Edinburgh TV festival: James Harding’s MacTaggart lecture is a passionate defence of the BBC

Source: The Conversation – UK – By Paul Tucker, Senior Lecturer in Broadcast Production, University of the West of Scotland

The agenda-setting centrepiece of every Edinburgh TV Festival is the MacTaggart lecture, celebrating its 50th anniversary in 2025. This year’s lecture was delivered by former BBC news director James Harding, and billed as a speech that would examine challenges to truth and trust in the media.

Co-founder of Tortoise Media – the “slow news” organisation that has recently bought The Observer – Harding has enjoyed a long career as a journalist and was also once editor of The Times newspaper.

He isn’t really a “TV person”, so Harding seems a strange choice to deliver the 50th MacTaggart. Why not someone who has TV running through their veins, like presenter and producer Richard Osman? Or someone who might reflect the MacTaggart’s beginnings as part of a festival that sought to offer a Scottish-based perspective to the the London-centric TV industry? Or someone who could at least ask the most pressing question facing TV: does it have any kind of future?

However, the organisers of the Edinburgh TV Festival promised the lecture would be “a provocative, kick-ass and insightful view from a visionary leader”.

However, as you might expect from someone who named their company after the humble tortoise, it was much gentler than that, poking its head out of its shell and gently tearing off some conversational topics rather than ripping into things. That said, the lecture was a passionate defence of the BBC that argued for a drastic increase in its funding.

Harding started by describing the BBC as “the most important source of information in this country and around the world”. It was time for the government to give real independence to the BBC in the same way it did with the Bank of England in 1997.

He expressed concern that as things stand, the BBC chair is in essence appointed by the prime minister with a budget set by the chancellor. He also pointed out that should parliament choose not to renew the charter in 2027, the BBC would cease to exist.

Harding argued for change that would see the BBC chair and board of directors appointed by the board itself (which does seem a somewhat circular process) and then approved by Ofcom. The charter, once renewed, would be open-ended (much like those for universities) and any funding – licence fee or otherwise – would be agreed by an independent panel that impartially advises government and is scrutinised by parliament.

That funding, Harding said, needs to be doubled to allow the BBC to function properly. He cited the iPlayer and Media City in Salford as being bold, successful developments of the kind the BBC can only make when properly financed. He admitted that this rise in funding could not come from an increase in licence fee alone, and said something must be done about the 2.5 million households that currently don’t pay it, underlining his support for the “every household pays” model.

Harding also suggested that the quasi-independent and still-developing work of BBC Studios, and in particular the monetising of the BBC archive, could be ways of increasing income for the corporation.

He made an impassioned plea for the BBC World Service to be properly funded, pointing out that it already has a bigger worldwide audience than Netflix. It could, he said, reach over a billion people in the next decade, fighting misinformation globally and providing a real source of soft power for the UK.

Harding’s arguments as to what the BBC could be in the future are perhaps more daring and contentious. He imagines “a BBC that thinks of itself more as the ‘people’s platform’ as well as a public service broadcaster, one that’s home to more varied thinking, but holds true to standards of truth and accuracy, diversity of opinion and fair treatment of people in the news”.

It would, he said, be an open platform that “would invite the BBC to think not just about how it informs and entertains, but how it educates too” – a kind of YouTube run by BBC editorial policy. This, he summed up, would be “a national investment in our future that will come back to reap multi-platform rewards that an investment in no other UK organisation can”.

I don’t think there is much I would argue with in James Harding’s MacTaggart lecture. I would just ask how all this is actually going to happen – how the debate moves out of the conference rooms of the TV festival. Harding obviously believes in the BBC. Yet when he was editor of The Times, a journalist of influence and power, he couldn’t stop the paper’s – and Rupert Murdoch’s – relentless criticism of the BBC.

We also now have an unofficial government opposition in Reform that believes, as Harding reminded the audience, that the BBC is out of touch and institutionally biased, and will be scrapped by Farage’s party should they come to power.

I agree with Harding that in a fragmented media world we must fight to preserve and properly fund the BBC. But that fight won’t be easy.


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The Conversation

Paul Tucker is a member of The Royal Television Society and a voting member of BAFTA.

ref. Edinburgh TV festival: James Harding’s MacTaggart lecture is a passionate defence of the BBC – https://theconversation.com/edinburgh-tv-festival-james-hardings-mactaggart-lecture-is-a-passionate-defence-of-the-bbc-263661

The UK Space Agency has been absorbed into the science department. The potential effects are still unclear

Source: The Conversation – UK – By Bleddyn Bowen, Associate Professor in Astropolitics and Space Warfare, School of Government and International Affairs (SGIA), Durham University

Tim Peake Fred Duval / Shutterstock

The UK Space Agency (UKSA) has become part of the government’s Department for Science, Innovation and Technology (DSIT). The announcement was made on August 20 2025 by Chris Bryant MP, minister of state for data protection and telecoms.

Cutting red tape and duplicative bureaucracy within DSIT and UKSA seems to be the main rationale in the press release – that and bringing “together the people who shape space policy and those who deliver it”.

Though it sounds like a demotion for UKSA, what the changes mean in practice for the crafting of UK space policy, and the direction of UK space policy itself, remain uncertain. More importantly, rearranging the deckchairs of DSIT and UKSA will not resolve the chronic problems facing British space policy.

The first problem is that UKSA has lacked a clear identity and responsibility over policy, regulation and research within civil space activities. It is not like Nasa or the European Space Agency (Esa) – UKSA does not operate satellites, nor conduct major research and development projects by itself.

UKSA has competed with the Civil Aviation Authority (CAA) over licensing and regulatory powers for satellite launches from the UK, which the CAA has possessed since the mid-2010s.

On research, UKSA acted mostly as a research council, rivalling the work traditionally performed by the UK Research and Innovation’s and Science and Technology Funding Council (STFC).

STFC apportions funding for space science and research for universities and industry. UKSA is also the main point of contact for distributing Esa funding for British industry and university contributions to Europe-wide space projects.

UK space policymaking

UK space policy has always been an interdepartmental and Cabinet Office concern, and UKSA has traditionally only factored into consultations on the regulatory and civil space research dimensions of UK space policies. Since 2021, DSIT has taken on more space policy responsibilities regarding industrial strategy, further eroding a unique role for UKSA.

UKSA therefore has not carved out a clear niche that other departments or executive agencies cannot already claim competency within. The UK government’s position that duplication needs to be addressed is not an unreasonable one. The devil is in the details – which are missing at this time.

It is hard to say whether the bureaucratic changes will be better or worse for the creation and implementation of civil UK space policy and space science research.

The optics of this move can be easily seen and inaccurately spun as a negative in cancelling the UK space programme. No actual space projects are being cancelled.

Saxavord is one of several launch sites under development in the UK.
AlanMorris / Shutterstock

The UK government has clearly recognised this, stressing that UKSA will retain a distinctive and recognisable branding in its new role, which has been effective at home and abroad in space science, industry promotion, and facilitating high-profile projects.

