A whiff of espionage around the Epstein files points to how intelligence and influence interact

Source: The Conversation – UK – By Robert Dover, Professor of Intelligence and National Security & Dean of Faculty, University of Hull

For obvious reasons, the secretive world of intelligence agencies and the people who revolve in its orbit remains opaque. So much so, that some of those people may not even be aware of any involvement in the secret world.

The Epstein papers have thrown up speculation about whether the late financier and sex offender might have performed services for one or another of the big intelligence agencies. And in the wake of that speculation, it has been noted that the father of Epstein’s one-time girlfriend, Ghislaine Maxwell, was the late Robert Maxwell, well-known as a larger than life publisher and newspaper proprietor in the UK from the 1950s to the early 90s. He, too, was the subject of much speculation that he might have been involved in intelligence work.

Epstein is now better known for his sex trafficking network and Maxwell for stealing from his employees’ pension funds. But their examples point to how intelligence, high finance and influence work.

Generally speaking there are three main classes of people involved in state intelligence gathering. “Officers” are full-time employees of state intelligence agencies such as MI6. They run their groups of “agents”, who are not formally employed by the state but who deliberately and knowingly gather intelligence and perform tasks for intelligence officers. And there are what is known as “intelligencers” (or sometimes assets) who may not even know they are providing information to a spy agency.

The currency of human intelligence is access, knowledge and often the ability to compromise officials and influential people.

We often think that intelligence agencies and their agent runners seek to directly recruit people with the access and motivation to pass on state secrets. While this is undeniably the case – and the examples of the American Aldrich Ames and the Briton Melita Norwood provide good evidence of this – intelligence agencies are equally interested in recruiting what’s known as “access agents”.

Access agents

The value of an access agent is not the secrets they have access to, but the social and professional access they provide to people who do. People in high-end society, scientific research, banking, politics and culture make excellent targets for access agents. And from an agency’s point of view, the best thing is that these agents are deniable and under the radar.

Intelligence officers and their operatives require funding, mobility and a credible back story (known as a legend). Businessmen like Robert Maxwell and Jeffrey Epstein had plenty of all three, making them excellent candidates to theoretically serve the needs of intelligence agencies.

But rather than indulging in speculation about Epstein and Maxwell, which is unlikely ever to be conclusively confirmed or denied, it’s more instructive to look at what we know about access agents. They are often business people, sometimes academics or journalists with a reason to travel and the opportunity to meet people in influential circles in the course of their legitimate business.

It’s worth remembering that Kim Philby, the most notorious of the Cambridge spy ring, cut his teeth as a reporter in Spain during the civil war, before embarking on a career as an MI6 officer (and Soviet double agent). Australian journalist, Richard Hughes – who appeared lightly disguised in novels by Ian Fleming and John le Carre – was believed by many to be an agent for British intelligence, working in southeast Asia during the upheavals of the 1960s and 1970s.

Perhaps the most famous businessman-agent was Cyril Bertram Mills who combined being the director of the Bertram Mills Circus with a four-decade career spanning the years before and after the second world war with British intelligence. Travelling widely in Europe, ostensibly to seek out circus acts, he provided his spymasters with evidence of German rearmament in the 1930s. He also recruited Garbo, one of the most successful double agents, who was instrumental in convincing Germany that the D-Day landings would be in Calais, not Normandy.

An access agent is trained “to be the friend the informant doesn’t have”. They can provide what their contact needs and cannot get hold of: whether that’s useful inside information of some kind, an introduction to someone important, a sexual partner or finance for one of their ventures.

MI5 is quite open about this on its website: “Agents operate by exploiting trusted relationships and positions to obtain sensitive information. They may also look for vulnerabilities among those handling secrets.

A large man in a white dinner jacket talks with a middle aged woman in evening dress and another man in a black dinner jacket.
Publishing tycoon Robert Maxwell with British born US ambassador to France, Pamela Harriman, in 1989 .
mark reinstein/Shutterstock

Secrets and lies

Determining truth in intelligence is complicated. Very rarely do we see a single piece of incontrovertible evidence that proves someone’s intelligence status or the ethics or efficacy of their actions. But then as we know, all of this is shrouded in secrecy and supposition.

In Maxwell’s case, historical scholarship and TV documentaries have provided unverified hints. In Epstein’s we have indicators such as the claim by former US attorney, Alexander Acosta that he was told Epstein “belonged to intelligence”, when he negotiated his plea deal. But it’s unlikely we’ll ever know the truth about either.

The Conversation

Robert Dover does not work for, consult, own shares in or receive funding from any company or organisation that would benefit from this article, and has disclosed no relevant affiliations beyond their academic appointment.

ref. A whiff of espionage around the Epstein files points to how intelligence and influence interact – https://theconversation.com/a-whiff-of-espionage-around-the-epstein-files-points-to-how-intelligence-and-influence-interact-275344

China is losing ground in Latin America

Source: The Conversation – UK – By Amalendu Misra, Professor of International Politics, Lancaster University

Panama’s supreme court invalidated a contract in late January that had allowed Panama Ports Company, a subsidiary of Hong Kong-based firm CK Hutchison, to operate two ports on the Panama canal since 1997.

The decision, which ruled that the laws allowing the firm to operate the ports were “unconstitutional”, comes one year after the US president, Donald Trump, threatened to take control of the canal to limit Chinese influence over the waterway.

Beijing reacted to the ruling angrily, calling the judgment “absurd, shameful and pathetic”. It also said the Panamanian government will pay “a heavy political and economic price” for evicting the company from the ports. The ruling is the latest sign that China’s ambitions in the region are losing momentum.

Chinese influence in Latin America is a relatively recent phenomenon. Since 1823, when President James Monroe declared the western hemisphere closed to further European colonisation, the US has largely maintained strict control over the region’s affairs.

But that changed after the end of the cold war in 1991, with successive US administrations reducing their focus on Latin America. This allowed emerging superpowers such as China to assert their influence in the region.

China is now the top trading partner for South America and is becoming the largest for Latin America as a whole. It is also a major source of foreign direct investment and infrastructure lending for the region.

Chinese influence in what the US considers its own backyard has irked the Trump administration. Shortly after the operation to capture Venezuelan leader Nicolás Maduro in January, the US secretary of state, Marco Rubio, declared: “This is the western hemisphere. This is where we live – and we’re not going to allow the western hemisphere to be a base of operations for adversaries, competitors and rivals of the United States.”

The eviction of Panama Ports Company from the Panama canal will have been celebrated as a victory in Washington, which is looking to promote its own national interests in the region. But it is also possible that the incident could prompt countries throughout Latin America to address their reliance on China.

Over the past two decades, China has swamped countries in Latin America and the Caribbean with loans. However, unlike loans from the World Bank or International Monetary Fund that are contingent on structural and institutional reforms, Chinese loans come with few conditions attached. China generally requires governments to guarantee repayment through the future export of commodities such as oil.

At the same time, Chinese investments generally bring low environmental and labour standards. In a 2023 analysis of 14 Chinese mining, hydroelectric, fossil fuel, infrastructure and agriculture projects in Latin America, the UN Committee on Economic, Social and Cultural Rights identified patterns of serious rights abuses. These included abuses against the rights of Indigenous people, as well as the rights to health, a healthy environment, water, food and housing.

Chinese investments also tend to focus on areas that give Beijing control over a country’s critical infrastructure. For example, China controls a majority stake in the strategically important Chancay port in western Peru and Chinese firms now control approximately two-thirds of Chile’s energy distribution. Under these circumstances, reducing reliance on China is probably in the interests of many Latin American countries.

In February 2025, Panama became the first country in the region to withdraw from China’s global infrastructure and investment project, the Belt and Road Initiative. The announcement followed a visit by Rubio, drawing criticism from Chinese officials over what they saw as US attempts to “deliberately sow discord” between China and Panama.

