations represent affection, health and energy, while crocuses evoke cheerfulness. Oak trees symbolize strength, endurance, power and victory. Laurel, especially in the form of a wreath, has meanings that go all the way back to ancient Greece and is associated with someone of distinction in athletics, the military, or art or literature. Red poppies are associated with remembrance, particularly of World War I.

Red poppies in the foreground with a large tombstone in the background.
Red poppies act as a symbol representing the memory of those lost in World War I.
AP Photo/Virginia Mayo, FILE)

Herbs fall right in there with flowers in their meanings: Fennel means worthy of praise; garlic, courage and strength; mint, protection from illness; oleander, caution; and thyme ensures restful sleep.

The future of cemeteries

With more people choosing cremation and green burials, cemeteries aren’t selling as many plots. Cemetery horticulture may save the economic day for the cemetery business.

Some cemeteries are now offering gardening classes. A few urban beekeepers like to keep their bees in cemeteries where there are a lot of flowering plants. Cemeteries are becoming certified arboretums, a tourist draw. Citizen science projects have discovered insect and fungi species in cemeteries that are new to the scientific community or rarely seen in the area, or even the world. Rose enthusiasts come to cemeteries to harvest some heirloom varieties, and there is talk of growing edible crops in cemeteries in food desert areas of New York City.

Cemeteries may conjure images of death and decay, but the future for cemeteries is full of life.

The Conversation

Shelley Mitchell does not work for, consult, own shares in or receive funding from any company or organization that would benefit from this article, and has disclosed no relevant affiliations beyond their academic appointment.

ref. Symbolism of cemetery plants: How flowers, trees and other botanical motifs honor those buried beneath – https://theconversation.com/symbolism-of-cemetery-plants-how-flowers-trees-and-other-botanical-motifs-honor-those-buried-beneath-268660

It’s always been hard to make it as an artist in America – and it’s becoming only harder

Source: The Conversation – USA (2) – By Joanna Woronkowicz, Associate Professor of Public and Environmental Affairs, Indiana University

About 2.4 million Americans are artists, or 1% of the workforce. Ian Forsyth/Getty Images

“Being an artist is not viewed as a real job.”

It’s a sentiment I’ve heard time and again, one that echoes across studios, rehearsal halls and kitchen tables – a quiet frustration that the labor of making art rarely earns the legitimacy or security afforded to other kinds of work.

I study how artists work and earn a living in the United States. In a country that valorizes creativity yet neglects the people who produce it, I’ve seen how artists are left to navigate a system that treats their calling as a personal gamble rather than a profession worth supporting.

“I wish this country supported artists,” one artist told me. “Look how good it could be if culture was celebrated.”

The reality is that for many artists, the dream of sustaining a creative career now comes with steep odds: volatile income, limited benefits and few protections against technological or market shocks.

Some countries have begun to recognize this and act accordingly. South Korea, for instance, introduced its Artist Welfare Act in 2011 and expanded it in 2022, creating mechanisms for income stabilization, insurance coverage and protection against unfair contracts.

Such examples show that insecurity is not an inevitable feature of artistic life – it’s a symptom of policy choices.

My new book, “Artists at Work: Rethinking Policy for Artistic Careers,” uses U.S. labor force data to show how building a creative career has become an increasingly risky pursuit – and how smarter policies could make it less so.

A fragile profession

About 2.4 million Americans are artists, or roughly 1% of the workforce in 2019. This figure includes individuals whose primary occupation falls within an artistic field – such as musicians, designers, writers, actors, architects or visual artists – according to the U.S. Bureau of Labor Statistics. It’s likely an undercount, since many artists hold jobs outside of the arts to support their creative work.

But even before the COVID-19 pandemic, the number of working artists was already falling. Between 2017 and 2019, formal employment in these fields dropped from 2.48 million to 2.4 million, a quiet contraction that reflected shrinking opportunities and growing instability across creative fields.

When COVID-19 hit, that slow decline turned into a collapse. The arts economy shrank by 6.4% in 2020 – nearly twice the overall U.S. rate of decline – and more than 600,000 jobs disappeared. For artists, the pandemic didn’t create new problems so much as reveal how little of the safety net reached them in the first place.

Health insurance is one example.

Most artists are insured, but roughly 20% buy coverage on their own, compared with about 10% of all U.S. workers. When the Affordable Care Act expanded access to individual plans, artists’ coverage rates improved significantly – a reminder that good policy can make a real difference for this workforce.