The second chronic problem that pre-dates UKSA – and will continue regardless of the musical chairs in Whitehall – is the lack of a coherent, joined-up national UK space programme with the funding to match. UKSA could never resolve these problems.

For example, the UK government has long pursued a policy of encouraging small satellite launch companies, yet has never allocated the funds necessary to deliver a tangible capability within any reasonable schedule, nor has it created a national UK satellite programme (civil or military) tailored to a high latitude launch profile, which could in turn create concrete demand for such a launcher.

After 15 years of drift, UK launch has gone from being ahead of the curve in Europe (with UK-based companies such as Skyrora and Orbex) to falling behind France, Sweden, or Spain as possibly the first new European small satellite launch providers.

This is a basic lesson in space programme design that seems lost on generations of British policymakers, but one that established satellite launching countries have taken to heart.

Modestly sized space powers have focused on crucial long-term national capability programmes and stumped up the cash for them, such as France’s Spot or India’s Insat programme. Such priorities are not evident in the UK across the civil and military space sectors.

As I explained to the UK House of Lords Select Committee’s UK Engagement with Space inquiry earlier this year, British space policy spreads out too little money in too many directions on small research projects rather than bold national infrastructural space programmes.

The government must also consider the security and military dimensions of space, which cannot exclude UKSA or the civil, industrial and research dimensions as they in turn provide the capability and know how to build British space systems.

The Boris Johnson government formed the National Space Council to drive and coordinate these partnerships, yet it was abolished by the Truss government and reinstated during the Sunak government. There have been no announcements from the Starmer government yet on any meetings of the council. This bureaucratic chaos has not helped efforts to cohere a strategic direction in space.

While the Ministry of Defence claims it wishes to invest in all manner of new space capabilities in the 2025 Strategic Defence Review, it cannot do so without a large injection of new funding, far beyond the billions already allocated for the military satellite Skynet 6 and defence satellite system ISTARI. More than funding, a clear decision on a specific capability is needed, rather than doing a little bit of everything.

Developing one kind of new satellite constellation, such as radar imagery for military operational needs – numbering in dozens of new satellites – would be the biggest undertaking for the MoD in space since the Skynet satellite communications system.

Doing the same for other capabilities at the same time, such as optical imagery, signals intelligence, or laser communications relays, would be as big a challenge again, and perhaps too much to take on at the same time.

For space policy wonks, academic researchers and the space industry, this rearrangement will not change much in the short term – for good and bad. UKSA was never fully independent to begin with, so the changes are likely to be more esoteric, subtle and bureaucratic.

That would require courageous policy decisions at the top of government to deliver a coherent, focused, joined-up and fully funded UK civil and defence space programmes.

The Conversation

These are the author’s own views and not that of any institution or organisation.

ref. The UK Space Agency has been absorbed into the science department. The potential effects are still unclear – https://theconversation.com/the-uk-space-agency-has-been-absorbed-into-the-science-department-the-potential-effects-are-still-unclear-263563

Our primate ancestors evolved in the cold – not the tropics

Source: The Conversation – UK – By Jason Gilchrist, Lecturer in the School of Applied Sciences, Edinburgh Napier University

Japan’s famous snow macaques are an exception among primates today. But our early ancestors often lived through weather like this. R7 Photo / shutterstock

Most people imagine our early primate ancestors swinging through lush tropical forests. But new research shows that they were braving the cold.

As an ecologist who has studied chimpanzees and lemurs in the field in Uganda and Madagascar, I am fascinated by the environments that shaped our primate ancestors. These new findings overturn decades of assumptions about how – and where – our lineage began.

The question of our own evolution is of fundamental importance to understanding who we are. The same forces that shaped our ancestors also shape us, and will shape our future.

The climate has always been a major factor driving ecological and evolutionary change: which species survive, which adapt and which disappear. And as the planet warms, lessons from the past are more relevant than ever.

The cold truth

The new scientific study, by Jorge Avaria-Llautureo of the University of Reading and other researchers, maps the geographic origins of our primate ancestors and the historical climate at those locations. The results are surprising: rather than evolving in warm tropical environments as scientists previously thought, it seems early primates lived in cold and dry regions.

These environmental challenges are likely to have been crucial in pushing our ancestors to adapt, evolve and spread to other regions. It took millions of years before primates colonised the tropics, the study shows. Warmer global temperatures don’t seem to have sped up the spread or evolution of primates into new species. However, rapid changes between dry and wet climates did drive evolutionary change.

One of the earliest known primates was Teilhardina, a tiny tree dweller weighing just 28 grams – similar to the smallest primate alive today, Madame Berthae’s mouse lemur. Being so small, Teilhardina had to have a high-calorie diet of fruit, gum and insects.

Small lemur peers out from behind tree
The first primates were about the size of a mouse lemur: tiny.
Jason Gilchrist

Fossils suggest Teilhardina differed from other mammals of the time as it had fingernails rather than claws, which helped it grasp branches and handle food – a key characteristic of primates to this day. Teilhardina appeared around 56 million years ago (about 10 million years after the extinction of the dinosaurs) and species dispersed rapidly from their origin in North America across Europe and China.

It is easy to see why scientists had assumed primates evolved in warm and wet climates. Most primates today live in the tropics, and most primate fossils have been unearthed there too.

But when the scientists behind the new study used fossil spore and pollen data from early primate fossil environs to predict the climate, they discovered that the locations were not tropical at the time. Primates actually originated in North America (again, going against what scientists had once believed, partly as there are no primates in North America today).

Some primates even colonised Arctic regions. These early primates may have survived seasonally cold temperatures and a consequent lack of food by living much like species of mouse lemur and dwarf lemur do today: by slowing down their metabolism and even hibernating.

Challenging and changeable conditions are likely to have favoured primates that moved around a lot in search of food and better habitat. The primate species that are with us today are descended from these highly mobile ancestors. Those less able to move didn’t leave any descendants alive today.

Gallery of lots of different primates
Over 56 million years, primates have evolved into all sorts of shapes and sizes.
Monkeys: Our Primate Relatives exhibition at the National Museum of Scotland. Jason Gilchrist

From past to future

The study demonstrates the value of studying extinct animals and the environment they lived in. If we are to conserve primate species today, we need to know how they are threatened and how they will react to those threats. Understanding the evolutionary response to climate change is crucial to conserving the world’s primates, and other species beyond.

When their habitats are lost, often through deforestation, primates are prevented from moving freely. With smaller populations, restricted to smaller and less diverse areas, today’s primates lack the genetic diversity to adapt to changing environments.

But we need more than knowledge and understanding to save the world’s primate species, we need political action and individual behaviour change, to tackle bushmeat consumption – the main reason primates are hunted by humans – and reverse habitat loss and climate change. Otherwise, all primates are at risk of extinction, ourselves included.


To learn more about primate diversity, behaviour, and threats to their survival, see Monkeys: Our Primate Family, as the exhibition ends its international tour with a return to the National Museum of Scotland in Edinburgh.

