Trump insists Iran talks must continue, but military action is not off the table

Source: The Conversation – UK – By Christian Emery, Associate Professor in International Politics, UCL School of Slavonic and East European Studies, UCL

Israeli prime minister Benjamin Netanyahu’s trip to Washington on February 11 appears not to have achieved what many observers saw as its central purpose: to persuade Donald Trump to harden his demands on Iran to the point that negotiations between the countries fail. According to reports, Trump told Netanyahu he wanted talks with Iran to continue.

What will be concerning Netanyahu is that while he can probably rely on Trump to take a hard line on limiting Iran’s nuclear programme, it is less clear where his unpredictable ally stands on limiting Iran’s ballistic missile capabilities and ending its support for regional armed groups.

Trump had previously indicated that any deal with Iran had to include missiles. But more recently, he has suggested the US may be open to dropping this demand. On February 10, when asked by a reporter if an agreement with Iran would be acceptable if it only covers nuclear issues, Trump said: “Yeah, that would be acceptable, but the one thing and right up front, no nuclear weapons.”

This, as well as positive statements by US and Iranian officials about their brief indirect talks in Oman days earlier, will have spooked Israeli officials. Both Iran and Israel understand that it is missiles, not nuclear enrichment or even Iranian regional proxies, that underpin Iran’s increasingly shaky deterrence.

For the moment, Trump seems to think that a deal limited to the nuclear issue may be preferable to going to war to tackle everything else. Yet opponents of US military action, which include all of Washington’s Middle Eastern allies except Israel, should still be worried.

It is far from clear whether Iran will offer the kind of nuclear deal Trump would find acceptable, and Trump himself does not seem to know what else to do other than double down on military threats. That alone may scupper the talks.

Netanyahu is also a seasoned political operator who showed how adept he is at manoeuvring Trump into supporting military action in 2025, when the US joined Israel in striking Iranian nuclear facilities. And the current US military build-up in the Persian Gulf has now reached a point where that option is on the table.

Trump’s Iran policy

The uncertainty over whether Trump will strike Iran underscores how shallow his Iran policy is. He does not have a conventional, institutionalised policy apparatus of the kind the Obama administration relied upon to negotiate a deal to limit Iran’s nuclear programme in 2015.

Instead, Trump is pursuing indirect talks with Iran that are being overseen by two officials with no prior diplomatic experience. These two officials, Steve Witkoff and Jared Kushner, have simultaneously been tasked by Trump with ending the war between Russia and Ukraine.

Trump also seems undecided about whether any deal should focus narrowly on the nuclear issue or whether he should pursue something resembling a grand bargain. Nor has he articulated what he is prepared to offer Iran as part of a deal or how he would justify incentives such as sanctions relief for a regime that has just murdered thousands of its citizens in a brutal protest crackdown.

His approach to Iran is so ad hoc that it allows different groups with access to him, Netanyahu on one side and increasingly assertive regional states such as Saudi Arabia, Qatar and Turkey on the other, to influence key decisions. It was this latter group of Middle Eastern states that intervened recently to press Trump to proceed with talks when they threatened to collapse over Iran’s refusal to discuss issues beyond the nuclear file.

These states are cautioning Trump that US strikes might precipitate the collapse of the Iranian regime. However desirable that might seem, experience in Iraq, Libya and Syria suggests that state fragmentation, mass displacement, violence and regional destabilisation would be more likely than any orderly democratic transition.

And if strikes fall short of toppling the regime, even a weakened Iran could inflict serious economic and strategic damage on Gulf oil shipping and infrastructure.

Trump’s ad-hoc approach to diplomacy is in stark contrast to the Obama administration’s negotiations in 2015. Then, the International Atomic Energy Agency provided compliance verification and technical expertise, and the EU chaired the joint commission that oversaw the deal’s implementation.

The UN security council formalised the agreement under international law and established a mechanism for reimposing sanctions in the event of noncompliance. There was also a clear, if largely unfulfilled, strategic rationale related to Obama’s desire to reduce the US’s regional footprint and pivot towards Asia.

Trump’s approach is radically different. He withdrew the US from the nuclear deal in 2018 without a clear plan for what would replace it beyond something he could describe as better and attach his name to. He has no interest in brokering a multilateral agreement and does not appear to have a coherent set of demands or strategic aims that could anchor one.

A thin deal without substance, institutional anchoring and clear mechanisms for handling the inevitable disputes over sanctions relief and compliance is unlikely to endure, even if Trump can push the Iranians into signing it.

The Conversation

Christian Emery does not work for, consult, own shares in or receive funding from any company or organisation that would benefit from this article, and has disclosed no relevant affiliations beyond their academic appointment.

ref. Trump insists Iran talks must continue, but military action is not off the table – https://theconversation.com/trump-insists-iran-talks-must-continue-but-military-action-is-not-off-the-table-275857

Is this love? Don’t be Heathcliff and Cathy – what you should watch, read and play this week

Source: The Conversation – UK – By Naomi Joseph, Arts + Culture Editor, The Conversation

Emerald Fennell’s Wuthering Heights is a loose (very loose) adaptation of Emily Brontë’s novel. The film is, as the director has attested, the intense, “unhinged”, gothic story she remembers reading as a 14-year-old. As such, it is full of imagined passages and heightened romance and violence. It’s truly Fennellian in its excess – if you’ve seen Saltburn, her story of class envy, you know what that means (bathtub scene, grave scene, so many other scenes).

This new film version is not alone in marketing the story of star-crossed lovers as “the greatest love story of all time”. However, if you’ve ever read the book you know that it’s not really the sort of love anyone should strive for. It’s cruel and abusive. Heathcliff is not some broody prince but a violent tyrant. Cathy is spoiled and manipulative. Everyone around them suffers in the pair’s maddened need for each other. If you’re looking for love, this is perhaps not one you would want to emulate.

So this Valentines day we bring you recommendations that counter some of the worst traits found in Wuthering Heights.

Do you remember Wuthering Heights as romantic? Let us know in the comments what struck you most of Emily Brontë’s books the first time you read it.

The first recommendation, if you find yourself in need of some Wuthering Heights this Valentine’s day, is the Andrea Arnold film from 2011. This is a beautiful adaptation that stays true to the darkness and uncontrollable wildness of Brontë’s novel. The child actors are particularly incandescent and little Cathy (Shannon Beer) describing her love for Heathcliff is a beautiful piece of acting.

Wuthering Heights by Andrea Arnold is available on Disney+




Read more:
Was Emily Brontё’s Heathcliff black?


Playfulness

The romance in Wuthering Heights is dark and stormy, unnervingly intense and completely serious. It sounds like there are comic moments in Fennell’s film (intentional or not) but adult Cathy and Heathcliff could do with being a bit more playful with each other. The 1st-century Roman poet, Ovid, believed that play was important to attracting and keeping a lover. In his manual The Art of Love, one of his top tips is to play boardgames, and, importantly, play to lose.

Roman board game researchers Tim Penn and Summer Courts explain how the Romans used play to flirt. They also reveal how such play brought them together – the two became close over the course of their research and ended up married!

The Art of Love by Ovid




Read more:
Fall in love Roman-style by playing board games


If you’d like to play a game to foster romance this Valentines then we recommend you try out one of these five short game poems. These are small video games that only take a few minutes to play and each captures a feeling, a thought, or a fleeting moment.