At a press conference, the Panamanian president, José Raúl Mulino, said: “I do not know what was the intention of those who signed this agreement with China. What has it brought to Panama all these years? What are the great things that this Belt and Road Initiative has brought to the country?”

Wind turbines in the Coquimbo region of Chile.
Wind turbines in the Coquimbo region of Chile.
Jose Luis Stephens / Shutterstock

China’s choices

China itself already appears to be deprioritising Latin America as an investment destination, largely due to the region’s mediocre growth trajectory and frequent delays to loan repayments. It has scaled back on sovereign loans since 2020, while Chinese investment in large-scale Latin American infrastructure projects has reduced in recent years.

And it may be in China’s interests to accelerate this trend. The US capture of Maduro demonstrates the Trump administration’s willingness to induce dramatic changes in the Latin American political environment. These changes may undermine China’s ability to extract unpaid debts from governments in the region.

For example, analysts suggest there is a risk that the new Venezuelan government will attempt to challenge the legitimacy of the roughly US$10 billion (£7.3 billion) of debt it owes to China under a legal doctrine known as “odious debt”. This arises when a government argues that debt incurred by a previous regime did not benefit the nation and is therefore unenforceable.

The future ownership of the two ports previously operated by Panama Ports Company is unclear. The firm has announced it is launching international arbitration proceedings against Panama over the contract ruling, a process that is likely to last years. But it appears the high noon of Chinese economic domination in Latin America may well be over.

The Conversation

Amalendu Misra is a recipient of British Academy and Nuffield Foundation fellowships.

ref. China is losing ground in Latin America – https://theconversation.com/china-is-losing-ground-in-latin-america-275346

Vitamin D: everything you need to know about this supplement – from when to take it, to how much you really need

Source: The Conversation – UK – By Dipa Kamdar, Senior Lecturer in Pharmacy Practice, Kingston University

Vitamin D plays a crucial role in bone health. FotoHelin/ Shutterstock

When the days shorten and the sun sinks low in the sky, that familiar winter slump sets in. There’s a fundamental reason for this seasonal fatigue: low levels of vitamin D – the “sunshine vitamin”.

People in the UK simply can’t make enough of this vital nutrient from sunlight during winter, which is why many are advised to take a supplement.

So, what is vitamin D, why does it matter, and how much do you really need?

Why is vitamin D important?

Vitamin D is a fat-soluble vitamin. This means it’s absorbed with other fats in our diet, and stored in the body’s liver and fatty tissue.

Vitamin D helps the body absorb calcium from the gut and regulates calcium and phosphate levels. These minerals are crucial for healthy bones, teeth and muscles.

Vitamin D plays a key role in bone development and in the continuous renewal of bone tissue. Without enough vitamin D, adults can develop osteomalacia (soft bones) and children can develop rickets (a bone deformity, often characterised by bowed legs).

Vitamin D supplementation, in conjunction with calcium, helps maintain bone mineral density and has been shown in trials to reduce fracture risk in people with osteoporosis.

Many tissues in the body have receptors that respond to vitamin D, as well. This means vitamin D can also affect neuromuscular function by helping us maintain muscle strength.

Low vitamin D levels have also been associated with a higher risk of several health problems, including cardiovascular conditions such as high blood pressure and heart failure. However, it’s uncertain whether low vitamin D directly contributes to cardiovascular disease or is simply a reflection of overall poor health in people with chronic conditions.

Although the evidence is mixed, some studies suggest vitamin D may help boost the immune system, too. Some studies suggest that the severity of respiratory infections (such as flu or COVID) may be reduced if you regularly take a vitamin D supplement.

Low vitamin D levels have also been linked to multiple sclerosis. In addition, research suggests that vitamin D may help regulate mood – particularly among people with depression or those who are vitamin D deficient. The studies aren’t definitive, though.

Where do we get vitamin D from?

Unlike other vitamins, which we obtain through diet, vitamin D is made when the skin is exposed to sunlight.

In the UK, around 80-90% of the vitamin D we need comes from the sunlight we’re exposed to. Between late March and September, the sun is usually strong enough that most people produce the vitamin D they need naturally.

But from October to early March, the UK’s sun isn’t strong enough for the skin to synthesise vitamin D – even on bright days. This is why it’s recommended everyone should consider taking a daily supplement during the colder months to maintain optimum levels. This becomes even more important as people spend more time indoors during winter.

An assortment of vitamin D-rich foods, including salmon and sardines, egg yolks and milk.
Only a small proportion of our vitamin D is obtained through diet.
Tatjana Baibakova/ Shutterstock

Some food sources do in fact contain vitamin D – including oily fish (such as salmon or sardines), red meat, egg yolks and fortified cereals. However, only a small proportion (roughly 10–20%) of our vitamin D levels are obtained through diet.

How much vitamin D should I take?

Adults and children over four years old should take 10 micrograms (400IU) of vitamin D per day during the autumn and winter.

Babies under one should be given 8.5-10 micrograms of vitamin D throughout the year if they are breastfed or partly breastfed. Infants are born with limited vitamin D stores, which are primarily transferred from the mother. While infants can produce vitamin D through sunlight exposure, this is often minimal due to sun protection measures. This is why a supplement is recommended.

Because formula is already fortified with vitamin D, only babies who drink less than 500ml of formula a day should be given a supplement.

Although 10 microgram supplements are sufficient, products up to 25 micrograms (1,000IU) are considered safe for general use.

Vitamin D comes in two main forms: D₂ (ergocalciferol) and D₃ (cholecalciferol). Although they differ slightly in chemical structure, both are well absorbed in the small intestine. However, some research shows vitamin D₃ is generally more effective at increasing and sustaining vitamin D levels in the body.

Some people may need to take a vitamin D supplement all year round. This includes people with darker skin tones, such as those of African, African-Caribbean or south Asian heritage, whose higher melanin levels act as a natural sunscreen, reducing how efficiently they synthesise vitamin D from sunlight. People who cover their skin for cultural or medical reasons, or who are housebound or indoors for long periods, will also have less exposure to sunlight and may require a supplement.

Adults over 65 should also consider year-round supplementation. This is because the way the body produces and processes vitamin D changes as we age.

Can you take too much?

It’s important you do not take more than the recommended standard dose. Taking more than recommended is unnecessary and potentially harmful. Higher doses should only be taken under medical supervision for a confirmed deficiency.

Very high intakes (more than 100 micrograms daily) taken over a long time can lead to excessive calcium levels in the body – causing weakened bones and potential kidney and heart problems. Because vitamin D stays in your body for a long time (about two months), symptoms of an overdose can last for several weeks.

You can’t get too much vitamin D from sunlight alone, but it’s still important to protect your skin to reduce the risk of sun damage and skin cancer.

During a British winter, vitamin D is one of the simplest tools we have to support our overall health. With limited sunlight, a small daily supplement offers a reliable way to keep bones and muscles in good working order through the darker months.

The Conversation

Dipa Kamdar does not work for, consult, own shares in or receive funding from any company or organisation that would benefit from this article, and has disclosed no relevant affiliations beyond their academic appointment.

ref. Vitamin D: everything you need to know about this supplement – from when to take it, to how much you really need – https://theconversation.com/vitamin-d-everything-you-need-to-know-about-this-supplement-from-when-to-take-it-to-how-much-you-really-need-274754

Menopause: our study revealed how it affects the brain, cognition and mental health

Source: The Conversation – UK – By Barbara Jacquelyn Sahakian, Professor of Clinical Neuropsychology, University of Cambridge

The menopause was associated with poorer sleep, increased mental health problems and even changes within the brain itself. Gladskikh Tatiana/ Shutterstock

Menopause is a key period in a woman’s life. This transition is often accompanied by wide-ranging physical and psychological symptoms — some of which can be debilitating and affect daily life. Menopause has also been linked to cognitive problems — such as memory, attention and language deficits.