The Conversation

Jason Gilchrist does not work for, consult, own shares in or receive funding from any company or organisation that would benefit from this article, and has disclosed no relevant affiliations beyond their academic appointment.

ref. Our primate ancestors evolved in the cold – not the tropics – https://theconversation.com/our-primate-ancestors-evolved-in-the-cold-not-the-tropics-263236

Did Trump really resolve six conflicts in a matter of months? We spoke to the experts to find out

Source: The Conversation – UK – By Rachael Jolley, International Affairs Editor, The Conversation

The US president, Donald Trump, claims to have “solved six wars in six months”. To work out if there was any substance to his claims, The Conversation international affairs editors Sam Phelps and Rachael Jolley interviewed six academic experts on those regions to find out what Trump actually did, and whether it made a difference.

India-Pakistan armed conflict in May 2025

Natasha Lindstaedt, a professor in government at the University of Essex, said that Trump and his secretary of state, Marco Rubio, have both claimed that they were able to broker some kind of peace deal between India and Pakistan, and that the US got directly involved in delivering peace.

“But this has been denied by India and Pakistan. They’ve rejected it, and they claim that it was resolved between themselves. We don’t have any way of really verifying it.”

India and Pakistan don’t tend to agree on a lot, but they tend to agree on the idea that Trump was not the reason for some kind of end of hostilities on May 10, and that it was reached bilaterally with no third party intervention, she said.

They were very clear that they reached an agreement on May 7 with no third party intervention, she said.

She added: “Trump sees himself as a peacemaker, a deal maker. This is part of his identity, and he’s leaning into this, hoping that people are going to believe it.”

Verdict: Trump’s claim doesn’t stand up

Thailand-Cambodia border dispute in July 2025

Petra Alderman, manager of the London School of Economics and Political Science’s Saw Swee Hock Southeast Asia Centre, said Trump’s intervention in the Thailand-Cambodia conflict helped push the two countries towards a ceasefire. But, in her view, long-term prospects for peace are by no means guaranteed.

“This is a multi-layered conflict that combines territorial, nationalist and dynastic grievances. At its heart is a colonial legacy of disputed border territories that have historical significance to both countries and have been used to stoke nationalist sentiments in Cambodia as well as Thailand.”

Alderman said Thailand was initially resistant to any mediation of the conflict that claimed more than 33 lives in four days and saw hundreds of thousands of people displaced. The breakthrough came when Trump phoned leaders of both countries, effectively threatening a suspension of trade talks.

“As both countries have export-dependent economies, neither could have afforded Trump’s ‘liberation day’ tariffs. Securing a trade deal with the US took precedence over the border conflict but did nothing to resolve its root causes. Future flare-ups are still possible.”

Verdict: Trump’s claim stands up (for now)

DRC and Rwanda’s long-running conflict

Jonathan Beloff, a postdoctoral researcher at the department of war studies at King’s College London, said the US-brokered peace agreement between Rwanda and the Democratic Republic of Congo (DRC) ignores the history of the two countries.

Beloff argued Trump’s claim that the agreement ends 30 years of fighting is historically inaccurate. After the end of Rwanda’s 1994 genocide against the Tutsi, hundreds of thousands of Rwandans fled into eastern DRC. The refugees included elements of the genocide regime who wanted to finish their genocide.

This led to the first Congo war (1996-97) and second Congo war (1998-2003). And while these wars have now finished, the DRC remains fractured with over 120 rebel groups. “However, there have been periods of friendlier relations between the two countries. Thus, the Congolese situation should not be seen as a single war but instead as several conflicts.”

A lack of governance and proper economic strategies in the DRC, Beloff added, is also a breeding ground for rebel forces. The agreement provides scant details about how to address these issues, which led to a recent breakdown in the Congolese negotiations with the M23 rebel group.

“Fundamentally, Rwanda and the DRC were willing to have this relatively vague agreement to appease Trump, with at least the Rwandans sceptical of whether the Congolese will honour it. He did not end the war, but at best stalled the conflict for now.”

Verdict: Trump’s claim is overblown

Kosovo-Serbia conflict averted in summer 2025

Stefan Wolff, a professor of international security at the University of Birmingham, said there have long been regional tensions between Kosovo and Serbia. “Tensions have recently escalated again, so it’s far from a resolved situation.”

But, he said, there was no indication either now, or in 2020 when Trump or his envoy, Richard Grenell, brokered the so-called Washington agreement, of any real danger of violent escalation of the kind seen back in the 1990s when a war broke out between the former Yugoslav republics. But overall, he added, none of the underlying issues between the two countries had yet been resolved.

“Serbia still has a lot of domestic problems, which goes back to the collapse of the train station of Novi Sad and massive student protests and the heavy-handed crackdown by the Serbian government.” So, he added, there were still a lot of different moving pieces in the region.

Wolff felt that it was impossible to independently verify if Trump had done anything significant in 2025 to deescalate any kind of emerging conflict between Kosovo and Serbia. However, “it is true that he did get an agreement on the normalisation of economic relations between Kosovo and Serbia back in 2020”.

Trump signed bilateral agreements between the US and Kosovo and between the US and Serbia, which it was hoped to lead “economic normalisation” between the two Balkan states as well as increased religious freedoms and restitution of property.

Wolff added: “If there really was something significant [in 2025], there would be more evidence.”

Verdict: the significance of any intervention is unclear

Armenia and Azerbaijan’s 35-year conflict

Ayla Göl, a senior lecturer in international relations at York St. John University, said the US-brokered peace framework between Azerbaijan and Armenia in early August marks a historic milestone in this 35-year conflict.

“On paper, the draft deal offers a clear path to improved relations. But it has no concrete plan for the return of the over 100,000 Armenians who fled Nagorno-Karabakh in 2023.”

Göl added that demands by Azerbaijan’s president, Ilham Aliyev, for amendments to the Armenian constitution to “eliminate territorial claims against Azerbaijan” could strengthen the Armenian opposition and derail the peace process.

The peace framework also includes a pact to develop a transit corridor through Armenia, connecting Azerbaijan to its exclave of Nakhchivan. The US will be given exclusive rights to develop the route, which will be known as the Trump Route for International Peace and Prosperity, for “up to 99 years”. This is a double-edged sword, says Göl.

“The Trump route could strengthen American security commitments in the region or create new geopolitical competition. It could, for instance, strain Armenia’s relations with neighbouring Iran, which views the transit corridor as a strategic threat.”

Verdict: peace deal not yet signed, but it’s a start

Israel-Iran conflict summer 2025

Scott Lucas, a professor of international politics at University College Dublin, said that the question of who ended the Iran-Israel conflict, which began in June 2025, should also be considered in terms of how it started.

“The fact of the matter is that when the Israelis attacked Iran, they effectively sidelined the US-Iran negotiations, which were ongoing. At that point, the Trump administration didn’t object to the fact that their attempt to deal with Iran’s nuclear programme had been completely undone by the Israeli assault. So to simply say that Trump ended the war between Israel and Iran ignores the whole 12 days and how that occurred.”