Read more:
These five short video games work like poems – and they’re ideal for Valentine’s Day


Swoonworthy romance and repentant grief

If you want more of a fantasy view of love from the past – love that is more pure-hearted and less toxic – then watch the latest season of Bridgerton. This is the sort of swoonworthy, slightly silly romance we can go for. This season we see an upstairs-downstairs romance blossom and questions over class, power and consent explored. There is as much sex here as Fennel has injected into her Wuthering Heights, but it comes accompanied with a lot less horror.

This season’s couple meet at a masked ball; Meg Kobza, an expert in Regency social life, writes about three true love stories that began at such soirees.

Bridgerton is on Netflix now




Read more:
Bridgerton: three true tales of love at first sight at Regency masquerade balls


The thing about Wuthering Heights is that most people, including Fennell it seems, focus on the brief period of romance between adult Heathcliff and Cathy. The rest of the book follows him as he is consumed by grief after she dies, waging a life-long campaign of violence on himself and all around him. If you’re looking for an alternative tale of a man driven to madness and revenge by grief, then we recommend seeing the new adaptation of Hamlet starring Riz Ahmed.

Set in an uber-wealthy south-Asian community in modern-day London, Hamlet is the heir to a vast property developer empire. Greed and dodgy business deals abound in this adaptation by Aneil Karia. There are some clever twists on the well-known tale that Shakespeare adaptation expert Elizabeth Schafer found fascinating. However, unlike Fennell’s Wuthering Heights, it doesn’t cleave too far from Shakespeare’s original.

Hamlet is in cinemas now


Looking for something good? Cut through the noise with a carefully curated selection of the latest releases, live events and exhibitions, straight to your inbox every fortnight, on Fridays. Sign up here.





Read more:
Riz Ahmed’s British south-Asian Hamlet is a moody tale of grief and shady family business


The Conversation

ref. Is this love? Don’t be Heathcliff and Cathy – what you should watch, read and play this week – https://theconversation.com/is-this-love-dont-be-heathcliff-and-cathy-what-you-should-watch-read-and-play-this-week-275855

The five most romantic paintings of all time – according to art historians

Source: The Conversation – UK – By Yashaswini Chandra, Lecturer in South Asian Art History, University of Edinburgh

Bank Holiday by William Strang (1912). Tate

For Valentine’s Day, we asked five of our academic experts to tell us about the most romantic artwork they’ve ever encountered. From first dates to sleeping lovers, these are the paintings that have touched their hearts.

1. A Leisurely Ride by Nainsukh (circa 1740-1745)

At the heart of Nainsukh’s A Leisurely Ride, a court painting produced in the Pahari or Indian hill state of Jasrota in the mid-18th century, is an exchange of gaze which transfixes the moment.

Painting showing men and women riding horses in a rural location
A Leisurely Ride by Nainsukh (circa 1740-1745).
V&A South Kensington, CC BY-NC

In the painting, horses of varied hues stride across an Indian landscape. It comprises a mustard field against the backdrop of the smoky-blue rolling hills of Jasrota. The seven riders include a prince, Mian Mukund Dev. There’s a woman – a singer-dancer called Amal – and two musicians, who are at the front of the group and perform on the go. An escort of three nobles, one of whom holds a hunting bird, makes up the rear.

In the centre, the prince and his paramour exchange glances after she has turned around in the saddle to look at him as he follows her. He holds her gaze even as he coolly smokes a hookah, the base of which is carried by the bearer who walks alongside his horse – and time stands still in the hills.

Yashaswini Chandra is a lecturer in South Asian art history

2. Le Sommeil by Gustave Courbet (1866)

I first saw Le Sommeil (The Sleepers) in the Petit Palais museum in Paris in 2011. I was at the end of a long relationship and the erotic tenderness of this painting really spoke to me.

Painting of two nude women sleeping in an embrace
Le Sommeil by Gustave Courbet (1866).
Petit Palais

The redhead was Joanna Hiffernan, an Irish artist, model and mistress of Courbet. The brunette was Constance Quéniaux, the mistress of the man who commissioned the painting, the Ottoman ambassador to France, Khalil Bey.

Despite Courbet’s reputation as a realist painter, it is not known if the two women depicted were lovers. But with its discarded clothes, broken pearl necklace and disordered bed, Le Sommeil has usually been read as a sexually charged challenge to 19th-century morality.

No wilting flowers to hint at the transgressive nature of queer love here! Yet, as the title suggests, this painting is not about the passion hinted at, but the gentle, comforting embrace of these two women in the intimacy of sleep.

Pippa Catterall is a professor of history and policy

3. Rinaldo and Armida by Nicolas Poussin (circa 1628)

The French painter Nicolas Poussin has a reputation for being a very high-minded and austere artist. Early on in his career, however, he painted many mythological and literary subjects in a sumptuous, colourful style inspired by 16th-century Venetian painting.

Painting of a sleeping soldier and a woman reaching for him, while her arm is grasped by a cherub
Rinaldo and Armida by Nicolas Poussin (circa 1630).
Dulwich Picture Gallery

One of these early paintings depicts a scene from a Renaissance epic, Jerusalem Delivered, by the Italian poet Torquato Tasso, first published in 1581. The wicked sorceress Armida plans to kill the noble warrior Rinaldo in his sleep, but, at the sight of his beauty, she falls instantly in love and drops her dagger.

The sudden rush of love that overwhelms Armida is brilliantly represented in the form of a winged putto or cupid who seizes her arm. The startled expression on her face and the tender way that her hand brushes Rinaldo’s are also eloquent of her unexpected feelings for him. It’s the vivid way that it conveys a sense of love as an irresistible force that makes this painting so romantic.

Emma Barker is a senior lecturer in art history

4. Medallion (YouWe) by Gluck (1937)

The English artist known as Gluck deliberately adopted a gender-neutral name, rejecting conventional labels and societal expectations of gender. Open about their relationships with women in England’s high society, Gluck’s life and work challenged social norms at a time when representations of lesbianism were heavily censored.

In 1936, Gluck fell passionately in love with the playwright Nesta Obermer and became utterly convinced of their shared future. Gluck went so far as to destroy letters, photographs and paintings associated with previous lovers. The couple exchanged rings, and to commemorate this symbolic union the artist painted Medallion (1937), a double portrait in which the figures appear almost fused as one.

Gluck occupies the foreground, identifiable by their distinctive cropped hair, while Nesta rests just behind, cheek to cheek. Their gaze is cast into the distance, emphasising private introspection. Measuring just over 30x35cm, the work’s scale and its conjoined subtitle, YouWe, reinforce its intimacy. Conceived as a private object and kept in Gluck’s studio rather than publicly exhibited, Medallion endures as a tender and iconic expression of love and queer desire.

Daniel Fountain is a senior lecturer in art history and visual culture

5. Bank Holiday by William Strang (1912)

The Scottish painter William Strang’s Bank Holiday, in the Tate Britain collection, is not obviously brimming with passionate adventure. But it has stuck in my mind as a touchingly realistic depiction of the slight social awkwardness of courtship.

Painting of a man and woman at a restaurant table
Bank Holiday by William Strang (1912).
Tate

The nice-looking couple in their best clothes are probably not yet married, while the bouquet and moment of ordering suggest hope and promise rather than settled familiarity. Although freighted with class and gender conventions, there is evident respect and esteem between them. The woman’s eyes wander, more in mild discomfiture than boredom, when their close conversation is interrupted by the waiter. However, she still leans attentively forward with her hands towards her companion, with the cat-like dog (often an artistic symbol of fidelity and sometimes desire) by her side.