To mitigate the effects of menopause — including hot flashes, depressive symptoms and sleep problems — many women turn to hormone replacement therapy (HRT). In England, an estimated 15% of women are prescribed HRT for menopause symptoms. In Europe, this number is even higher – varying between 18% in Spain to 55% in France.

But there’s limited understanding of the effects of menopause and subsequent HRT use on the brain, cognition and mental health. To address this, we analysed data from nearly 125,000 women from the UK Biobank (a large database containing genetic and health data from about 500,000 people).

We placed participants into three groups: pre-menopausal, post-menopausal and post-menopausal with HRT. The average age of menopause was around 49 years old. Women who used HRT typically began treatment around the same age.

In short, we found that menopause was associated with poorer sleep, increased mental health problems and even changes within the brain itself.

Post-menopausal women were more likely than pre-menopausal women to report symptoms of anxiety and depression. They were also more likely to seek help from a GP or psychiatrist and to be prescribed antidepressants.

Sleep disturbances were more common after menopause, as well. Post-menopausal women reported higher rates of insomnia, shorter sleep duration and increased fatigue.

Brain imaging analyses also revealed significant reductions in grey matter volume following menopause. Grey matter is an important component of the central nervous system which is composed mainly of brain cells. These reductions were most pronounced in regions critical for learning and memory (namely the hippocampus and entorhinal cortex) and areas key in emotional regulation and attention (termed the anterior cingulate cortex).

Notably, the hippocampus and entorhinal cortex are among the earliest affected in Alzheimer’s disease, the most common form of dementia.

The changes we observed in our study could suggest that menopause-related brain changes may contribute to increased vulnerability to Alzheimer’s disease later in life. This could help explain why there’s a higher prevalence of dementia observed in women.

We also investigated whether taking HRT post-menopause had any effect on health outcomes. Notably, HRT did not improve the reduction in brain grey matter.

In addition, we found that women using HRT showed higher levels of anxiety and depression compared to post-menopausal women who had never used HRT. However, further analyses indicated that these differences were already present. This suggested that pre-existing mental health problems may have influenced the decision to begin using HRT rather than these symptoms being caused by the medication itself.

A woman places a hormone treatment patch on her arm.
HRT had some benefit on cognitive performance.
Andrey_Popov/ Shutterstock

One potential benefit of HRT use was noted in cognitive performance – particularly for psychomotor speed. Psychomotor slowing is a hallmark feature of ageing.

Post-menopausal women who had never used HRT showed slower reaction times compared with both pre-menopausal women and post-menopausal women who had used HRT. This indicates that HRT helps to slow the menopause-related declines in psychomotor speed.

HRT and menopause

There’s still much we don’t know about HRT – and more evidence on its benefits and risks are still needed.

Some studies report that those taking HRT have an increased dementia risk, while others suggest a decreased risk of dementia.

More research is also needed to understand the effects of HRT and how the different routes and dosages affect menopause symptoms. But according to one UK Biobank study of 538 women, the effects don’t appear to differ – regardless of factors such as the formulation, route of administration and duration of use.

Importantly, however, it’s difficult to establish whether women are actually receiving an effective dose. One in four women using the highest licensed dose of HRT still had low levels of estradiol (oestrogen) – around 200 picomoles per litre. Older women and HRT patch users were more likely to have lower levels.

Optimal plasma levels to relieve menopause symptoms are between 220-550 picomoles per litre. This means that for 25% of the women in the study, HRT would not have had optimal benefit for menopause symptoms.

Considering that most women go through the menopause, it’s important to resolve the question of whether HRT is beneficial – including preventing brain grey matter volume reductions and reducing the risk of dementia. It will also be important to know what the best dose and route of administration are.

There is evidence to suggest healthy lifestyle habits may mitigate these menopause-related changes in brain health.

Our work and that of other research groups shows that a number of lifestyle habits can improve brain health, cognition and wellbeing, thereby reducing the risk of cognitive decline associated with ageing and dementia. This includes regular exercise, engaging in cognitively challenging activities (such as learning a new language or playing chess), having a nutritious and balanced diet, getting the right amount of good-quality sleep and having strong social connections.

Research also shows regular physical activity can increase the size of the hippocampus, which may help mitigate some of the menopause-related reductions observed in this region.

Sleep is also critically important as it supports the consolidation of memories and helps clear toxic waste byproducts from the brain – processes that are essential for memory, brain health and immune function.

Having a healthy lifestyle may offer an accessible and effective strategy to promote brain health, cognitive reserve and resilience to stress during and after the menopause transition.

The Conversation

Barbara Jacquelyn Sahakian receives funding from the Wellcome Trust and the Lundbeck Foundation. Her research work is conducted within the NIHR Cambridge Biomedical Research Centre (BRC) Mental Health and Neurodegeneration Themes. She receives Royalties from Cambridge University Press for Brain Boost: Healthy Habits for a Happier Life.

Christelle Langley receives funding from the Wellcome Trust. Her research work is conducted within the NIHR Cambridge Biomedical Research Centre (BRC) Mental Health and Neurodegeneration Themes. She receives royalties from Cambridge University Press for Brain Boost: Healthy Habits for a Happier Life.

ref. Menopause: our study revealed how it affects the brain, cognition and mental health – https://theconversation.com/menopause-our-study-revealed-how-it-affects-the-brain-cognition-and-mental-health-275329

These five short video games work like poems – and they’re ideal for Valentine’s Day

Source: The Conversation – UK – By Jordan Magnuson, Senior Lecturer in Games and Media Art, University of Southampton

Chay_Tee/Shutterstock

Exchanging poems on Valentine’s Day is a long-standing tradition. But poetry doesn’t have to be bound to the page. This February 14, why not try sharing a game poem instead?

Game poems are tiny video games made as a form of poetic expression. They generally only take a few minutes to play and tend to challenge our expectations of what video games are for. Rather than entertaining players with points, competition, or spectacle, they aim to capture a feeling, a thought, or a fleeting moment.

It can seem strange, at first, to consider games as a form of poetry. We often associate video games with speed and large-scale entertainment, while we tend to associate poetry with slowness, intimacy and attention. But games are not bound to the conventions that dominate their mainstream forms.

Game poems show how video games can be used to explore interior life, relationships, and emotional nuance and offer a reminder that creative impact doesn’t always require length or complexity. Sometimes, five minutes is enough.

I’ve been making short video games as a form of poetic expression for over 15 years, and recently launched a playable online magazine dedicated to this sort of work.

If that all of that sounds abstract, the best way to understand what these games are about is simply to play one. Here are five short game poems, all playable in a web browser, that explore themes of love, intimacy, longing and separation – perfect for Valentine’s Day, whether you’re playing on your own, or with a special someone.

1. On Second Thought by Tereza Kotěšovcová

Estimated play time: less than five minutes | Gaming skills required: none

On Second Thought contains no text at all. Instead, it unfolds through simple images, rhythm and the repetition of a single button press. The game centres on a familiar emotional moment: the hesitation that comes with making the first move in a relationship.

As you interact, a seemingly quiet encounter is juxtaposed with the inner tumult that can often seize our imaginations at such moments. In the words of the artist: “You hesitate. You imagine the worst. Miss your moment, and the world will stutter: a coffee spills, a sun is eclipsed, a temple crumbles. You start again.”

Like a lyric poem, the game is less interested in explaining this experience than in letting you sit inside it.

2. Queers in Love at the End of the World by Anna Anthropy

A play through of Queers in Love at the End of the World.

Estimated play time: ten seconds (replays recommended) | Gaming skills required: none

Queers in Love at the End of the World lasts exactly ten seconds.

You and your lover are about to witness the end of the world. In that brief span of time, you can choose how to act: kiss, hold hands, try to say something meaningful – or hesitate and watch the moment pass.