That Trump intervention, in which he told Israel’s prime minister Benjamin Netanyahu to limit the strikes, came only after the Iranians and Qatar and the French had all been involved in trying to deescalate the conflict. “So you can’t claim credit for ending a war when you helped escalate that war in the first place,” said Lucas.

He added: “The Iranian regime didn’t want a war with Israel, and right now they certainly do not want to go into confrontation with Israel. They’re trying to regroup after a series of effective defeats for their position in the region, in Lebanon, in Syria, and to an extent in Iraq. So they’re not spoiling for a fight, and they’ve got serious domestic issues that are going to occupy them. The open question here is whether Netanyahu would go back and launch another attack on the Iranians.”

Verdict: An earlier Trump intervention could have avoided conflict

Overall, while clearly Donald Trump’s second administration has achieved some positive results on the international stage, the US president’s claim to have solved six conflicts in six months does not fully stand up.

The Conversation

ref. Did Trump really resolve six conflicts in a matter of months? We spoke to the experts to find out – https://theconversation.com/did-trump-really-resolve-six-conflicts-in-a-matter-of-months-we-spoke-to-the-experts-to-find-out-262906

The economic pros and cons of building more and more data centres in the UK

Source: The Conversation – UK – By Michael A. Lewis, Professor of Operations and Supply Management, University of Bath

yongheng200802/Shutterstock

About 100 new data centres, the large anonymous-looking buildings containing the complex computer systems which power the online world, are to be built in the UK. Vital for all of your digital needs – from Netflix and banking, to AI and social media – they are the heart of the modern digital economy.

They are also very expensive to build and operate, using up enormous amounts of energy and water (as a coolant). Ten years ago, a centre consuming 30 megawatts (MW) of power (enough to power 30,000 houses) was considered large. Today 200 MW is normal.

And the tech world is hungry for more capacity more quickly. It is expected that almost US$7 trillion (£5.2 trillion) will be spent on global data centre infrastructure by 2030.

The British government appears to see this kind of investment as a key part of the country’s economic future. As a result, the number of data centres in the UK looks likely to increase by one-fifth, from around 479 to around 580 within the next five years.

More than half of the new centres will be in the London area, including Google’s £740 million project in Hertfordshire. Others will be developed in South Wales, Greater Manchester and the north-east of England. All will require new infrastructure, including large amounts of cooling and power equipment.

But what are the economic benefits to being the home of so many data centres?

One clear advantage is for other tech companies operating in the UK. Being geographically close to a data centre improves digital performance. This is vital for British AI companies, which require rapid and reliable data processing, as well as sectors such as advanced manufacturing and financial services technology (fintech).

Having data centres in the UK also strengthens cyber resilience, supporting the country’s position as a secure hub for multinational operations.

More direct economic benefits from data centre construction include the thousands of contractors required to build them – as well as opportunities for local regeneration and subsidised skills training.

Operators will also pay business rates, corporation tax and energy levies which all contribute to government revenues. So overall, data centres can certainly do their bit to support the government’s industrial strategy and aims for economic growth.

Power to the processors

But data centres are by no means a golden ticket to prosperity – especially after they’ve been built. The permanent workforce at most data centres is small, with many able to operate with around 20 full-time staff.

Even Blackstone’s massive £10 billion project in Blyth, Northumberland, promises only hundreds of long-term jobs (compared to the 1,200 construction roles).

Data centres also bring considerable environmental costs. Concentrated data centre clusters, such as Slough in Berkshire, which has 14 new sites planned, risk overloading electricity grids. And data centres have so far been major users of non-renewable energy.

Corridor of servers inside a data centre.
Minimal staff requirement?
IM Imagery

Cooling requirements can also be substantial, with some facilities using millions of litres of water every year.

Other environmental concerns include the production and disposal of servers and other IT equipment, the extraction of rare minerals and the generation of electronic waste. These are all factors which may undermine the UK’s ability to implement its net zero policies.

Public investment is likely to be required to reinforce grid capacity and water systems. Such costs will ultimately be paid from tax revenue as well as household utility bills, highlighting one of the economic difficulties that data centres represent – the complex knotting together of public and private investment.

So data centres pose plenty of tricky political and economic questions. How many should there be? What size and where? Who will pay for them?

For now though, the UK government appears to be largely in favour of welcoming more, classifying data centres as “critical national infrastructure”. But it cannot ignore concerns over their environmental impact.

To this end, some cities including London, Leeds and Bristol have begun to pilot schemes to recycle waste heat from data centres to warm homes, which is a promising development.

International intelligence

The UK can also learn from the experience of other countries. In 2022, for example, Ireland’s data centres were consuming 18% of the country’s electricity – a proportion forecast to rise to almost one-third by 2026.

As a result, Ireland has effectively imposed a moratorium on new data centres. The Netherlands now links new data centre approvals directly to clean energy generation.

But data centres have to be build somewhere to meet ever increasing demand. The question is whether the UK can build them fast enough, and on terms that serve its own interests for maximum economic benefit.

Moving too slowly also creates national security risks including a dependency on foreign AI infrastructure and the potential loss of control over sensitive data processing. Jensen Huang, the boss of Nvidia recently described the UK as having “the largest AI ecosystem in the world without its own infrastructure”.

The British government certainly seems keen to develop that infrastructure to strength the country’s digital ecosystem. But it needs to do so in a way which champions a sustainable approach that other nations will follow – and reduces its technological dependence on other countries.

The Conversation

Michael A. Lewis receives funding from the ESRC, AHRC and EPSRC.

Phil Tomlinson receives funding from the Innovation and Research Caucus (IRC).

ref. The economic pros and cons of building more and more data centres in the UK – https://theconversation.com/the-economic-pros-and-cons-of-building-more-and-more-data-centres-in-the-uk-263302

Sorry, Baby: a sad, funny, profound film about life after trauma

Source: The Conversation – UK – By Laura O’Flanagan, PhD Candidate, School of English, Dublin City University

A critical success and award winner at this year’s Sundance Film Festival, Sorry, Baby is the directorial debut of its writer and star, Eva Victor. The film follows Agnes (Victor), an English professor at a small American college, in the aftermath of a sexual assault by one of her teachers when she was a student there.

The story, based on Victor’s own experience of trauma, is structured in non-linear chapters that encompass the time after, before and during the assault. This makes for a raw and unflinching, yet nuanced, depiction of trauma’s aftermath, which presents Agnes as a fully rounded and complex character.

The film resists the idea that trauma must define a character’s identity, instead exploring how people live with, around and beyond painful experiences. Agnes is funny, awkward, self-aware, sometimes messy, wholly real and excellent at her job. She refers to the sexual assault euphemistically as “the thing” or “the bad thing”, which Victor has said is an attempt to protect vulnerable audience members.

This sensitivity is evident throughout Sorry, Baby. The film is directed with a lightness of touch, and its naturalistic scenes are laced with both humour and emotion. Agnes’s story is told on her terms. The beautiful opening chapter celebrates the fierce love and loyalty of female friendship.