Love and companionship take patience and learning how to spend time together. One only wonders how these two would have fared through the first world war that came two years later.

Marius Kwint is a reader in visual culture

What is your favourite romantic painting of all time? Let us know in the comments below


Looking for something good? Cut through the noise with a carefully curated selection of the latest releases, live events and exhibitions, straight to your inbox every fortnight, on Fridays. Sign up here.


The Conversation

The authors do not work for, consult, own shares in or receive funding from any company or organisation that would benefit from this article, and have disclosed no relevant affiliations beyond their academic appointment.

ref. The five most romantic paintings of all time – according to art historians – https://theconversation.com/the-five-most-romantic-paintings-of-all-time-according-to-art-historians-275374

Stop overthinking your Valentine’s gift – behavioural science says you’re probably worrying about the wrong thing

Source: The Conversation – UK – By Gaëlle Vallée-Tourangeau, Professor of Behavioural Science, Kingston University

Pixel-Shot/Shutterstock

Have you ever feared looking cheap or incompetent with your Valentine’s gift? Or perhaps you’ve dismissed the idea of exchanging gifts because you worried your partner would think it’s too corny.

If so, you’re not alone. But research suggests we may be missing out on an opportunity to strengthen our close relationships by rejecting this ritual entirely.

In romantic relationships, the act of giving serves as a fundamental signal of relationship value, where the investment of resources like time, effort and money communicates a partner’s level of commitment and care.

When choosing a Valentine’s gift for a loved one, we may find ourselves worrying about making the “wrong” choice and leaning towards a safe, albeit expensive option. Yet psychological research suggests we’re often worrying about the wrong thing when deciding on a gift. Expensive gifts aren’t inherently bad, but people systematically underestimate the appreciation our partner may feel when they receive a thoughtful gift, regardless of its polish.

A 2025 study documented what the researchers called the “who cares more” asymmetry. When giving gifts, we are good at judging the positive impact of a “good” gift, but we tend to catastrophise imperfection.

We are stricter judges of the gifts we offer than those we receive. And we overestimate the potential for a “bad” gift to make our partner upset or harm our relationship. This blindspot explains why we feel such intense pressure to avoid a “miss” when choosing a gift.

Paradoxically, this also explains why we might often miss out on choosing the better gift for our relationship. The problem arises when we default to expensive-but-generic options because they feel safer — the £200 trendy restaurant instead of that quirky pub from your third date.

Research reveals a pattern, called the gift gap. As givers, we often prioritise practical care when choosing gifts but as receivers, we prefer gifts that are “relational signalling”, that is, that convey thoughtfulness about the relationship.

This gift gap is exacerbated for gifts with sentimental value where thoughtfulness is communicated through an emotional attachment or nostalgia associated with the gift itself. Givers avoid them as risky because they require more vulnerability, yet recipients report appreciating them more.

There is some evidence to suggest that, while we are all susceptible to fall for the gift gap, women are more likely to overestimate the importance of selecting a good gift for their friends whereas men tend to overthink it when choosing a gift for their partner.

But here’s what makes this complicated: personalisation isn’t about price point. An expensive restaurant reservation can be deeply personal if it’s the place your partner has been hinting about for months, or where you first met. Fine chocolates can signal genuine care if you remembered their favourite artisan chocolatier from that trip to Paris.

This is where corny gifts gain their unexpected power, not as cheap replacements for thoughtful expensive gifts, but as evidence of a different kind of investment.

Two people exchanging a red gift box tied with ribbon.
Getting it right on Valentine’s day?
maxbelchenko/Shutterstock

These gifts work because they signal a receiver-focused sacrifice. They change how your partner sees you for the better. Perceiving your partner as willing to invest mental energy and to pay sustained attention to you is a better predictor of a relationship’s wellbeing than the actual gift quality.

A 2024 analysis of previous studies confirmed this pattern holds across relationship
types (such as friendships, romantic or work relationships) and occasions. The mismatch isn’t about money; it’s about vulnerability.

In fact, expensive gifts can backfire when they miss this personalisation mark. Suspiciously large expenditures can undermine appreciation of the gift when recipients question the giver’s motives or worry about reciprocation. For example, when asked to imagine receiving a wine bottle as a gift, participants in a 2024 study were more suspicious about the intent of the giver when the bottle was described as “expensive” rather than “typically priced”.

This study illustrates the principle of instrumentality, which is the psychological association between money and self-serving, transactional goals. Big, expensive presents can lead the recipient to look a gift horse in the mouth by questioning if the giver is trying to gain a specific favour or create a power imbalance.

It is important to note that the research evidence shows that expensive but unpersonal gifts are rarely a mark of a lack of effort on the giver’s part; rather the “gift gap” is most often a result of givers misunderstanding what recipients value and being stricter judges of their own performance than they would be of their partners.

So don’t worry about looking bad this Valentine, instead know it’s OK to risk looking a bit corny by showing you’ve genuinely been paying attention. In fact, that’s probably the best thing you can do for your relationship.

The Conversation

Gaëlle Vallée-Tourangeau does not work for, consult, own shares in or receive funding from any company or organisation that would benefit from this article, and has disclosed no relevant affiliations beyond their academic appointment.

ref. Stop overthinking your Valentine’s
gift – behavioural science says you’re probably worrying about the wrong thing – https://theconversation.com/stop-overthinking-your-valentines-gift-behavioural-science-says-youre-probably-worrying-about-the-wrong-thing-274579

3D scanning and shape analysis help archaeologists connect objects across space and time to recover their lost histories

Source: The Conversation – USA – By Carlo Rindi Nuzzolo, Postdoctoral Fellow in Archaeology, University of California, Los Angeles

The 3D scan of a mask fragment matches up with the scan of a different well-preserved mask. Carlo Rindi Nuzzolo

Today the world of Egyptology faces a silent crisis – not of looting, although that plays a part, but of disconnection. Walk into any major museum, from Copenhagen to California, and you see glass cases filled with what could be called orphaned artifacts: remarkable objects, often acquired in the 19th and early 20th century, that have been completely stripped of their histories. You can see what they are – a mummy’s painted foot case, a golden mask – but we have no idea where they came from. They are beautiful, but historically they are mute.

face of an ancient Egyptian mask
Sometimes an object can be mostly intact in a museum collection, but with few facts known about its origin.
Carlo Rindi Nuzzolo

Many objects entered museum collections at times when excavation and collecting practices were very different from today. In the past, excavated objects were often divided between institutions around the world, and display was prioritized over documentation. Over time, connections between pieces were lost. As a result, museums around the world hold remarkable artifacts whose backstories are thin, fragmentary or missing altogether.

Archaeologists like me working in the field today regularly uncover fragments: broken pieces of objects that once formed part of something larger. In some cases, those fragments may share the same underlying geometry with objects already held in museums. For example, a mummy’s foot case and a newly found shard may have been produced using the same mold, so they share a consistent three-dimensional form even if they are now separated by time, distance and absence of documentation.

Traditionally, evaluating whether a fragment matches up with a specific museum object has relied on visual judgment and incomplete records, rather than a quantitative comparison of shape.