The time limit is a merciless and potent constraint. There is no way to do everything, and no way to “win”. Each play-through becomes a small act of acceptance: whatever you chose, that was enough. Like a powerful short poem, the game lands with emotional force precisely because it ends so quickly.

3. Loneliness by Jordan Magnuson

The trailer for Loneliness.

Estimated play time: less than five minutes | Gaming skills required: none

Valentine’s Day can be a difficult time for people who are feeling isolated, and this game poem doesn’t shy away from that.

Loneliness is an abstract exploration game that I created where the only available input is movement. Explore a flat landscape populated by squares that engage in social interaction represented through patterns of their own simple movement. Do you avoid them or choose to approach? And what about the next group?

Is the way the others react to you real, imagined or remembered? The game leaves that question open, inviting reflection instead of offering answers. The familiar video game convention of exploring a landscape becomes a metaphor for navigating social and emotional distance.

4. The Love Letter by Alex Snyder

Estimated play time: five to ten minutes | Gaming skills required: some

Not all game poems are sombre. The Love Letter is playful, awkward and sweet.

You’re a student at school. A note with a heart appears in your locker. The problem is finding a quiet place to read it while navigating busy hallways and crowds of classmates.

This game poem borrows the language of classic arcade challenges – movement, timing, obstacles – but repurposes them to express something small and personal: the anxious thrill of teenage romance. It feels like a Valentine’s card rendered in playable form.

5. How to Walk Out the Door by Anton Patsi

Estimated play time: five to ten minutes | Gaming skills required: None. But fast typing skills will help.

And for the Valentine’s Day sceptics, something completely different. A game about breaking up. Ending a relationship can be harder than starting one. How to Walk Out the Door turns that difficulty into an intense 20-second loop.

Each round plays out under extreme time pressure and revolves around an unusual game mechanic: typing. With each attempt to leave, you can get a little further – or falter – before time resets and you’re forced to begin again.

The repetition is the point. The game uses rhythm and constraint to convey emotional exhaustion in a way that words alone might struggle to match.


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The Conversation

Jordan Magnuson does not work for, consult, own shares in or receive funding from any company or organisation that would benefit from this article, and has disclosed no relevant affiliations beyond their academic appointment.

ref. These five short video games work like poems – and they’re ideal for Valentine’s Day – https://theconversation.com/these-five-short-video-games-work-like-poems-and-theyre-ideal-for-valentines-day-275148

Replacing humans with machines is leaving truckloads of food stranded and unusable

Source: The Conversation – UK – By Mohammed F. Alzuhair, Candidate for a doctorate in business administration., Durham University

Richard M Lee/Shutterstock

Supermarket shelves can look full despite the food systems underneath them being under strain. Fruit may be stacked neatly, chilled meat may be in place. It appears that supply chains are functioning well. But appearances can be deceiving.

Today, food moves through supply chains because it is recognised by databases, platforms and automated approval systems. If a digital system cannot confirm a shipment, the food cannot be released, insured, sold, or legally distributed. In practical terms, food that cannot be “seen” digitally becomes unusable.

This affects the resilience of the UK food system , and is increasingly identified as a critical vulnerability.

Look at the consequences, for example, when recent cyberattacks on grocery and food distribution networks disrupted operations at multiple major US grocery chains. This took online ordering and other digital systems down and delayed deliveries even though physical stocks were available.

Part of the problem here is that key decisions are made by automated or opaque systems that cannot be easily explained or challenged. Manual backups are also being removed in the name of efficiency.




Read more:
The UK’s food supply is more fragile than you might think – here’s why it should be a national priority


This digital shift is happening around the world, in supermarkets and in farming, and has delivered efficiency gains, but it has also intensified structural pressures across logistics and transport, particularly in supply chains which are set up to deliver at the last minute.

Using AI

AI and data-driven systems now shape decisions across agriculture and food delivery. They are used to forecast demand, optimise planting, prioritise shipments, and manage inventories. Official reviews of the use of AI across production, processing, and distribution show that these tools are now embedded across most stages of the UK food system. But there are risks.

When decisions about food allocation cannot be explained or reviewed, authority shifts away from human judgment and into software rules. Put simply, businesses are choosing automation over humans to save time and cut costs. As a result, decisions about food movement and access are increasingly made by systems that people cannot easily question or override.

Extreme weather such as Storm Chandra can cause food shortages, but there are other factors as well.

This has already started to happen. During the 2021 ransomware attack on JBS Foods, meat processing facilities halted operations despite animals, staff, and infrastructure being present. Although some Australian farmers were able to override the systems, there were widespread problems. More recently, disruptions affecting large distributors have shown how system failures can interrupt deliveries to shops even if goods are available.

Getting rid of humans

A significant issue is fewer people managing these issues, and staff training. Manual procedures are classified as costly and gradually abandoned. Staff are no longer trained for overrides they are never expected to perform. When failure occurs, the skills required to intervene may no longer exist.

This vulnerability is compounded by persistent workforce and skills shortages, which affect transport, warehousing and public health inspection. Even when digital systems recover, the human ability to restart flows may be limited.

The risk is not only that systems fail, but that when they do, disruption spreads quickly. This can be understood as a stress test rather than a prediction. Authorisation systems may freeze. Trucks are loaded, but release codes fail. Drivers wait. Food is present, but movement is not approved.

Based on previous incidents within days digital records and physical reality can begin to diverge. Inventory systems no longer match what is on shelves. After about 72 hours, manual intervention is required. Yet paper procedures have often been removed, and staff are not trained to use them.

These patterns are consistent with evidence from UK food system vulnerability analyses, which emphasise that resilience failures are often organisational rather than agricultural.

Food security is often framed as a question of supply. But there is also a question of authorisation. If a digital manifest is corrupted, shipments may not be released.

This matters in a country like the UK that relies heavily on imports and complex logistics. Resilience depends not only on trade flows, but on the governance of data and decision-making in food systems, research on food security suggests.

Who is in control?

AI can strengthen food security. Precision agriculture (using data to make decisions about when to plant or water, for instance) and early-warning systems have helped reduce losses and improve yields. The issue is not whether AI is used, but who is watching it, and who manages it.

Food systems need humans to be in the loop, with trained staff and regular drills on how to override systems if they go wrong. Algorithms used in food allocation and logistics must be transparent enough to be audited. Commercial secrecy cannot outweigh public safety. Communities and farmers must retain control over their data and knowledge.

This is not a risk for the future. It already explains why warehouses full of food can become inaccessible or ignored.

The question is not whether digital systems will fail, but whether we will build a system that can survive its failure.

The Conversation

Mohammed F. Alzuhair does not work for, consult, own shares in or receive funding from any company or organisation that would benefit from this article, and has disclosed no relevant affiliations beyond their academic appointment.

ref. Replacing humans with machines is leaving truckloads of food stranded and unusable – https://theconversation.com/replacing-humans-with-machines-is-leaving-truckloads-of-food-stranded-and-unusable-274589

How Paris’ working-class dining experience is reshaping restaurant economics in France

Source: The Conversation – France – By Nathalie Louisgrand, Enseignante-chercheuse, GEM

In cities across France, a number of new bouillon soup-kitchen inspired restaurants are opening for business. Dating back to the 19th century and designed to feed Paris’ working-class masses, for some time these cheap and cheerful places to eat fell out of fashion. Why are they making a comeback today? What makes them so special and what’s the history behind these ‘old school’ eateries whose?

Offering nutritious, affordable meals to Paris’ many labourers was the avant-garde brainchild of the Dutch East India Company in the 19th century. In 1828, the firm opened a chain of small restaurants in the French capital to serve boiled beef bone broth (or “bouillon”) to a burgeoning working-class population. And thus, the bouillon concept was born along with an early form of the inexpensive ‘set meal’. In 1854, the company went out of business and it was at that moment in time that Baptiste-Adolphe Duval made History by becoming the founding father of the bouillon phenomenon.