Agnes is visited by her friend Lydie (Naomi Ackie), who comes to announce her pregnancy. Ackie and Victor have strong onscreen chemistry, making the women’s bond a joy to watch, filled with humour, natural physical closeness and underlying emotional depth.

The narrative chapters move forwards and backwards in time. The facts of the assault are told in a tight, close-up monologue by Agnes. The assault itself is not depicted onscreen; the viewer sees Agnes enter her lecturer’s house, and the frame holds this exterior shot as darkness falls and time passes. Agnes emerges clearly upset, and the camera remains on her back as she returns home.

As she speaks to Lydie and recalls what she can remember about the assault, the camera acts like a patient and empathic listener, trained on Agnes’s face as she tells her story. This directorial choice by Victor gives Agnes agency in this moment. It is her experience, told in her words and in her own time. It is devastating.

In the decade since #MeToo, many films have emerged centring on women’s experiences of trauma. Typically, these narratives begin with the revelation of abuse or harm, move through the emotional or social consequences and then arrive at some form of reckoning or resolution.

Films such as Women Talking (2023) and Promising Young Woman (2020) follow this arc, using female trauma as a starting point for deeper questions around accountability, healing and resistance. This approach can create a powerful emotional impact while raising awareness of the issues presented.

But when film-makers like Victor depict female characters in a broader light, not solely defined by trauma, something arguably more authentic begins to emerge.

Agnes is a character who experiences trauma but also humour, joy, contradictions, desire and strength. This allows for rich storytelling and a deep emotional connection with the audience.

By rejecting a tidy narrative arc in favour of something more fragmented and realistic, Sorry, Baby becomes a reflection of Agnes’ healing journey. It engages with the realities of her trauma while also making space for agency, joy, and the absurdities of life.

Agnes’s story contains characters who are shockingly unwilling to help. She has an encounter with an indifferent doctor which must be seen to be believed. But she also meets kindness, and these scenes are often charming, bittersweet and profound. Lucas Hedges is a warm presence as Gavin, Agnes’s neighbour with whom she is in the early stages of a relationship. With care, the romantic subplot is shown as another layer of Agnes’s life, not as a means of healing or resolving her trauma, but as something which exists alongside it.

A scene with a kind stranger, a sandwich shop owner, speaks volumes without saying much and lingers powerfully. He is in exactly the right place at the right time for Agnes and shows her understanding and empathy when she needs it most.

Sorry, Baby is funny, sad and often profound. It feels real and natural, capturing the unpredictable rhythms of life with warmth and honesty. Eva Victor’s direction embraces complexity, offering a story which feels deeply lived-in and profoundly human.

Through Agnes, we see pain and humour side by side, awkwardness and strength intertwined. This debut marks Victor as a distinctive voice in contemporary cinema, one who trusts her characters and her audience alike. With Sorry, Baby, Victor shows us a new way to tell stories about trauma, healing, and the small, vital moments in between. This is a filmmaker to watch.

Sorry, Baby is in cinemas now


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The Conversation

Laura O’Flanagan does not work for, consult, own shares in or receive funding from any company or organisation that would benefit from this article, and has disclosed no relevant affiliations beyond their academic appointment.

ref. Sorry, Baby: a sad, funny, profound film about life after trauma – https://theconversation.com/sorry-baby-a-sad-funny-profound-film-about-life-after-trauma-262885

Football fans will see Nigel Farage’s branded kit for the cynical move it is

Source: The Conversation – UK – By Josh Bland, ESRC-DTP PhD Researcher, University of Cambridge

As a new season begins, Nigel Farage’s Reform UK is making a play for the affections of the nation’s football fans by launching its very own football shirt. It’s a move that has already proven popular among Reform supporters. According to Zia Yusuf, a leading figure in the party, thousands were sold on their first day of retail.

Reform’s move to exploit the cultural capital of football speaks to a wider trend in British society: the explosion of the football shirt as a cultural behemoth.

Quite simply, football shirts are everywhere. They have been incorporated into high fashion as part of the nostalgic 90s “blokecore” trend. They are used by bands such as Oasis and Fontaines DC as forms of branded merchandise. And now they are being mobilised by political movements, such as Palestinian solidarity organisation FC Palestina, to spread specific messaging.

Instead of being merely the domain of football supporters, football shirts have become cultural canvases.

Crucially, I believe football shirts are a symbolic medium that is tailor-made for Reform’s current political purposes. Ahead of the 2029 election Farage’s goal is clear. His aim is to win over and mobilise a largely working-class, provincial voting base who feel alienated by “mainstream” politics.

It appears that Reform see football as a potential weapon in this task. From its origins in the industrial cities of late Victorian England, modern football has long been a central pillar of working-class culture in Britain. In particular, it has played a potent role in binding communities around shared sentiments of local tribalism. Given that Farage’s political campaigning to date has often been based around a narrative of fighting for authentic, local community interests against out-of-touch metropolitan elites, the appeal of football in the context of Reform’s politics seems straightforward.

The efficacy of football shirts as a culturally loaded tool of communication means that Farage and Reform may feel they have found their own iteration of the Maga hat: a way for followers to embody their political allegiances with a loud, brash piece of statement clothing that also signals deep roots in the nation’s working-class culture.

But there’s a level of hypocrisy at work here. In the lead up to the Uefa Euro 2020 championship, Farage denounced the England team for taking the knee before games, imploring them to “keep politics out of football”. This was followed by another episode of public pearl clutching in 2024 when Farage decried England’s kit design for featuring a technicolour version of the England flag that bore “no relationship to St. George’s cross whatsoever”.

Now Reform has produced a shirt that both explicitly politicises football culture and features a turquoise Union Jack.

But beyond the flagrant double standards of the launch, Reform’s move into football merchandise is potentially a political miscalculation, too.

As the Labour party continues to flail, offering no resolution to the country’s gaping inequality or fixes for its failing public services, let alone a cure for the divisiveness that increasingly define contemporary Britain, it feels that the 2029 election will be won and lost in England’s football loving provinces.

Football and pride

Football’s roots in working-class culture, pride in place and patriotism means that the hard right has always seen the sport as fertile ground. In this sense, Reform’s kit launch is part of a long tradition of attempted infiltrations of the game by the hard right. Most notoriously, the National Front used terraces as recruitment grounds in the 1970s and the Football Lads Alliance attempted similar when it launched in 2017.

But here lies the problem for Reform. These attempts have largely failed. Even at the peak of the National Front’s influence in the 1970s and early 80s they only ever succeeded in establishing themselves as a fringe group on the terraces – albeit a noisy and intimidating one – and have often faced fierce and organised anti-fascist resistance.

Equally, the establishment of the Premier League in 1992 has seen professional football in the UK embrace a more cosmopolitan future. Progressive anti-racist organisations such as Kick It Out have gained significant influence. The cast of players and managers who populate elite level football is now impressively international. In short, despite its roots in local working-class communities, British football increasingly embodies many of the globalist, progressive ideals that Farage so vehemently rejects.