This gap between excavation archaeology and museum collections is one of the most persistent challenges in the field. My research asks a simple question: Can we use digital tools to test whether fragments and museum objects might be related and, in doing so, recover parts of their histories that were previously inaccessible?

partial Egyptian funerary mask in dirt
Reuse over time and looting shifted and damaged the contents of an ancient Egyptian tomb. This displaced mummy mask could have a relationship to other artifacts already in museums around the world.
Carlo Rindi Nuzzolo

A long-standing problem in archaeology

Archaeology is, by nature, fragmentary. Objects break, decay or are disturbed over centuries. Traditionally, archaeologists have relied on visual inspection, stylistic comparison and written records to propose connections between fragments and objects. These approaches are still essential, but they also have limits. Visual judgments can be subjective, and archival documentation is often incomplete or inconsistent.

As a result, many potential links between excavated material and museum artifacts have remained speculative or have never been proposed at all. An object in a museum may appear complete yet still have a fragmented history. Without a way to test relationships systematically, fragments often remain sidelined as secondary or uninformative.

More than a century ago, the archaeologist Flinders Petrie argued that an object’s value lies not in its beauty but in the information it carries. An unremarkable fragment with a known history, he believed, could be more important than a finely made object without one. Today, digital tools are giving archaeologists new ways to put that idea into practice.

man, looking toward a laptop screen, holds small machine above an Egyptian mummy mask
Archaeologists can use handheld 3D scanners to noninvasively map objects in very fine detail.
Carlo Rindi Nuzzolo

Turning objects into data that can be compared

One of those tools is 3D scanning. Using portable scanners, it is now possible to capture the full surface geometry of an object with high precision, without touching or damaging it. Every curve, contour and variation in thickness can be recorded digitally.

Once scanned, an artifact becomes more than an image. It becomes data: a detailed digital model that can be rotated, measured, compared and analyzed. Importantly, this process is noninvasive. Fragile objects do not need to be moved, dismantled or physically tested.

For archaeologists and museum curators, this process opens up new possibilities. Objects held in different institutions, or fragments stored in excavation archives, can be compared digitally, even if the originals never leave their locations.

Scanning is only the first step. The real challenge lies in comparison. Rather than asking whether two pieces look similar, computational shape analysis allows researchers to ask a more precise question: How similar are their shapes?

In simple terms, the computer compares the geometry of two surfaces. It looks at curvature, thickness and spatial relationships, measuring how closely one surface matches another. It’s like comparing a kind of geometric fingerprint.

This approach doesn’t replace expert judgment. Instead, it supports it by providing measurable evidence that can confirm, refine or challenge visual impressions. It allows archaeologists to move from intuition to testing.

When a fragment meets a museum object

In a recent study published in the journal Heritage Science, I applied these methods to Graeco-Roman Egyptian funerary artifacts made of cartonnage, a composite material of linen, plaster and paint.

I created high-resolution 3D scans of excavated cartonnage fragments and compared them with an intact funerary mask held in a museum collection. The goal was not to reconstruct the object physically but to test whether their shapes were compatible in meaningful ways.

The comparison focused on three-dimensional geometry rather than decoration. This matters because cartonnage masks were often shaped in molds: If two objects were formed in the same mold, they can share highly consistent curvature and thickness patterns even when their painted surfaces differ.

3D image of a mask with a colorful overlay on part, including a color bar denoting how close a physical match points are
The mask reference surface is shown in gray, while the aligned fragment is colored based on the surface-to-surface distance at each point. Green indicates a good match with almost no distance. Cooler colors show areas where the fragment lies below the reference mask, and warmer colors show where it lies above.
Carlo Rindi Nuzzolo

I used a distance-mapping approach called deviation mapping. After aligning the 3D model of an excavated fragment to the corresponding region of the intact museum object, the algorithm calculates the distances between the two surfaces at thousands of points. Areas where the distances were consistently small are geometrically very similar. Areas with consistently larger distances indicate that the fragment’s shape diverges from the reference surface.

In this case, the surfaces corresponded closely, with differences generally of less than a millimeter – a level of agreement consistent with production in the same mold rather than a coincidental visual resemblance.

What mattered most was not a single “match” but the ability to evaluate relationships transparently and reproducibly, using shared digital evidence.

One of the most powerful aspects of this approach is that it works across distance. Researchers can easily share digital models, allowing them to compare fragments and objects held in different institutions, without transporting fragile artifacts. Excavation archives, museum collections and research institutions can begin to speak the same digital language, reconnecting evidence that has long been separated by geography and history.

full face of Egyptian funerary mask in profile, pared with a scan focused on a fragment from the nose area
The mask fragment was a very close match to a complete mask, suggesting they were made in the same mold.
Carlo Rindi Nuzzolo

Digital tools are reshaping collections research

The work I describe here, part of my recent CRAFT Project, does not use artificial intelligence or machine learning. It relies on computer-based shape comparison and careful interpretation of metrological results. But it sits within a broader movement in heritage research.

Across the world, researchers and institutions are beginning to combine 3D scanning with machine learning to explore collections in different ways. For example, the EU-funded RePAIR project uses AI and robotics to help reassemble fragmented archaeological artifacts, while major institutions such as the Smithsonian are experimenting with AI-driven analysis of large 3D collections.

Together, these projects point to a future in which digital tools play an increasingly active role in how museums and archaeologists understand the past.

Digital archaeology is sometimes associated with flashy reconstructions or virtual displays. But its deeper value lies elsewhere. By giving fragments a new analytical role, digital methods allow archaeologists to recover relationships that were long thought irretrievably lost.

New digital methodologies are breathing new life into a long-standing archaeological principle: Modest fragments can carry outsized significance when they clarify an object’s origins and its lost context, finally allowing it to find its way back home.

The Conversation

The CRAFT Project (www.craft-project.net), led by Dr. Carlo Rindi Nuzzolo from 2022 to 2025, received research funding from the Marie Skłodowska-Curie Actions under the European Union’s Horizon 2020 Scheme.

ref. 3D scanning and shape analysis help archaeologists connect objects across space and time to recover their lost histories – https://theconversation.com/3d-scanning-and-shape-analysis-help-archaeologists-connect-objects-across-space-and-time-to-recover-their-lost-histories-273077

The intensity and perfectionism that drive Olympic athletes also put them at high risk for eating disorders

Source: The Conversation – USA (3) – By Emily Hemendinger, Assistant Professor of Psychiatry, University of Colorado Anschutz Medical Campus

Several Olympic figure skaters have spoken publicly of their eating disorders in recent years. aire images/Moment via Getty Images

Olympians – athletes at the top of their sport and in prime health – are idolized and often viewed as superhuman. These athletes spend their lives focusing on building physical strength through rigorous training and diets that are honed to provide the nutrients necessary to excel at their sport.

However, athletes are at considerable risk for eating disorders and having an unhealthy relationship with food and their bodies.

The distinctive lifestyle of elite athletes can create a hotbed for eating disorders and disordered eating, meaning restrictive, compulsive, irregular or inflexible eating patterns, all of which can occur on a spectrum.

In 2019, 19% of male and 45% of female athletes worldwide experienced disordered eating behaviors, according to the International Olympic Committee. For perspective, in the general population, about 9% to 10% of Americans will have an eating disorder in their lifetime.

Several Winter Olympians, including cross-country skier Jessie Diggins, Alpine skier Alice Merryweather and figure skaters Gracie Gold, Adam Rippon and Yulia Lipnitskaya, have spoken about their experience with an eating disorder and disordered eating. Lipnitskaya, one of the youngest Winter Olympic gold medalists, retired at age 19 due to her battle with anorexia, a few short years after winning her 2014 team gold medal in Sochi, Russia.