In the 1850s, Baptiste-Adolphe Duval owned a butcher’s shop on rue Coquillière in Paris’ 1st arrondissement. Since his customers only bought the “prime cuts”, Duval looked for a way of using up all the poor cuts that he couldn’t sell. He came up with the idea of concocting a top quality broth with boiled beef and the cheaper cuts of beef. Hence, in 1854, he went on to open a place on rue de la Monnaie in the historic heart of the city. It was here that he dished up comforting yet simple, hot meals that wouldn’t burn a hole in even the most cash-strapped wallets of the likes of the workers at the local Les Halles wholesale market – formerly known as the “belly of Paris”, named after the title of the Emile Zola novel. Baron Haussmann’s citywide urban planning and renovation works drew thousands of labourers from across France to the capital for work. With all the more mouths to feed, Duval’s initiative was an instant success!

The forefather of fast food

Duval went on to open other canteens around the city including one in an extravagant, cast-iron hall in 1855, in an 800 square meter (approx. 8,610 square feet) warehouse location at number 6 rue de Montesquieu near the Louvre museum. The premises could cater for up to 500 people, offering non-stop service by waitresses dressed in distinctive black uniforms with white aprons and tulle caps. Coined les petites bonnes, these waitresses epitomised the Duval bouillon experience and became the subjects of many an artist or novelist such as Auguste Renoir and Joris-Karl Huysmans. A new clientele hungry for value for money, flexible opening hours and set-price menus formed. Customers hailed from middle-class backgrounds and the lesser bourgeoisie. The meals on offer evolved over time: oysters, poultry and fish were added alongside staple dishes of pot-au-feu, boeuf bourguignon or roast veal.

These places that came to be known as “bouillons” were spotlessly clean, and led the way for modern dining, pioneering a whole new restaurant model based on simple cuisine using quality produce. They were considered as one of the precursors of fast food.

A whole new business model

The economic success of Duval’s bouillons is mainly due to its stock management model. They run like a restaurant chain, using economies of scale to manage supply chain practices, breadmaking or their butcher’s shops, etc. In 1867, Duval founded the Compagnie anonyme des établissements Duval which included 9 outlets. In 1878, they grew to 16, with a dozen more opening across the capital by the end of the 19th century.

Duval’s success story has inspired many restaurateurs. While the capital counted around 400 of these restaurants in 1900, they actually encompassed a variety of diverse establishments serving different purposes from simple street food sellers to workers’ soup-kitchens in line with Duval like Boulant or Chartier.

Still in business today, Chartier, opened in 1896 in Paris’ Grands Boulevards area. Its huge dining room clad with sculpted woodwork and magnificent art nouveau chandeliers are listed as historical monuments. Not once has Chartier shut shop or changed its name; and unlike its counterparts, it has continuously stood the test of time and changing fashions, even despite fluctuations in ‘bums on seats’.

This is how the popular bouillon restaurant concept became a fully fledged Parisian institution. Its initial success ran up until the Interwar period before fizzling out. During France’s 30-year Post war boom (1945-1975), bouillons seemed passé and old-fashioned, and diners preferred brasseries which they saw as more modern and ‘upmarket’. Then came the fast food boom (Editorial note: from the 1960S onwards).


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Bouillons: back by popular demand since 2017

The bouillon’s flame and surrounding legend never completely died out and in November 2017, as restaurateurs the Moussié brothers proved by opening le Bouillon Pigalle(Paris 18e) in Paris.

Their wish was to remix the essence of the bouillon dining experience: comfort food such as beef bourgignon, salted pork with lentils, sausage and mash or decadent desserts such like profiteroles drizzled with hot chocolate sauce, served at affordable prices in a retro setting with large, canteen style tables, in a relaxed atmosphere, with continuous service and a ‘no reservations’ policy.

Inside Paris’ bouillon dining experience: “Les bouillons, la table du tout-Paris”, documentary on European Culture Channel Arte (2025).

The initiative was met with success, and gradually other restaurants were (re)opened in refurbished premises like Bouillon Julien in 2018, or Bouillon République in 2021; in the existing restaurant space that was once home to the old Alsatian brasserie Chez Jenny. These affordable restaurants attracted a lot of French and foreign customers who were delighted to eat out well and not too expensively during inflation time. Many of these eateries offer a 3-course meal for less than 20 euros. Simplicity and authenticity are the backbone supporting the renaissance of this dining experience.

Many bouillons insist on serving homemade food, working frequently with local producers and short supply chains.

A back to the future phenomenon that is now nationwide

These places that are inextricably linked with a convivial atmosphere and quintessentially French dining are also springing up outside the French capital. And while for the most part, their chefs continue to bank on comforting classic French cuisine staples, some restaurants are keeping it regional: “baked Maroilles cheese”, served at Petit Bouillon Alcide in Lille, or “traditional Savoy sausage with creamy polenta” on offer at Cantine Bouillon de Seynod, in Haute-Savoie, in the French Alps are both fine examples.

In Lille, where local tradition is “on the menu.”

In the last two or three years, Michelin-starred chefs have also opened their own bouillon restaurants. This was the case of Christophe Aribert, a chef from Grenoble with 2 Michelin stars to his name, with Bouillon A, which opened in May 2022, where he showcases locally grown, organic and seasonal produce. 2-star chef Thierry Marx in 2024 also opened le Bouillon du Coq in Saint Ouen, where he serves herrings in oil with boiled potatoes or his signature dish coq au vin. He saw it as an opportunity to revamp dishes that were labelled outdated and make them extremely affordable.

Since early 2023 in France, it is estimated that a new bouillon restaurant opens every month. Customers are mainly drawn to the low prices.

Maintaining affordable prices is the first challenge for a number of restaurant owners. What’s their secret? A great deal of meal prep (particularly for cold dishes like egg mayonnaise or leeks in vinaigrette, whittling down the steps for each dish (keeping techniques minimal and plating uncomplicated), simple recipes, a menu that barely changes, and also saving money on purchasing volume and super fast table turnover.

The other thing that makes these restaurants a safe bet is that they remain a go-to for classic meals served in record time, in a perfectly pleasant, convivial setting.

The Conversation

Nathalie Louisgrand ne travaille pas, ne conseille pas, ne possède pas de parts, ne reçoit pas de fonds d’une organisation qui pourrait tirer profit de cet article, et n’a déclaré aucune autre affiliation que son organisme de recherche.

ref. How Paris’ working-class dining experience is reshaping restaurant economics in France – https://theconversation.com/how-paris-working-class-dining-experience-is-reshaping-restaurant-economics-in-france-273503

‘The Jungle’ at 120: How a 1906 novel continues to surface in discussions about unjust labour

Source: The Conversation – Canada – By Nicholas Marcelli, PhD Candidate in English Literature and Creative Writing, Queen’s University, Ontario

Workers at Union Stock Yards in Chicago, from a postcard published in 1923. (Wikimedia)

In an age of inequality and exploitation, a 1906 novel that exposed hazardous working conditions and unsanitary practices in Chicago’s meat-packing plants at the turn of the 20th century still pops up in discussions about unjust labour.

A 2025 Current Affairs story about health problems for workers in poultry and pork processing plants reported on by the U.S. Department of Agriculture suggests “we never left Upton Sinclair’s Jungle.

A 2024 book, Barons: Money, Power, and the Corruption of America’s Food Industry explains how the Department of Labor’s discovery, in 2022, that “a contractor hired … to clean slaughterhouses employed over a hundred children in ‘hazardous occupations’ seems as if it came “straight out of ‘The Jungle.’”

What is it about Upton Sinclair’s 120-year-old novel that endures?