Even more crucially, as I have found in my own research on football supporting communities in the north-east, football culture prizes authenticity.

For the communities I work with, support of a football team is starkly different to support of a political cause. It is a form of living, breathing heritage. It is a tradition that is passed between generations of a family like an heirloom. It is a culture within which supporters constantly perform their own authenticity through a lifetime of ritual – match attendance, shirt wearing and suffering with the team through thick and thin.

The transparency of Farage’s hijacking of football culture for his own ends may therefore be his downfall. Farage’s credibility as a voice on football will simply not measure up to supporters’ lofty standards. They will be aware that he has openly declared his love of cricket over football. They will be cognisant of his lack of interest in the game other than when there’s a nationalist point to make. Above all, they will see through his cynical attempts to exploit the symbols of the football supporting culture they cherish so dearly for his own political cause.

Of course football is an everyday working-class tradition. Of course it has huge cultural salience in the provincial constituencies Farage will target to win in the 2029 election. But Reform should take heed that just because football is popular, that doesn’t mean it is inevitably populist.

The Conversation

Josh Bland receives funding from The Economic and Social Science Research Council.

ref. Football fans will see Nigel Farage’s branded kit for the cynical move it is – https://theconversation.com/football-fans-will-see-nigel-farages-branded-kit-for-the-cynical-move-it-is-263513

Let ‘performative males’ be – gender has always been a performance and our need for authenticity is bad for us

Source: The Conversation – UK – By Alexander Stoffel, Lecturer in International Politics, Queen Mary University of London

Authenticity, everyone’s looking for it, yet it seems nowhere to be found. From the political arena to pop culture to relationships, our obsessive search for authenticity is a symptom of its absence.

We have many terms to describe insincerity and inauthenticity in the age of social media. There’s virtue signalling, which is presenting yourself as aligning with an opinion, cause or social justice movement in order to look good while not really caring about it. There’s also queerbaiting, a term used to describe a person (often a celebrity) who acts as though they were queer without publicly identifying as such, often to attract an LGBTQ+ audience. And, most recently, the trope of the “performative male” seems to have sprung up.

You might catch a performative male ostentatiously reading Sally Rooney in public, while sipping a matcha latte and wearing wired headphones and a pair of Birkenstocks with socks. His profile picture on dating apps might show him holding a baby, and he probably likes to talk about his dog. His interests, gestures and style are all meant to convey a progressive political sensibility and an artistic aesthetic.

In a world where Andrew Tate is a role model and young men are being radicalised to the right, a guy quoting the black feminist scholar bell hooks over a kombucha feels like a minor miracle to many. So why are people online being snarky about men attempting to embody a reconstructed masculinity?


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Well, if you trust the pages of Cosmopolitan or The New York Times, it’s all “just” a performance. And what’s worse, these men are actively trying to manipulate women into believing that they’d actually be caring and progressive partners.

This raises the question: What are we asking of men exactly? That they go back to posting gym selfies and Jordan Peterson quotes? I’m not convinced that it’s “embarrassing” when straight men try to appear as “good guys”. In fact, men reading feminist literature, openly expressing their feminine side and embracing caregiving roles all strike me as pretty hopeful things.

Now, some might say that this is not what these men are really like. But treating every stranger with deep suspicion is an existentially depressing way to go through life. Our default position shouldn’t be to relate to men as manipulators. This puts them in an impossible position.

Others might insist that a man’s social media is only about keeping up an appearance. But of course it is. That’s exactly what social media and dating apps are: self-branding tools. The irony is that we’re expected to create an authentic yet also rigorously curated presentation of ourselves.

It makes sense to complain about how shallow social media is. It makes less sense to blame individual men for social media’s shallowness. Social media highlights what has always been true about gender.

Anyone who’s ever taken a gender studies class will have heard the line, “gender is performative”. The insight here is that there is no such thing as an “authentic male”. There are only different performances of masculinity. What people are commenting on when they call someone a “performative male” is simply a different kind of performance that is less traditional and less naturalised.

We should also ask ourselves what kind of culture we create when we see the world as teeming with performative males, queerbaiters and virtue signallers. Assuming every man with a tote bag is a con artist breeds a culture of surveillance, paranoia, distrust, and the creepy belief that strangers owe us details of their private lives.

The notion that most men are just fraudsters, cynically posing as well-intentioned to deceive women, creates a toxic public environment. Its effects become most visible when celebrities like Kit Connor are forced to come out to dispel suspicions about the authenticity of their gender or sexuality.

This online authenticity discourse is all the more insidious when it cloaks itself in the language of feminism while mocking performances of non-traditional masculinity. In this sense, it shares features of what gender scholar Asa Seresin has termed “heteropessimism”: a way of voicing legitimate frustrations with heterosexuality, dating and men that looks progressive but does nothing to address them.

Desire is always an uncertain business. We find it difficult and unsettling because it sits somewhere between fantasy and reality, between appearance and truth, between representation and essence. But writing off all “good guys” as manipulators won’t do away with this difficulty. We can’t stop men from performing. At least let them audition.

The Conversation

Alexander Stoffel does not work for, consult, own shares in or receive funding from any company or organisation that would benefit from this article, and has disclosed no relevant affiliations beyond their academic appointment.

ref. Let ‘performative males’ be – gender has always been a performance and our need for authenticity is bad for us – https://theconversation.com/let-performative-males-be-gender-has-always-been-a-performance-and-our-need-for-authenticity-is-bad-for-us-263478

By ‘focusing on the family,’ James Dobson helped propel US evangelicals back into politics – making the Religious Right into the cultural force it is today

Source: The Conversation – USA (3) – By Richard Flory, Executive Director, Center for Religion and Civic Culture, USC Dornsife College of Letters, Arts and Sciences

James Dobson, founder of Focus on the Family, participates in the National Day of Prayer ceremony at the White House on May 3, 2007. Chip Somodevilla/Getty Images

For decades, one name was ubiquitous in American evangelical homes: Focus on the Family. A media empire with millions of listeners and readers, its messages about parenting, marriage and politics seemed to reach every conservative Christian church and school.

And one man’s name was nearly synonymous with Focus on the Family: James Dobson.

Dobson, a primary figure of the Religious Right who died on Aug. 21, 2025, was born in 1936, when conservative Protestant Christianity was a far cry from what it is today. As a sociologist of religion who has studied American evangelicalism for 30 years, I believe Dobson’s influence and moral authority were instrumental in transforming the Religious Right into the powerful cultural and political force it has been for half a century.

A household name

Dobson earned a doctorate in psychology from the University of Southern California, where he taught for several years. In 1970, he published “Dare to Discipline,” a book encouraging parents to use corporal punishment to instill unquestioned respect for authority in their children.

“Dare to Discipline” arrived at a time when many evangelicals were alarmed about how their children were being influenced by “secular” American culture. The book was updated in 1992 and reissued several times, and Dobson’s introduction to a 2018 version claimed that the book has sold over 3.5 million copies. “Dare to Discipline” became an important source for Christian families seeking advice rooted in a “biblical” understanding of family, parental authority and child development – and it made Dobson a household name.