As a specialist in eating disorders and anxiety, I regularly work with athletes and clients who experience eating disorders and disordered relationships with food and exercise. Based on my clinical and personal experience, I believe that the public can learn to better support athletes with eating disorders by considering the unique risk factors they face.

A young man, former figure skater Adam Rippon, stands with his hands in his pockets wearing an Olympics-themed sweater.
American figure skater and media personality Adam Rippon – shown here at the 2026 Olympics, where he is part of the NBC Sports coverage team – came out publicly in 2018 about the dangerous starvation diet he followed for years.
Vittorio Zunino Celotto/Getty Images Sport via Getty Images

How perfectionism makes athletes vulnerable

One contributing factor for disordered eating is an athlete’s temperament, since certain traits also show up as risk factors for eating disorders.

For example, an athlete’s constant desire to improve and their intense attention to detail can border on perfectionism and obsessiveness. An unrelenting focus on achievement and competitiveness are all associated with heightened risks of developing an eating disorder. Personality traits such as mental toughness, discipline, high pain tolerance and persistence may also lead to worsened eating disorder risk and behaviors in athletes.

These traits are also common risk factors for nonathletes but are often viewed as positive traits in athletes since they lead to high achievement and attainment. For instance, an athlete might restrict food intake to find focus, or delay eating to achieve a specific goal that day. Or they might engage in compulsive exercise regardless of hunger or injury, chalking it up to discipline.

What’s more, in athletes, typical signs of an eating disorder, such as training for long hours without appropriate breaks for meals or obsessing about only consuming certain healthy foods, can be overlooked due to the normalization of these behaviors in high-level sports.

An emphasis on leanness and muscular prowess

The primary sports where eating disorders traditionally surface are gymnastics, wrestling, dancing, bodybuilding and figure skating, since these are sports where weight and body image often come into play.

About 46% of athletes in so-called “leanness” sports have an eating disorder, compared with almost 20% of athletes in sports that are not weight-focused. That’s because athletes in weight-sensitive sports experience far more emphasis and demand on having a thin and muscular body, which often involves weight monitoring as part of their training or competition.

Athletes in these sports also experience high demands of constant competition, rigidity around their dieting and exercise schedule, high energy output and an incredibly high mental and physical strain on their bodies.

External factors can also put an athlete at risk for an eating disorder. For instance, in various sports like running, rock climbing and figure skating, there is a long-running belief that being at a lower weight will improve an athlete’s performance. This can lead to disordered behavior that may initially feel beneficial to performance; however, it can negatively affect performance and health over the long run. External pressure, such as weight stigma and pressure from coaches and family, media and societal standards of fitness and team culture around dieting and weight, also place athletes at high risk for eating disorders.

Former Olympic skier Alice Merryweather talks about her struggles with an eating disorder following the 2018 Olympics. Professionals recommend that when watching athletes perform, avoid commenting on their physical appearance and instead focus on what they’re doing and how amazing it is.

‘No pain, no gain’ culture

Another serious factor regarding eating disorders in high-level athletes is that a very small percentage of them seek treatment. A 2021 study found that among U.S. athletes who experienced disordered eating or had an official diagnosis, more than 95% were not in treatment and 75% had no intention of seeking it. For perspective, the help-seeking rate for those with disordered eating or eating disorders in the general population is between 32% and 40%., compared with around 5.4% in athletes.

In competitive sports, a “no pain, no gain” mentality can often directly and indirectly reward athletes who push themselves to the extreme. As a result, athletes may be less likely to seek treatment and to come forward with their issues for fear of not wanting to have restrictions on their practice and competition put in place, of being ostracized from their teammates or of losing sponsorship or scholarship opportunities.

Along with this comes a lack of awareness about eating disorders, stigma and unhealthy attitudes and assumptions toward mental health from coaches and other athletic personnel, all of which can impede an athlete’s likelihood of seeking care. Ultimately, seeking and receiving treatment can be difficult for athletes because athletes face sacrificing time away from their sport, which is often their livelihood.

Protective factors

Despite the stacked risk factors, athletes also have some protective factors against eating disorders working in their favor. For instance, exercising regularly and noncompulsively is associated with improved mental health. And participating in sports that emphasize body functionality over physical appearance can have a positive effect on athletes’ overall well-being.

Strong relationships between athletes and coaches who focus on creating a safe and supportive environment that prioritizes mental health – along with person-oriented coaching styles, rather than negative, performance-oriented coaching – can also be protective against disordered eating.

One preventive strategy that the International Olympic Committee has been working on is focusing on improving pre-competition assessment of health. This assessment will focus on an athlete’s body composition and other determinants of health, such as vital signs, to determine if they are fit to perform in the upcoming qualifiers and Olympic games. These guidelines may allow athletes to get much-needed help and support.

Athletes are not superhuman

Despite the perception of superhuman qualities, athletes who experience eating disorders experience all of the same consequences of eating disorders as the general population. But athletes also have higher risk of injury, decreased strength and endurance, and worsened athletic performance over time due to low energy availability and fatigue, and are more likely to experience anxiety, depression and suicidal ideation in their lifetime.

Research shows that early detection of disordered behaviors, awareness of eating disorders in athletics, and education for athletes, families and coaches are all strong prevention strategies.

Athletes often require a multi-disciplinary team to support them. This may include a therapist, psychiatrist, sports psychologist, registered dietitian, medical doctor, physical therapist, occupational therapist or any combination of these. This team can assist the athlete in stabilizing medications, improving nutritional intake and recognizing differences between athletic dedication and disordered behavior.

It is also critically important for family to be involved and that the athletes’ entire support system – as well as the public – remember that athletes are humans, with real emotions and struggles, just like the rest of us.

The Conversation

Emily Hemendinger does not work for, consult, own shares in or receive funding from any company or organization that would benefit from this article, and has disclosed no relevant affiliations beyond their academic appointment.

ref. The intensity and perfectionism that drive Olympic athletes also put them at high risk for eating disorders – https://theconversation.com/the-intensity-and-perfectionism-that-drive-olympic-athletes-also-put-them-at-high-risk-for-eating-disorders-273430

Colorectal cancer is increasing among young people, as James Van Der Beek’s death reminds us – cancer experts explain ways to decrease your risk

Source: The Conversation – USA (3) – By Christopher Lieu, Professor of Medical Oncology, University of Colorado Anschutz Medical Campus

Actor James Van Der Beek died from colon cancer at age 48. Andrew Toth/Getty Images

An increasing number of people are dying of colorectal cancer at a young age, including those as young as 20. Actor James Van Der Beek, who was diagnosed with colorectal cancer in 2023, died at age 48 on Feb. 11, 2026, bringing the disease back into the limelight.

The Conversation U.S. asked gastrointestinal oncologist Christopher Lieu and cancer researcher Andrea Dwyer to explain what’s known about early-onset colon cancer and what young people can do to protect themselves.

Why are more young people getting colorectal cancer?

Researchers have identified a number of factors associated with increasing numbers of young people developing colorectal cancer, but there is no one clear answer that explains this trend.

Lifestyle factors like ultra-processed foods and alcohol, as well as lack of exercise, have been linked to early-onset colorectal cancer. However, these are correlations that aren’t proven to be the cause of colorectal cancer in young adults.

Many researchers are focusing on the gut microbiome, which is an ecosystem of microorganisms in your gut that helps your body digest food and carry out other important functions. When the microbes in the gut are out of balance – a condition called dysbiosis – this causes a disruption that allows for inflammation and negative health effects, including increased cancer risk.