Read more:
Radicals in the Democratic Party, from Upton Sinclair to Bernie Sanders


Novel’s origins

In 1904, Sinclair was commissioned by an editor of the socialist newspaper the Appeal to Reason to write a novel about wage slavery. Sinclair reveals in his autobiography that he chose the Chicago stockyards as its setting because of a recent failed strike led by the Amalgamated Meat Cutters and Butcher Workmen of North America.

Beginning in October 1904, Sinclair lived for seven weeks among those he described as the “wage slaves of the Beef Trust” and went undercover in the plants by posing as an employee. He began writing on Christmas Day 1904, and three months later, the book was complete.

The Jungle appeared serially in the Appeal to Reason from February to November 1905 before being published as a full-length novel by Doubleday, Page & Co. in February 1906.

Harrowing conditions

A horizon of smoke shack factory buildings foregrounded by cattle pens.
Detail from a 1904 postcard featuring Union Stock Yards.
(Jason Woodhouse/Flickr), CC BY

The book tells the story of Jurgis Rudkus, who is drawn to the stockyards by the promise of wealth after immigrating with his family from Lithuania to Chicago’s Packingtown neighbourhood. When family members, including the children, find work in the plants, they experience harrowing conditions.

As tragedy befalls them, the novel becomes a condemnation of early 20th-century capitalism, ultimately celebrating the virtues of socialism.

Although Sinclair’s novel is not without its flaws — for example, an unnamed critic in the March 3, 1906 edition of The New York Times wrote Sinclair’s “art is too obvious, his devices too trite” and “there is nothing spontaneous in the book save his imaginative descriptions of human misery” — the book portrayed vivid scenes.

Notably, The Jungle depicted child labourers, primarily Stanislovas Lukoszaite, a 14-year-old member of the family who is sent to work in a lard-canning factory.

Novel’s reception

While The Jungle was a novel, it simultaneously continues to be regarded as one of the most significant pieces of muckraking journalism
pre-First World War writing concerned with exposing hardships or corruption and promoting social and political reform.

In journalism historian Bruce J. Evensen’s book, Journalism and the American Experience, he describes how Sinclair had hoped that when the novel was published, “it would expose the deplorable working conditions of killing and cutting gangs. Instead, it was his frightful description of food processing that provoked public outrage.”

This misplaced attention famously led Sinclair to declare in his autobiography: “I aimed at the public’s heart, and by accident I hit it in the stomach.”

All but one of Sinclair’s claims were proven true in a special investigation into the Chicago stockyards conducted in June 1906 at the request of President Theodore Roosevelt. Investigators confirmed the unsanitary working conditions in the meat-packing plants, but made no reference to child labourers.

In author Jack London’s review of The Jungle for Wilshire’s Magazine, he called the book “the ‘Uncle Tom’s Cabin’ of wage slavery,” a reference to Harriet Beecher Stowe’s 1852 novel, first serialized in an abolitionist newspaper.




Read more:
How ‘Uncle Tom’ still impacts racial politics


London described how Sinclair “painted a horrifying picture of the industry, which still haunts the American imagination.”

Depictions of child labourers

A man in an overcoat with white shirt and tie.
Upton Sinclair posed as employee for seven weeks in a meat-packing plant.
(Los Angeles Times Photographic Collection/Wikimedia), CC BY

I contend that the endurance of The Jungle in the current popular imagination stems from its representation of children’s work in the meat-packing industry, particularly at a time, as Sinclair writes in the novel, when packers “worked all but the babies.”

Children were seen as essential because, as described by a character in the novel, Grandmother Majauszkiene, “there was always some new machine, by which the packers could get as much work out of a child as they had been able to get out of a man, and for a third of the pay.”

When Sinclair was writing, there may have been anywhere between 700 and 1,600 children under 16 years old working in the plants. Economist Edith Abbott, drawing from the 1905 Census of Manufacturers, writes that out of 74,134 employees nationwide, 974, or two per cent, were children.

Scant statistics around working children

In my doctoral research, I have found there are few statistics on the number of children working in meat-packing plants during the late 19th and early 20th centuries, either due to the lack of reporting or efforts by employers and families to avoid child labour laws. This view is reaffirmed by Sinclair’s contemporary, Algie Martin Simons, in his 1906 pamphlet, “Packingtown.”

A book showing smokestacks that says 'The Jungle' as a title.
First edition of ‘The Jungle’ published by Doubleday, Page & Company.
(Wikimedia)

Because of the scant statistics and lack of accurate reporting or testimony from child workers in the meatpacking plants of the early 20th century, The Jungle, as a literary work, is an important piece of evidence that children worked in these plants at all.

Today, advocacy groups like the Economic Policy Institute and The Child Labor Coalition and journalists who include Alice Driver and Hannah Dreier have been documenting the ongoing, simultaneous rise in child labour law violations. There has been a decrease in labour law protections — not just in meatpacking and agriculture, but in industries throughout the U.S.

The continuous necessity of reporting on child labour law violations reaffirms the view that we never left The Jungle.

‘The Jungle’ continues to resonate

Ultimately, while The Jungle has maintained a 120-year legacy as a buzzword for child labour and exploitative labour practices more broadly — in addition to its exposé of early 20th century meatpacking — my interest in the text stems from Sinclair’s work as author and mediator who represents exploitative labour to the public.

How does he, as someone who only lived in Packingtown for seven weeks, portray the workers and the community they belong to, or depict the abuse of workers? What issues are raised around fact-based reporting and fictionalization?

The same questions, of course, are relevant for all reporting and narratives, especially about exploited and marginalized groups.

The Conversation

Nicholas Marcelli has received an Ontario Graduate Scholarship from Queen’s University and the Province of Ontario to fund his doctoral research.

ref. ‘The Jungle’ at 120: How a 1906 novel continues to surface in discussions about unjust labour – https://theconversation.com/the-jungle-at-120-how-a-1906-novel-continues-to-surface-in-discussions-about-unjust-labour-265234

« Si j’avais su » : la phrase qui absout les élites dans l’affaire Epstein ?

Source: The Conversation – in French – By Frédérique Sandretto, Adjunct assistant professor, Sciences Po

La plupart des personnalités citées dans les archives Epstein qui viennent d’être révélées affirment que si elles avaient été au courant de ses crimes, elles n’auraient en aucun cas entretenu la moindre forme de contact avec le milliardaire, qui avait été condamné en 2008 pour trafic de prostituées mineures. Ce procédé rhétorique est toutefois loin de suffire à répondre à toutes les interrogations que suscite la pérennité de leurs relations avec un homme dont le passé judiciaire était, en réalité, de notoriété publique. Au contraire, ce type de défense est de nature à alimenter, auprès des simples citoyens, l’idée que les élites estiment appartenir à une caste à part.


Depuis la divulgation progressive de près de trois millions de documents judiciaires, de dépositions sous serment et de pièces issues de procédures civiles et pénales liées à Jeffrey Epstein, une réponse revient avec une régularité presque mécanique chez les personnalités citées ou associées à son réseau : « Je ne savais pas. Si j’avais su, je ne l’aurais jamais fréquenté. »

Cette formule, reprise par des responsables politiques, des membres de familles royales, des figures centrales du monde économique, s’est imposée comme la ligne de défense dominante du scandale. Caroline Lang tout comme la princesse héritière Mette-Marit de Norvège, qui affirme que ses échanges avec le financier relevaient d’« une erreur de jugement », ont récemment mobilisé cet argument, affirmant avoir ignoré la réalité des crimes d’Epstein au moment de leurs interactions avec lui.

À première vue, ces déclarations semblent relever d’une posture morale minimale. Elles permettent de condamner les faits sans ambiguïté et d’ériger une frontière claire entre le criminel et ceux qui l’ont côtoyé. Pourtant, replacée dans son contexte historique, judiciaire et médiatique, cette ignorance revendiquée pose un problème de crédibilité majeur. Elle interroge moins la sincérité individuelle que le fonctionnement collectif des élites face à une information abondante, accessible et durablement documentée.