Even this modest progress is now under threat: With enhanced marketplace subsidies set to expire and the current government funding impasse looming, individual premiums under the ACA could more than double for many enrollees next year.

Education doesn’t provide much protection either. Artists are among the most educated groups in the labor market – about two-thirds hold at least a bachelor’s degree – but their earnings don’t rise as much with each level of education as those of other professionals. Research shows that even artists with graduate degrees earn lower pay and face sharper income swings than workers with similar schooling in other fields.

Artists almost by definition juggle multiple roles. In 2019, about 8% held more than one job – compared with 5% of all workers – and roughly 30% worked part time in different types of jobs. Many combined teaching, freelance projects and contract gigs to piece together something close to full-time work.

A dark hallway in a hospital with a young woman mopping the floor.
A freelance artist who works as a custodian by night cleans the bathrooms at a Maryland hospital in 2016.
Astrid Riecken/The Washington Post via Getty Images

My research shows that self-employment is far more common among artists than among other workers. Yet many go independent not because they crave entrepreneurship but because it’s the only option available. The top industries employing artists include professional and technical services, arts and entertainment, information and retail.

In other words, artists often move between arts and non-arts jobs, teaching by day or working service shifts at night, just to keep their creative practice alive.

Existing labor laws assume a steady paycheck

Most U.S. labor protections – health insurance, paid leave, workers’ compensation and retirement benefits – are tied to full-time, W-2 employment. But few artists work that way. They rely on gigs that don’t fit neatly into existing systems: short-term contracts, productions with limited runs such as musicals or film shoots, and one-off project fees.

Existing rules simply do not support professional artists.

Because employers don’t pay into unemployment funds for contractors or freelancers, most artists are ineligible for unemployment insurance.

Copyright law was originally written with publishers and record labels in mind, leaving visual artists without royalties when their work is resold. Existing copyright law is being challenged by artists and record labels, who are claiming their work was used to train AI models without permission, favoring tech companies that say these tools will “democratize” artmaking.

The tax code, meanwhile, lets collectors deduct the full value of artwork they donate, but limits artists themselves to deducting only the cost of materials.

Public funding of the arts, from the New Deal’s Federal Art Project to the creation of the National Endowment for the Arts, has come in brief bursts – but is often first on the chopping block during economic downturns.

Together, these examples reveal a century-long pattern: The U.S. celebrates art but neglects artists. Instead of treating creative work as legitimate labor, the country’s policies fail to offer artists stability or protection.

Labor policy that values artists

If labor policies have largely ignored artists, it’s because policymakers start from the wrong place. Too often, artists are asked to justify their worth by proving that they drive tourism, raise property values or fuel innovation. That logic turns creative work into a tool for someone else’s goals.

In my view, a better starting point is the right to choose creative work. The ability to select one’s occupation freely – and to make a living doing meaningful work – is, to many Americans, as fundamental as freedom of speech. Yet the structure of U.S. workforce policy makes that choice nearly impossible for many artists.

A more coherent approach would treat the arts as part of the nation’s labor system, not an afterthought. One policy change could require benefits such as health care, unemployment insurance and retirement savings to be portable – following the worker, not the employer. Laws could protect freelancers from late or missing payments, such as New York’s Freelance Isn’t Free Act. And tax and copyright policies could give artists the same chance to profit from their work that investors and corporations already enjoy. Many European countries already do this through “droit de suite” laws, which grant visual artists a small royalty each time their work is resold – ensuring that creators, not just collectors, can reap the rewards of the long-term value of their art.

Designing policies around how many artists actually work – project by project, contract by contract – would make it possible for more people to build sustainable careers in the arts. It would also make the sector more inclusive, drawing talent from across social classes rather than only from those that can afford to take the risk.

But I think policy change also requires a shift in mindset.

Viewing artists not as special cases or economic tools, but as workers exercising a basic human right – the right to choose their work – strengthens both culture and democracy. To me, the central question is not whether artists deserve help because their work enriches others, but whether every individual should have the freedom to make a living through work that gives life meaning.

The Conversation

Joanna Woronkowicz does not work for, consult, own shares in or receive funding from any company or organization that would benefit from this article, and has disclosed no relevant affiliations beyond their academic appointment.

ref. It’s always been hard to make it as an artist in America – and it’s becoming only harder – https://theconversation.com/its-always-been-hard-to-make-it-as-an-artist-in-america-and-its-becoming-only-harder-266138