What increases your risk of developing colorectal cancer?

Beyond genetics, several lifestyle factors can increase your risk of developing colorectal cancer.

For example, someone’s diet plays a role in cancer risk. Eating a lot of red meat and processed foods and not enough dietary fiber can increase your risk of colorectal cancer. Alcohol also causes cancer – even having less than one drink a day can increase your cancer risk.

Smoking, obesity and lack of exercise are other factors that increase cancer risk.

Colorectal cancer is rising among young people.

What’s the survival rate for young people with colon cancer?

There is a lot of debate among researchers on whether there are differences in survival rates between those with early-onset colorectal cancer survival and those who develop the disease after age 50.

Finding cancer at an early stage can lead to five-year survival rates as high as 80% to 90%. When cancer is detected at an advanced stage where it has spread to other parts of the body, survival rates are closer to 10% to 15%.

One study found that young patients with metastatic colon cancer had a slightly lower survival rate compared with those age 50 or older.

What are early symptoms of colorectal cancer?

The most common signs and symptoms for early-onset colorectal cancer are blood in the stool, abdominal pain and a change in bowel habits, or any combination of these conditions. Unexplained anemia, or low red blood cell levels, is another potential symptom. These are warning signs that people should not ignore.

Having these symptoms does not necessarily mean you have colorectal cancer, but they are worth discussing with a physician. In some cases, your doctor may request a colonoscopy for further evaluation.

How does colon cancer screening work?

The first step is to have a conversation with your health care team about which test is right for you. Understanding what your risk category is helps guide screening, prevention and lifestyle changes to reduce your likelihood of colorectal cancer.

People with an average risk for colorectal cancer typically have no personal or significant family history of colorectal cancer, hereditary cancer, precancerous polyps or inflammatory bowel disease. They have several options for screening, including stool tests that check for blood and abnormal cells, as well as imaging scans to visualize the colon and rectum. Screening is recommended to begin at age 45 and should continue at regular intervals until age 75.

People with a high risk of colon cancer typically have a personal or family history of colorectal cancer, hereditary cancer or inflammatory bowel disease. They may also have several lifestyle risk factors. Colonoscopy is the only recommended screening test for those with high risk, and earlier and more frequent screening may be necessary.

How can you reduce your risk of colon cancer?

Communication and action are key. Talk to your health care team about your personal risk based on your age, family history and any signs and symptoms to ensure you’re matched with the screening exam and test best for you.

Take charge of your health. There are lifestyle factors you can control to reduce your personal risk of colorectal cancer. These include regular physical activity; a diet high in fruit, vegetables and fiber, and low in processed meats; and maintaining a healthy weight. Moderating or eliminating alcohol and tobacco use can also reduce your colorectal cancer risk.

Share information with loved ones and your health care team. Knowing your personal and family history of polyps or colorectal cancer and communicating it with your doctor can help ensure you get the right test at the right time. Sharing your personal history could save the lives of your children, siblings and parents.

The Conversation

The authors do not work for, consult, own shares in or receive funding from any company or organization that would benefit from this article, and have disclosed no relevant affiliations beyond their academic appointment.

ref. Colorectal cancer is increasing among young people, as James Van Der Beek’s death reminds us – cancer experts explain ways to decrease your risk – https://theconversation.com/colorectal-cancer-is-increasing-among-young-people-as-james-van-der-beeks-death-reminds-us-cancer-experts-explain-ways-to-decrease-your-risk-275886

How bird poo fueled the rise of Peru’s powerful Chincha Kingdom

Source: The Conversation – Global Perspectives – By Jo Osborn, Assistant Professor of Anthropology, Texas A&M University

Islands off the coast of Peru are home to millions of seabirds. Their droppings were an important fertiliser for Indigenous people in the Andes. Jo Osborn

In 1532, in the city of Cajamarca, Peru, Spanish conquistador Francisco Pizarro and a group of Europeans took the Inca ruler Atahualpa hostage, setting the stage for the fall of the Inca Empire.

Before this fateful attack, Pizarro’s brother, Pedro Pizarro, made a curious observation: other than the Inca himself, the Lord of Chincha was the only person at Cajamarca carried on a litter, a carrying platform.

Why did the Lord of Chincha occupy such a high position in Inca society? In our new study published in PLOS One, we find evidence for a surprising potential source of power and influence: bird poo.

A potent and precious resource

Chincha, in southern Peru, is one of several river valleys along the desert coast fed by Andean highland waters, which have long been key to irrigation agriculture. About 25 kilometres out to sea are the Chincha Islands, with the largest guano deposits in the Pacific.

Seabird guano, or excrement, is a highly potent organic fertiliser. Compared to terrestrial manures such as cow dung, guano contains vastly more nitrogen and phosphorus, which are essential for plant growth.

On the Peruvian coast, the Humboldt/Peru ocean current creates rich fisheries. These fisheries support massive seabird colonies that roost on the rocky offshore islands.

Rocky island covered in white bird droppings.
Seabirds use coastal islands to build their nests, and find food nearby in the rich fisheries of the Peruvian current.
Jo Osborn

Thanks to the dry, nearly rainless climate, the seabird guano doesn’t wash away, but continues to pile up until many meters tall. This unique environmental combination makes Peruvian guano particularly prized.

Our research combines iconography, historic written accounts, and the stable isotope analysis of archaeological maize (Zea mays) to show Indigenous communities in the Chincha Valley used seabird guano at least 800 years ago to fertilise crops and boost agricultural production.

We suggest guano likely shaped the rise of the Chincha Kingdom and its eventual relationship with the Inca Empire.

Lords of the desert coast

The Chincha Kingdom (1000–1400 CE) was a large-scale society comprising an estimated 100,000 people. It was organised into specialist communities such as fisherfolk, farmers and merchants. This society controlled the Chincha Valley until it was brought into the Inca Empire in the 15th century.

Given the proximity of historically important guano deposits on the Chincha Islands, Peruvian historian Marco Curatola proposed in 1997 that seabird guano was an important source of Chincha’s wealth. We tested this hypothesis and found strong support.

A biochemical test

Biochemical analysis is a reliable way to identify the use of fertilisers in the past. One experimental 2012 study showed plants fertilised with dung from camelids (alpacas and llamas) and seabirds show higher nitrogen isotope values than unfertilised crops.

Maize cobs on a grey background
Archaeological maize cobs were collected from sites in the Chincha Valley for isotopic analysis.
C. O’Shea

We analysed 35 maize samples recovered from graves in the Chincha Valley, documented as part of an earlier study on burial practices.

Most of the samples produced higher nitrogen isotope values than expected for unfertilised maize, suggesting some form of fertilisation occurred. About half of the samples had extremely high values. These results are so far only consistent with the use of seabird guano.

This chemical analysis confirms the use of guano on pre-Hispanic crops.

Imagery and written sources

Guano – and the birds that produce it – also held broader significance to the Chincha people.

Our analysis of archaeological artefacts suggests the Chincha people had a profound understanding of the connection between the land, sea and sky. Their use of guano and their relationship with the islands was not just a practical choice; it was deeply embedded in their worldview.

Carved wooden paddle decorated with red, green, and yellow paint, featuring a line of small figures at the top and animal carvings down the center.
This decorated wooden object from Chincha, which has been interpreted as either a ceremonial paddle or digging stick, depicts seabirds and fish alongside human figures and geometric designs.
The Met Museum, 1979.206.1025.