Une condamnation judiciaire qui était tout sauf un secret bien gardé

Jeffrey Epstein n’a jamais été un prédateur invisible. Dès la fin des années 1990, des signalements circulent dans les cercles policiers de Floride. En 2005, la plainte déposée par la famille d’une mineure de 14 ans déclenche une enquête officielle de la police de Palm Beach. En 2006, Epstein est arrêté. En 2008, il conclut un accord judiciaire exceptionnel avec le bureau du procureur fédéral du district sud de la Floride. Ce « non-prosecution agreement » lui permet d’éviter des poursuites fédérales pour trafic sexuel de mineures, crimes passibles de peines très lourdes, en échange d’un plaidoyer de culpabilité limité à des infractions de niveau étatique.

Les faits sont publics, précis et chiffrés. Epstein est condamné à dix-huit mois de prison, n’en purge que treize dans un régime de semi-liberté extrêmement favorable, comprenant jusqu’à douze heures de sortie quotidienne, six jours sur sept. Il est officiellement enregistré comme délinquant sexuel. En 2020, l’enquête du Miami Herald, intitulée « Perversion of Justice », met en lumière l’ampleur des protections institutionnelles dont il a bénéficié et identifie au moins trente-six victimes mineures citées dans le cadre de l’accord de 2008.

Malgré cette condamnation, Epstein continue à évoluer dans les cercles de pouvoir pendant plus d’une décennie. Entre 2008 et 2018, il fréquente des universités prestigieuses, finance des programmes de recherche, entretient des relations avec d’anciens chefs d’État, des membres de familles royales, des investisseurs influents et des intellectuels médiatisés. Ses donations à des institutions académiques se chiffrent en centaines de milliers de dollars, parfois après sa condamnation. Ce maintien au sommet après une reconnaissance officielle de culpabilité constitue le cœur du scandale.

La formule « Si j’avais su » fonctionne alors comme un mécanisme central de dissociation sociale. Elle permet de séparer artificiellement la relation entretenue avec Epstein de la connaissance de sa trajectoire judiciaire. Elle repose sur l’idée implicite que la sociabilité des élites évoluerait dans un espace parallèle, partiellement soustrait aux normes pénales ordinaires. Cette dissociation n’est pas un accident individuel. Elle est structurelle et collectivement tolérée.

Redevabilité : la mécanique silencieuse du système Epstein

L’un des ressorts essentiels du système Epstein réside dans la production systématique de redevabilité. Epstein ne se contente pas d’acheter des relations par l’argent. Il crée des situations d’endettement symbolique. Il offre, finance, héberge, soutient, facilite. Chaque geste est présenté comme désintéressé, mais aucun n’est neutre. La redevabilité n’est jamais contractualisée, ce qui la rend d’autant plus efficace.

Epstein cible des individus disposant d’un capital symbolique élevé. En retour, il leur offre des ressources rares : accès à des résidences d’exception à Manhattan, Palm Beach ou dans les îles Vierges, usage de jets privés, financement de projets académiques, soutien à des trajectoires professionnelles ou familiales. Il héberge des proches, facilite des parcours éducatifs ou offre une visibilité institutionnelle.

Le cas de Caroline Lang illustre cette logique de manière particulièrement éclairante. Le fait qu’Epstein ait hébergé l’une de ses filles en son absence, et aussi elle-même en compagnie de ses deux filles, dans des propriétés lui appartenant ne relève pas d’un simple service ponctuel. Il s’agit d’un acte à forte valeur symbolique, qui engage une dette morale durable. Cette redevabilité n’implique pas une complicité active, mais elle rend la rupture socialement coûteuse. Elle crée un inconfort moral à l’idée de dénoncer, d’interroger ou de s’éloigner publiquement.

Email de Caroline Lang par lequel elle demande à Jeffrey Epstein d’héberger sa fille et deux de ses amies.
Epstein Library

La redevabilité fonctionne ici comme un mécanisme de neutralisation. Celui qui a reçu hésite à questionner. Celui qui a bénéficié hésite à rompre. Celui qui est redevable hésite à savoir. La proximité devient un frein cognitif. Dans ce cadre, l’ignorance n’est pas une absence d’information, mais une posture rendue possible par la dette symbolique.

La recevabilité sociale d’Epstein repose sur cette accumulation de relations redevables. Chaque figure prestigieuse qui le fréquente renforce l’illusion de normalité. Ce cercle autoréalisateur transforme la condamnation judiciaire en détail marginal, absorbé par le poids du réseau.

Le « Si j’avais su » permet ensuite d’effacer cette dynamique. Il transforme une relation structurée par des échanges matériels et symboliques en simple erreur de jugement. Il neutralise la question des bénéfices reçus. Il évite surtout d’interroger la responsabilité collective d’un système fondé sur l’évitement du savoir.

Le « Si j’avais su » et la théorie du complot

La posture du « Si j’avais su » ne se limite pas à une stratégie individuelle de protection réputationnelle. Elle produit des effets politiques et cognitifs profonds sur la perception du pouvoir et alimente directement la défiance contemporaine envers les élites. En affirmant qu’ils ignoraient des faits pourtant publics, documentés et accessibles, les acteurs concernés installent un décalage troublant entre leur position sociale et leur responsabilité informationnelle. Cette dissonance nourrit un soupçon durable : si ceux qui disposent du plus fort capital culturel, médiatique et relationnel disent ne pas savoir, alors soit ils mentent, soit ils bénéficient d’un régime d’exception.

C’est dans cet espace de flou que prospèrent les théories complotistes. Le « Si j’avais su » crée une zone d’indétermination discursive, dans laquelle l’absence d’explication systémique laisse place à des récits alternatifs. En refusant de reconnaître les mécanismes ordinaires de complaisance, de silence et de redevabilité, cette posture alimente l’idée d’un mensonge organisé et d’une vérité volontairement dissimulée au public. Là où une analyse sociologique mettrait en évidence des logiques de réseau et de protection mutuelle, l’opinion perçoit un système opaque, intentionnellement dissimulé.

La défiance envers les puissants s’en trouve renforcée. Plus le statut de celui qui invoque l’ignorance est élevé, plus cette ignorance devient suspecte. Le « Si j’avais su » ne rassure pas ; il confirme l’idée que les élites vivent dans un monde séparé, soustrait aux contraintes morales ordinaires. En ce sens, cette posture ne désamorce pas la crise de confiance démocratique : elle l’aggrave. En l’absence de reconnaissance claire des angles morts et des responsabilités collectives, le discours officiel laisse le champ libre aux interprétations complotistes, qui trouvent dans cette ignorance proclamée l’un de leurs principaux arguments de crédibilité.

Comment peut-on ne pas savoir ?

Reste enfin une question centrale, rarement abordée frontalement : comment peut-on réellement ne pas savoir, à l’ère d’Internet et des réseaux sociaux ? Depuis le milieu des années 2000, les informations sur Epstein sont accessibles en quelques clics. Articles de presse, archives judiciaires, bases de données publiques, moteurs de recherche, réseaux sociaux : jamais l’accès à l’information n’a été aussi large, aussi rapide, aussi durable.

Ne pas savoir suppose alors un choix implicite. Celui de ne pas chercher. Celui de ne pas vérifier. Celui de considérer que certaines informations, bien que disponibles, ne méritent pas d’être intégrées. L’ignorance devient active. Elle repose sur une hiérarchisation des savoirs dans laquelle la respectabilité sociale l’emporte sur la vigilance morale.

Dans ce contexte, l’argument de l’ignorance perd sa dimension défensive pour devenir un révélateur. Il ne dit pas ce que les acteurs ignoraient, mais ce qu’ils acceptaient de ne pas vouloir savoir. À l’ère numérique, l’ignorance n’est plus un manque. Elle est une stratégie.