Capitalizing on that success, Dobson founded Focus on the Family in 1977. The organization’s signature radio program took his message about family and faith virtually anywhere people could go, and grew increasingly political. By 1995, Focus on the Family had a budget of more than US$100 million, and by 2008, the radio program had aired on over 3,000 stations in 160 countries.

Eight adults in business attire sit on chairs in a circle, heads bowed, in the middle of an open-floor office.
Focus on the Family employees in Colorado Springs pray during a morning devotion in 2004, before listening to the James Dobson radio program.
Craig F. Walker/The Denver Post via Getty Images

The primary theme throughout Dobson’s radio program and publications was that “family values” were under attack by a godless society embracing abortion, gay rights and gender equality. His views hearkened back to “Dare to Discipline”: Authoritarian patriarchal families with distinct gender roles for men and women would preserve the family and the future of the country.

From the family to the Supreme Court

Dobson left Focus on the Family in 2010 and founded the Dr. James Dobson Family Institute, originally named Family Talk. He and like-minded hosts dispensed folksy advice, along with guests well known to their audience. But they also addressed explicitly political issues, such as opposing policies that support abortion, same-sex marriage and some protections for LGBTQ+ people that they believe conflict with their religious liberty.

In addition, Dobson helped found other powerful evangelical organizations working toward the Religious Right’s ideological and political goals, such as the Family Research Council and the legal group Alliance Defending Freedom, which has supported several high-profile Supreme Court cases.

In 2022 and 2023, the Supreme Court made three rulings that advance long-held goals of the Christian Right. A slim majority overturned Roe v. Wade, the decision which established the constitutional right to an abortion in 1973. The ruling in a Colorado case, 303 Creative LLC vs. Elenis, determined that business owners could not be compelled to create messages that conflict with their “sincerely held beliefs” – meaning, in this case, that a wedding website designer could refuse same-sex clients because of her religious beliefs. And the court continued to soften limits on using state funding for students at religious schools.

Attorneys from the Alliance Defending Freedom worked on the abortion case and 303 Creative. The group submitted an amicus brief in favor of using state money for religious instruction in the third case, Carson v. Makin.

Retreat and reemergence

The roots of contemporary “evangelicalism” trace back to the Protestant fundamentalist movement that emerged in the early 20th century. Ever since, the movement has opposed ideas that it believes could undermine the core of America as a Christian nation.

In the wake of the Russian Revolution, for example, fundamentalists identified “Bolshevism” as a threat to Christian America. Today, a century later, some Christian conservatives criticize many types of history education and diversity programs as “neo-Marxist” or “cultural Marxism.”

Conservative Protestant groups have not always been such major political players, however. Around the turn of the 20th century, evangelical institutions like the Moody Bible Institute in Chicago and the Bible Institute of Los Angeles, now called Biola University, focused on individual faith and Bible training. Personal faith was promoted as the engine for social change and resistance to “un-Christian” ideas and practices, not political advocacy.

The famous Scopes Trial, the 1925 case that pitched Biblical teachings about creation against the theory of evolution, prompted some fundamentalist groups to retreat from public affairs and politics. Following Scopes, evangelicals established broad networks of their own independent churches, K-12 schools, universities and media organizations – including publishers and electronic media – thus creating a subculture within which to worship and raise their children.

Yet these organizations also laid the groundwork for what would finally emerge in the late 1970s as the Religious Right – with leaders like Dobson, televangelist Jerry Falwell and pastor and novelist Tim LaHaye.

‘One nation, under God’

Dobson’s influence will continue through his writings and the organizations he founded and influenced. In particular, his legacy can be seen in conservative evangelicals’ emphasis on the “traditional” or “biblical” family, defined as a married mother, father and children. He long promoted a gender hierarchy in marriage, with the husband being in “authority” over wife and children, and viewed LGBTQ+ rights as a threat to the family and to the nation.

Rows of people hold hands and raise them up as they assemble in a baseball stadium.
James Dobson spoke at a 2004 event in Seattle where approximately 20,000 people gathered to support defining marriage as between a man and a woman.
Ron Wurzer/Getty Images

This conception of the family has found its way into most evangelical institutions. More broadly, within the conservative movement, the patriarchal family is understood as the authentic expression of God’s law and is often viewed as the ultimate model for social institutions – including a Christian nation.

Numerous fundamentalists and evangelicals have argued that evangelical Christianity should be the true basis for a “Christian America.” What distinguishes Dobson’s approach was how he adapted Christian nationalism, framing it as a crucial issue for parents and families: translating ideas about Godly societies into guidance on “proper” child rearing and child development. His focus on the family as the foundation of Christian civilization mobilized millions of American evangelicals politically – on a scale that previous leaders never approached.

The Conversation

Richard Flory receives funding from the John Templeton Foundation, the Lilly Endowment, and the John Randolph and Dora Haynes Foundation.

ref. By ‘focusing on the family,’ James Dobson helped propel US evangelicals back into politics – making the Religious Right into the cultural force it is today – https://theconversation.com/by-focusing-on-the-family-james-dobson-helped-propel-us-evangelicals-back-into-politics-making-the-religious-right-into-the-cultural-force-it-is-today-206180

Jeux vidéo indépendants : comment les petits studios bouleversent les géants de l’industrie

Source: The Conversation – in French – By Arnault Djaoui, Doctorant en Science de l’Information et Communication, Université Côte d’Azur

L’essor du jeu vidéo indépendant répond à un appétit croissant pour les concepts créatifs émancipés des grandes conventions du médium. Économiquement, ces innovations définissent un nouveau modèle de consommation qui déjoue les prévisions du marché et qui influence l’ensemble de la production. C’est le cas du succès français « Clair Obscur : Expédition 33 » sorti en 2025.


Depuis une quinzaine d’années, les propositions indépendantes envahissent le secteur du jeu vidéo. Le mot d’ordre de cette mouvance ? La rupture des codes établis.

Les écoles asiatique et occidentale du jeu vidéo incarnent deux conceptions spécifiques liées à leurs cultures respectives. Elles se retrouvent néanmoins dans la recherche d’originalité qui prévaut au cœur des studios indépendants. Intellectuellement, la position des studios indépendants nécessite de redoubler d’efforts. Ces derniers œuvrent en petit comité, sans la bénédiction financière dont jouissent les grands éditeurs. L’effervescence d’un groupe restreint de concepteurs passionnés donne souvent une tonalité différente à la ferveur créatrice, à l’origine d’un savoir-faire unique.

Les limites budgétaires ne génèrent pas forcément de chape de plomb créative. Au contraire, ces restrictions obligent les développeurs à se surpasser dans l’objectif de trouver des idées exceptionnelles pour marquer les esprits dans la durée.

« Pourquoi les jeux indé ont du succès ? »

Certains grands succès du jeu vidéo indépendant ont laissé une telle empreinte qu’on retrouve aujourd’hui leur influence dans des productions de blockbusters.