This reverence is reflected in Chincha material culture. Across their textiles, ceramics, architectural friezes and metal objects, we see repeated images of seabirds, fish, waves, and sprouting maize.

These images demonstrate the Chincha understood the entire ecological cycle: seabirds ate fish from the ocean and produced guano, guano fed the maize, and the maize fed the people.

This relationship may even be reflected today through local Peruvian place names. Pisco is derived from a Quechua word for bird, and Lunahuaná might translate to “people of the guano”.

Poo power

As an effective and highly valuable fertiliser, guano also enabled Chincha communities to increase crop yields and expand trade networks, contributing to the economic expansion of the Chincha Kingdom.

We suggest fisherfolk sailed to the Chincha Islands to acquire guano and then provided it to farmers, as well as to seafaring merchants to trade along the coast and into the highlands.

Chincha’s agricultural productivity and growing mercantile influence would have enhanced its strategic importance for the Inca Empire. Around 1400 CE, the Inca incorporated the Chincha after a “peaceful” capitulation, creating one of the few calculated alliances of its kind.

Although the “deal” made between Chincha and Inca remains debated, we suggest seabird guano played a role in these negotiations, as the Inca state was interested in maize but lacked access to marine fertilisers. This may be why the Lord of Chincha was held in such high esteem that he was carried aloft on a litter, as Pedro Pizarro noted.

The Inca came to value this fertiliser so much they imposed access restrictions on the guano islands during the breeding season and forbade the killing of guano birds, on or off the islands, under penalty of death.

Our study expands the known geographic extent of guano fertilisation in the pre-Inca world and strongly supports scholarship that predicted its role in the rise of the Chincha Kingdom. However, there is still much to learn about how widespread it was, and when this practice began.

The Conversation

The authors do not work for, consult, own shares in or receive funding from any company or organisation that would benefit from this article, and have disclosed no relevant affiliations beyond their academic appointment.

ref. How bird poo fueled the rise of Peru’s powerful Chincha Kingdom – https://theconversation.com/how-bird-poo-fueled-the-rise-of-perus-powerful-chincha-kingdom-275316

OpenAI has deleted the word ‘safely’ from its mission – and its new structure is a test for whether AI serves society or shareholders

Source: The Conversation – USA (2) – By Alnoor Ebrahim, Professor of International Business, The Fletcher School & Tisch College of Civic Life, Tufts University

AI poses new safety risks to humanity. sarayut Thaneera/Moment via Getty Images

OpenAI, the maker of the most popular AI chatbot, used to say it aimed to build artificial intelligence that “safely benefits humanity, unconstrained by a need to generate financial return,” mission statement. But the ChatGPT maker seems to no longer have the same emphasis on doing so “safely.”

While reviewing its latest IRS disclosure form, which was released in November 2025 and covers 2024, I noticed OpenAI had removed “safely” from its mission statement, among other changes. That change in wording coincided with its transformation from a nonprofit organization into a business increasingly focused on profits.

OpenAI currently faces several lawsuits related to its products’ safety, making this change newsworthy. Many of the plaintiffs suing the AI company allege psychological manipulation, wrongful death and assisted suicide, while others have filed negligence claims.

As a scholar of nonprofit accountability and the governance of social enterprises, I see the deletion of the word “safely” from its mission statement as a significant shift that has largely gone unreported – outside highly specialized outlets.

And I believe OpenAI’s makeover is a test case for how we, as a society, oversee the work of organizations that have the potential to both provide enormous benefits and do catastrophic harm.

Tracing OpenAI’s origins

OpenAI, which also makes the Sora video artificial intelligence app, was founded as a nonprofit scientific research lab in 2015. Its original purpose was to benefit society by making its findings public and royalty-free rather than to make money.

To raise the money that developing its AI models would require, OpenAI, under the leadership of CEO Sam Altman, created a for-profit subsidiary in 2019. Microsoft initially invested US$1 billion in this venture; by 2024 that sum had topped $13 billion.

In exchange, Microsoft was promised a portion of future profits, capped at 100 times its initial investment. But the software giant didn’t get a seat on OpenAI’s nonprofit board – meaning it lacked the power to help steer the AI venture it was funding.

A subsequent round of funding in late 2024, which raised $6.6 billion from multiple investors, came with a catch: that the funding would become debt unless OpenAI converted to a more traditional for-profit business in which investors could own shares, without any caps on profits, and possibly occupy board seats.

Establishing a new structure

In October 2025, OpenAI reached an agreement with the attorneys general of California and Delaware to become a more traditional for-profit company.

Under the new arrangement, OpenAI was split into two entities: a nonprofit foundation and a for-profit business.

The restructured nonprofit, the OpenAI Foundation, owns about one-fourth of the stock in a new for-profit public benefit corporation, the OpenAI Group. Both are headquartered in California but incorporated in Delaware.

A public benefit corporation is a business that must consider interests beyond shareholders, such as those of society and the environment, and it must issue an annual benefit report to its shareholders and the public. However, it is up to the board to decide how to weigh those interests and what to report in terms of the benefits and harms caused by the company.

The new structure is described in a signed in October 2025 by OpenAI and the California attorney general, and endorsed by the Delaware attorney general.

Many business media outlets heralded the move, predicting that it would usher in more investment. Two months later, SoftBank, a Japanese conglomerate, finalized a $41 billion investment in OpenAI.

Changing its mission statement

Most charities must file forms annually with the Internal Revenue Service with details about their missions, activities and financial status to show that they qualify for tax-exempt status. Because the IRS makes the forms public, they have become a way for nonprofits to signal their missions to the world.

In its forms for 2022, , OpenAI said its mission was “to build general-purpose artificial intelligence (AI) that safely benefits humanity, unconstrained by a need to generate financial return.”

This is the top of the front page of the 2023 990 form for OpenAI, with its mission stated at the bottom of the screenshot.
OpenAI’s mission statement as of 2023 included the word ‘safely.’
IRS via Candid

That mission statement has changed, as of – which the company filed with the IRS in late 2025. It became “to ensure that artificial general intelligence benefits all of humanity.”

This is the top of the front page of the 2024 990 form for OpenAI, with its mission stated at the bottom of the screenshot.
OpenAI’s mission statement as of 2024 no longer included the word ‘safely.’
IRS via Candid

OpenAI had dropped its commitment to safety from its mission statement – along with a commitment to being “unconstrained” by a need to make money for investors. According to Platformer, a tech media outlet, it has also disbanded its “mission alignment” team.

In my view, these changes explicitly signal that OpenAI is making its profits a higher priority than the safety of its products.

To be sure, OpenAI continues to mention safety when it discusses its mission. “We view this mission as the most important challenge of our time,” it states on its website. “It requires simultaneously advancing AI’s capability, safety, and positive impact in the world.”

Revising its legal governance structure

Nonprofit boards are responsible for key decisions and upholding their organization’s mission.

Unlike private companies, board members of tax-exempt charitable nonprofits cannot personally enrich themselves by taking a share of earnings. In cases where a nonprofit owns a for-profit business, as OpenAI did with its previous structure, investors can take a cut of profits – but they typically do not get a seat on the board or have an opportunity to elect board members, because that would be seen as a conflict of interest.

The OpenAI Foundation now has a 26% stake in OpenAI Group. In effect, that means that the nonprofit board has given up nearly three-quarters of its control over the company. Software giant Microsoft owns a slightly larger stake – 27% of OpenAI’s stock – due to its $13.8 billion investment in the AI company to date. OpenAI’s employees and its other investors own the rest of the shares.