L’affaire Epstein ne révèle donc pas seulement des crimes, mais une culture du non-savoir partagée, rendue possible par la redevabilité, la proximité avec le pouvoir et la dissociation morale. Le « Si j’avais su » n’est pas une excuse. C’est le symptôme d’un système.

The Conversation

Frédérique Sandretto ne travaille pas, ne conseille pas, ne possède pas de parts, ne reçoit pas de fonds d’une organisation qui pourrait tirer profit de cet article, et n’a déclaré aucune autre affiliation que son organisme de recherche.

ref. « Si j’avais su » : la phrase qui absout les élites dans l’affaire Epstein ? – https://theconversation.com/si-javais-su-la-phrase-qui-absout-les-elites-dans-laffaire-epstein-275490

Le mystère de la « Dame à l’éventail », éclairé par une photo de Jeanne Duval

Source: The Conversation – in French – By Maria C. Scott, Associate Professor of French Literature and Thought, University of Exeter

On sait très peu de choses au sujet de la comédienne haïtienne Jeanne Duval (1818-1868), compagne de Charles Baudelaire peinte par Manet, qui continue de fasciner les spécialistes de la littérature, de la peinture et du féminisme.


En mai 2025, je suis tombée sur une photographie extraordinaire sur le site Wikipedia anglais consacré à Jeanne Duval. Duval, originaire d’Haïti, était la maîtresse et muse de longue date, supposée n’avoir jamais été photographiée, du poète français Charles Baudelaire.

Le portrait, représentant une femme assise vêtue d’habits bourgeois raffinés, avait été publié sur Wikipédia par une étudiante de l’historienne de l’art Justine De Young. De Young évoque ce portrait comme un exemple d’auto-mise en scène dans son dernier ouvrage, The Art of Parisian Chic. Imprimée sur une petite carte (il s’agit d’un portrait-carte de visite, en vogue à l’époque) et datée du 18 août 1862, l’image a été découverte dans les archives françaises par une autre chercheuse, comme je l’ai mentionné dans un récent article publié par le Times Litterary Supplement, et documentée en ligne par elle en 2021.

Une photo redécouverte

Jeanne Duval fascine de nombreuses chercheuses et chercheurs experts du féminisme et du postcolonialisme, en partie parce que l’on sait très peu de choses précises à son sujet. Intriguée, je me suis rendue moi-même aux archives à l’été 2025, juste pour voir la photo. Là, j’ai remarqué une deuxième photo au format carte de visite à côté de la première. Elle portait le même nom, « Jeanne », la même date, et provenait du même studio de photographie, l’atelier Nadar. Les deux cartes avaient été inscrites au registre du dépôt légal sous la mention « idem ».




À lire aussi :
Les femmes censurées des « Fleurs du mal »


Cette deuxième Jeanne se tient debout, dans une pose inhabituellement rigide pour une photographie de ce type. Elle porte une robe de soirée à épaules dénudées et ses cheveux tombent en cascade dans son dos, retenus sur le front par un simple bandeau.

Une inspiration pour Manet ?

Une version numérique haute résolution de cette image a révélé de fortes ressemblances avec le modèle de la première photographie, similitudes qui n’étaient pas immédiatement apparentes sur les petites cartes. Les deux photos révèlent une implantation capillaire similaire, une même imperfection sur le front et une bague au même doigt. Il était clair que si la première photographie représentait Duval, celle-ci aussi.

Cependant, le crucifix porté en pendentif sur une chaîne courte et les grandes boucles d’oreilles m’ont semblé particulièrement intéressants. Des bijoux très similaires sont en effet portés par le modèle dans le portrait d’Édouard Manet intitulé Dame à l’éventail (1862), également connu sous le nom de la Maîtresse de Baudelaire allongée. Ce dernier titre avait été inscrit au dos du tableau à un moment donné, soit pendant, soit avant l’inventaire posthume de l’atelier de l’artiste.

La pose maladroite et l’expression faciale impénétrable du modèle ont souvent été interprétées comme faisant référence aux difficultés et à la maladie que Duval endurait à l’époque. Elle se trouvait dans une situation financière désastreuse et souffrait d’une paralysie du côté droit depuis un accident vasculaire cérébral survenu en 1859. Cependant, l’identification du modèle de Manet comme étant Duval est parfois contestée par les chercheurs, pour plusieurs raisons.

Le portrait sur carte de « Jeanne » debout, réalisé la même année que le portrait à l’huile et son étude à l’aquarelle, présente des traits, une expression et des ombres très similaires. Les historiens de l’art Griselda Pollock et Therese Dolan ont émis l’hypothèse que Manet s’était inspiré d’une photographie ou d’une carte de visite de Duval pour réaliser Dame à l’éventail. Les liens entre la photographie de Jeanne debout et les portraits à l’huile et à l’aquarelle de Manet semblent confirmer que Duval est le sujet des deux peintures (aquarelle et huile) et des deux photographies.

Pourquoi ces photographies ont-elles été prises ?

Duval posait-elle donc pour Manet dans ces photographies ? Il convient de noter que Manet, Félix Nadar (le propriétaire du studio de photographie) et Baudelaire étaient tous des amis proches, et que Duval s’était séparée du poète, apparemment de manière définitive, en 1861.

Duval a peut-être proposé de poser, ou a été invitée à poser pour les photographies de Nadar (et indirectement pour Manet, qui travaillait souvent à partir de photographies) en échange d’argent. Nous savons qu’elle avait approché au moins un autre ami de Baudelaire en 1862 pour essayer de lui vendre les biens du poète. Le fait qu’elle tienne une cravache sur la photographie avec le crucifix vient étayer l’hypothèse de la monétisation. Peut-être espérait-elle, ou espéraient-ils, que le portrait sur carte de la muse sadique/angélique du recueil de poèmes de Baudelaire les Fleurs du mal (1857) aurait une valeur marchande.

Photographie en noir et blanc de Charles Baudelaire
Charles Baudelaire, vers 1862.
British Library

Il est également possible que Baudelaire ait commandé des portraits de son ancienne maîtresse à des fins personnelles. Malgré sa colère et son ressentiment envers Duval après leur séparation, ses lettres et ses croquis témoignent de sa loyauté et de son affection persistantes.

Ou peut-être Duval souhaitait-elle rétablir la vérité sur qui elle était. Peut-être voulait-elle que le monde sache qu’elle n’était en fait pas la muse diabolique et sexualisée au centre du volume de poésie scandaleux de Baudelaire, mais plutôt quelqu’un qui s’habillait avec des vêtements élégants et respectables (probablement empruntés) comme on le voit sur la première photographie.

Peut-être que le crucifix et la bague visible à l’annulaire des deux photos avaient également pour but de témoigner de ses valeurs morales. Cependant, certains détails de la deuxième image, notamment la cravache, les épaules nues et les grandes boucles d’oreilles, suggèrent que sa volonté n’était pas de se donner une image « respectable ».

Il est probable que les portraits-cartes de visite, s’ils représentent bien Jeanne Duval, aient été motivées par des raisons financières, qu’elles aient été son idée ou celle de Nadar, Manet ou Baudelaire. Il est également possible que la mise en scène de soi ait fait partie de son objectif, mais si tel est le cas, le message qu’elle voulait faire passer n’est pas clair.

Des chercheurs français ont récemment découvert que Duval était morte dans un hospice six ans seulement après la réalisation de ces portraits. Jusqu’alors, personne ne semblait savoir ce qu’elle était devenue. Ces photographies témoignent, du moins à mes yeux, de la résistance de Duval à se laisser cataloguer et de sa dignité tranquille.

The Conversation

Maria C. Scott publiera prochainement un article universitaire sur ce sujet dans la revue French Studies.

ref. Le mystère de la « Dame à l’éventail », éclairé par une photo de Jeanne Duval – https://theconversation.com/le-mystere-de-la-dame-a-leventail-eclaire-par-une-photo-de-jeanne-duval-275165