L’expansion du jeu vidéo indépendant en Occident

Sorti en 2013, Outlast, des studios canadiens indépendants Red Barrels, en est un exemple phare. La particularité de ce jeu de survie/horreur (survival-horror) réside dans l’absence d’armement pour se défaire des ennemis, la seule possibilité de progression restant la fuite ou les cachettes parsemées dans le décor. Outlast est rapidement devenu une source d’inspiration du genre survival-horror, y compris pour les productions à grand budget.

C’est le cas avec le succès d’Alien: Isolation, sorti en 2014, qui réutilise largement le système de « cache-cache » avec les créatures ébauchées par Outlast, tout en cherchant à augmenter l’effet de réalisme par le caractère aléatoire continu des apparitions de la bête noire.

Certaines productions indépendantes présentent également des résurgences de la formule Outlast. Le jeu russe Hello Neighbor devient, dès sa sortie en 2017, un phénomène d’immersion mélangeant le suspense, l’horreur et la réflexion, toujours autour du même principe du jeu du chat et de la souris instauré par Outlast. La singularité du titre réside néanmoins dans son univers et dans sa patte graphique qui répondent à une esthétique bien plus cartoon et adaptée à un large public.

L’approche complémentaire du jeu vidéo indépendant japonais

Au Japon, le titre indépendant Deadly Premonition, sorti en 2010, a quant à lui laissé une marque sur les jeux narrativisés (transformés en récits, ndlr) grâce à son approche assez révolutionnaire du genre horrifique, mêlant investigation policière, exploration en monde libre (open world) et horreur psychologique et cosmique.

Les résurgences de cette formule ressortent dans des œuvres à grand budget comme la série The Evil Within, débutée en 2014. Un titre qui emploie également des angles proches du thriller, avec un aspect très paranoïaque dans le cheminement du scénario et des éléments horrifiques.

Des créations aux ambitions artistiques marquées

Le genre de la plateforme (platformer) s’illustre quant à lui avec des titres d’une grande créativité comme Cuphead ou Little Nightmares, tous deux sortis en 2017. Ils abordent respectivement les univers des vieux cartoons des années 1930, avec une jouabilité (ergonomie de jeu, ndlr) exigeante et punitive, ou ceux plus cauchemardesques des films d’animation en stop motion, comme les travaux d’Henry Selick. Des genres revisités sous l’angle de l’exploration-réflexion dans une tonalité encore plus inquiétante.

Le rayonnement du jeu de rôle indépendant

Mais s’il est bien une catégorie de jeu à avoir contribué au succès des studios indépendants au cours de ces dernières années, c’est incontestablement le jeu de rôle (Role Playing Game, RPG).

La grande variété de points de vue qu’offre l’expérience rôliste permet aux concepteurs d’arpenter des systèmes de jouabilité hybrides qui évoluent constamment et qui offrent au public des immersions aussi singulières qu’enivrantes. Le RPG est un genre qui a beaucoup évolué au fil du temps et qui a laissé dans son sillage des novations éphémères, représentatives d’époques spécifiques, qui réapparaissent grâce à l’ingéniosité nostalgique des créateurs indépendants. Certains des jeux les plus remarqués de ces dernières années réutilisent des procédés qui ont fait la gloire de périodes passées.

Le jeu indépendant Hadès, sorti en décembre 2019, récompensé par plusieurs prix autant vidéoludiques que littéraires, se veut une lettre d’amour assumée à une panoplie de genres et d’esthétiques ayant construit la réputation désormais internationale du RPG. Graphiquement, le titre opte pour une plastique anachronique entièrement conçue dans une 2D proche de la bande dessinée. Mais c’est en réhabilitant le genre roguelike que cette œuvre souffle un vent de jeunesse sur un modèle qui n’était plus tellement d’actualité. Ce sous-genre de RPG très populaire dans les années 1980 et 1990 présente la caractéristique de générer aléatoirement chaque palier des donjons que le joueur visite.

Par ailleurs, le système de combat puise sa mécanique dans un autre genre d’une époque antérieure, le hack’n’slash qui consiste à se défaire de hordes d’ennemis au moyen d’attaques, d’esquives et de défenses simples d’emploi mais riches dans leurs potentialités. La toile narrative, quant à elle, contraste avec les poncifs du genre, en situant l’action dans l’enfer de la mythologie grecque.

Toutes ces occurrences témoignent d’une diversification autant technique qu’artistique. Cette variété envahit d’un même mouvement la production du RPG indépendant et, par contrecoup, l’ensemble de l’artisanat vidéoludique contemporain. La transversalité des différents procédés mentionnés plus haut définit ainsi une empreinte typiquement occidentale dans la conception de ces RPG.

Au Japon, la propagation du RPG indépendant dépend d’un autre phénomène. Les jeux mobiles, dits gacha, souvent issus de studios indépendants, représentent une manne économique colossale en faisant du RPG un plaisir instantané et contenu dans des boucles rapides. Leur système de participation appelé « free-to-play » incite progressivement le joueur à dépenser de l’argent pour évoluer dans le jeu.

Parallèlement, sur consoles de salon, s’illustrent des titres plus expérimentaux et dans la tradition narrative mature des récits nippons. Par exemple le jeu D4, paru en 2014, aborde autant de sujets que le deuil, la rédemption, la psychanalyse et la démence sur fond d’enquête policière aussi rocambolesque que captivante. Des problématiques qui n’auraient peut-être pas pu voir le jour dans une production plus globale.

Le couronnement du RPG indépendant en France

Le RPG indépendant manifeste également sa maestria en France, notamment avec, en 2025, le succès exceptionnel de l’inattendu Clair Obscur : Expédition 33.

Clair Obscur : Expédition 33

Loin des 4 500 employés que constituent, par exemple, le studio Ubisoft Montréal, la petite équipe de moins de 30 personnes de Sandfall Interactive a cherché à remettre au goût du jour le système du « tour par tour », très peu représenté en Occident. Le tout en proposant un contexte historique français inédit dans le jeu vidéo et saupoudré d’éléments fantastiques : la Belle Époque. La reproduction graphique des environnements de cette période, bardée de quelques influences dystopiques, profite d’une profondeur et d’une finition qui n’ont rien à envier aux productions des cadors des grands éditeurs.

Cette récente prouesse prouve que le jeu vidéo indépendant tend à incarner, aujourd’hui plus que jamais, la matérialisation de changements très importants. Des transformations qui définissent à la fois une primauté de la liberté de création et une contre-proposition artistique et commerciale de taille face à certains mastodontes de l’industrie vidéoludique.

The Conversation

Arnault Djaoui ne travaille pas, ne conseille pas, ne possède pas de parts, ne reçoit pas de fonds d’une organisation qui pourrait tirer profit de cet article, et n’a déclaré aucune autre affiliation que son organisme de recherche.

ref. Jeux vidéo indépendants : comment les petits studios bouleversent les géants de l’industrie – https://theconversation.com/jeux-video-independants-comment-les-petits-studios-bouleversent-les-geants-de-lindustrie-262291