A man speaks while sitting in a chair in front of a wall emblazoned with OpenAI.
Open AI CEO Sam Altman speaks in June 2025, as his company sought to change its structure.
Justin Sullivan/Getty Images

Seeking more investment

The main goal of OpenAI’s restructuring, which it called a “recapitalization,” was to attract more private investment in the race for AI dominance.

It has already succeeded on that front.

As of early February 2026, the company was in talks with SoftBank for an additional $30 billion and stands to get up to a total of $60 billion from Amazon, Nvidia and Microsoft combined.

OpenAI is now valued at over $500 billion, up from $300 billion in March 2025. The new structure also paves the way for an eventual initial public offering, which, if it happens, would not only help the company raise more capital through stock markets but would also increase the pressure to make money for its shareholders.

OpenAI says the foundation’s endowment is worth about $130 billion.

Those numbers are only estimates because OpenAI is a privately held company without publicly traded shares. That means these figures are based on market value estimates rather than any objective evidence, such as market capitalization.

When he announced the new structure, California Attorney General Rob Bonta said, “We secured concessions that ensure charitable assets are used for their intended purpose.” He also predicted that “safety will be prioritized” and said the “top priority is, and always will be, protecting our kids.”

Steps that might help keep people safe

At the same time, several conditions in the OpenAI restructuring memo are designed to promote safety, including:

  1. A safety and security committee on the OpenAI Foundation board has the authority to that could potentially include the halting of a release of new OpenAI products based on assessments of their risks.

  2. The for-profit OpenAI Group has its own board, which must consider only OpenAI’s mission – rather than financial issues – regarding safety and security issues.

  3. The OpenAI Foundation’s nonprofit board gets to appoint all members of the OpenAI Group’s for-profit board.

But given that neither the mission of the foundation nor of the OpenAI group explicitly alludes to safety, it will be hard to hold their boards accountable for it.

Furthermore, since all but one board member currently serve on both boards, it is hard to see how they might oversee themselves. And doesn’t indicate whether he was aware of the removal of any reference to safety from the mission statement.

Identifying other paths OpenAI could have taken

There are alternative models that I believe would serve the public interest better than this one.

When Health Net, a California nonprofit health maintenance organization, converted to a for-profit insurance company in 1992, regulators required that 80% of its equity be transferred to another nonprofit health foundation. Unlike with OpenAI, the foundation had majority control after the transformation.

A coalition of California nonprofits has argued that the attorney general should require OpenAI to transfer all of its assets to an independent nonprofit.

Another example is The Philadelphia Inquirer. The Pennsylvania newspaper became a for-profit public benefit corporation in 2016. It belongs to the Lenfest Institute, a nonprofit.

This structure allows Philadelphia’s biggest newspaper to attract investment without compromising its purpose – journalism serving the needs of its local communities. It’s become a model for potentially transforming the local news industry.

At this point, I believe that the public bears the burden of two governance failures. One is that OpenAI’s board has apparently abandoned its mission of safety. And the other is that the attorneys general of California and Delaware have let that happen.

The Conversation

Alnoor Ebrahim does not work for, consult, own shares in or receive funding from any company or organization that would benefit from this article, and has disclosed no relevant affiliations beyond their academic appointment.

ref. OpenAI has deleted the word ‘safely’ from its mission – and its new structure is a test for whether AI serves society or shareholders – https://theconversation.com/openai-has-deleted-the-word-safely-from-its-mission-and-its-new-structure-is-a-test-for-whether-ai-serves-society-or-shareholders-274467

Are women board members risk averse or agents of innovation? It’s complicated, new research shows

Source: The Conversation – USA (2) – By Stephen J. Smulowitz, Assistant Professor of Strategic Management, Wake Forest University

The number of women on S&P 500 boards has increased in recent years. Fang Xia Nuo/Getty Images

Do women board members make a company more innovative or risk averse? The answer is both, according to our recent study. It all depends on how the company performs relative to its goals.

Professors Małgorzata Smulowitz, Didier Cossin and I examined 524 S&P 1500 companies from 1999 to 2016, measuring innovation through patent activity. Patents reflect both creative output and risk-taking. They require significant investment in novel ideas that might fail, disclosure of proprietary information and substantial legal costs. In short, patents represent genuine bets on the future.

Our findings revealed a striking pattern. When companies performed poorly in relation to their goals, they produced fewer patents after more women joined their boards.

However, companies exceeding their performance targets saw increased patent output as their number of women directors grew. Similarly, when companies were financially flush, there were more patents generated when their boards had more women.

The situation changed when we examined radical innovations, those patents in the top 10% of citations. For these high-risk, high-reward innovations, the risk-averse effect of women board members dominated.

When a company’s performance fell below aspirations, there were fewer radical innovations as its board gained female members. We found no corresponding increase in radical innovations when performance exceeded goals.

One finding surprised us. We predicted that boards with more women would reduce innovation when companies approached bankruptcy. Instead, it was the opposite: Boards with more women actually increased patent output as bankruptcy loomed. This suggests that women directors may fight harder for a company’s survival through innovation when facing existential threats.

Why it matters

Between 2000 and 2024, the number of women on S&P 500 boards increased from 27% to 34%. But previous research has painted conflicting pictures on the effect that women board members may have. Some studies showed that women reduce corporate risk-taking, while others demonstrated they increase innovation and creativity. Our work suggests both perspectives are correct under different circumstances.

For companies and regulators pushing for greater board gender diversity, this research provides practical guidance. Companies performing well can expect increased innovation by adding women to their boards. These directors can bring diverse perspectives, improved decision-making and better resource allocation that translate into more patents.

Conversely, poorly performing companies can expect boards with more women to focus on stability over risky innovation. This isn’t necessarily negative.

Research shows that banks led by women were less likely to fail during the financial crisis, and companies with more women directors experience less financial distress. Reduced innovation during tough times may reflect prudent risk management rather than risk aversion.

Traditional theories predict that poor performance triggers risky searches for solutions. But boards with more women appear to prioritize organizational survival over uncertain innovation when performance suffers. They may assess that failed innovation attempts could worsen an already precarious situation.

This research also speaks to the “glass cliff” phenomenon, where women often join boards during crisis periods. Our findings suggest these directors may bring exactly what struggling companies need: careful risk assessment and focus on survival rather than potentially wasteful innovation spending.

What still isn’t known

We measured innovation through patents, but many innovations never become patents. How women directors affect other forms of innovation – such as copyrights, trade secrets and first-mover advantage – remains unclear.

What are the mechanisms driving the differences? Do women directors actively advocate for different innovation strategies? Do they change board discussion dynamics? Do they influence CEO and management team decisions indirectly? Future research needs to open the “black box” of boardroom decision-making.

Finally, the long-term consequences need examination. We measured patent output, but not whether the patents translated into commercial success or competitive advantage. Understanding whether the innovation patterns we documented ultimately benefit company performance would provide crucial insights for decision-makers.

The Research Brief is a short take on interesting academic work.

The Conversation

Stephen J. Smulowitz does not work for, consult, own shares in or receive funding from any company or organization that would benefit from this article, and has disclosed no relevant affiliations beyond their academic appointment.

ref. Are women board members risk averse or agents of innovation? It’s complicated, new research shows – https://theconversation.com/are-women-board-members-risk-averse-or-agents-of-innovation-its-complicated-new-research-shows-269331