The great unknown romance of writer E.F. Benson’s life – Fred and George, a love story hidden in letters

Source: The Conversation – UK – By Sasha Garwood, Assistant Professor, University of Nottingham

George Plank’s illustration of E.F. (Fred) Benson’s character Aunt Georgie, from The Freaks of Mayfair.

In 1915, Edward Frederic (E.F.) Benson – the future bestselling author of comic novel series Mapp and Lucia – was in his late 40s, popular and famously charming. Since adolescence he’d been drawn to men, and his diaries recount passionate romances at Marlborough College and King’s College Cambridge. But, perhaps unsurprisingly for the son of an Archbishop of Canterbury, he was discreet.

George Wolfe Plank was 15 years younger – a scrappy, self-taught American artist whose fantastical Vogue covers defined the look of the era. George had a studio around the corner from Fred in Chelsea and an eye for his handsome neighbour.

For five years they shared houses and holidays – a couple to those who saw clearly, simply “bosom friends” to those who chose not to. The pair inhabited the tensions of queer masculinity in a world where sex between men was illegal and policed.

I found their story while exploring Fred’s schoolboy romance, David Blaize. Until I came across their letters, I didn’t know how important George had been for Fred, or vice versa. Most biographers mention a friendship or, occasionally, unrequited feelings.

E.F. Benson
E.F. Benson is best-known for his Mapp and Lucia series.
Wikimedia

They met in 1915 after George wrote to Fred, calling him “unmarried, worldly and witty” – all coded queer signifiers at the time – and quoting the poet Walt Whitman, whose rhetoric about comrades and love was a touchstone for many men who desired men. It’s the most blatant approach I’ve found in the archives.

Fred invited him to tea and played him Tchaikovsky. Before long they were seeing each other every day, and George told his sister Amy that “I am … so happy I can scarcely realise it is I”.

Their contrasting backgrounds brought conflict and fascination, perhaps bridged by physical attraction. In one letter George declares:

Two people never came from such opposite poles and were better friends; He was born an aristocrat, lived at Lambeth Palace, educated … he goes in for all sorts of sport, which of course makes him a fine physical specimen – and yet, we seem to fit perfectly, which is a miracle!

Fred would drop into George’s studio after evening engagements. Were they sleeping together? Surviving scraps are suggestive, but the archive’s silence here is ambiguous. Letters tell us about love but, for safety, much less about sex.

Regardless, they were very close. When Fred bought 25 Brompton Square in London later that year, he insisted George move in too, and they decorated it together. “I grow fonder of him every day,” wrote George. For Fred, these were “a delight”, “halcyon days”.

They also rented Lamb House in Rye, East Sussex, together, with George saying that he wanted to “stay on here … for always”.

In 1916, they published The Freaks of Mayfair together, with George’s elegant Aubrey Beardsley-esque drawings illustrating Fred’s sharp social satires. This book put queerness at the heart of high society, particularly through the character of maiden-auntish character Aunt Georgie and his preference for “slightly effeminate young men”.

These years saw some notably queer works from Fred – David Blaize, Up and Down – and his first volume of autobiography. George produced Vogue covers, fashion illustrations and theatre scenery with dedication and flair.

Their surviving letters are loving and haunting. Fred burnt piles of correspondence before he died, fearing “mischief” – but his surviving writing to George is poignant.

The Freaks of Mayfair, written by E.F. Benson and illustrated by George Plank.
The Freaks of Mayfair, written by E.F. Benson and illustrated by George Plank.

“This scrawl must go: it carries with it a great many wishes that you were not away, and when the telephone bell rings, I miss your voice,” one letter from Fred reads. “The point is, I wish you were here … I want you.” George is caring, reassuring: “bestest love” and “I thought of you with every step”. Longing drifts from the pages.

Nevertheless, there was sometimes trouble. Fred could be depressive and George wrote, wryly, during a bad patch: “Poor Fred is a mass of nerves … I must look after him as much as he will let me … But he is a queer fish at times and it is hard work.”

When Fred’s mother died in 1918, George rushed to be with him. But having been swept off his feet by this glamorous, successful older man, he now spent months supporting a grieving companion who seemed suddenly old, both needy and unable to say what he needed.

Fred was “huffy” when George’s friends Mildred and Jimmy took him to Paris, upset when George travelled alone, and wanted more of his time than George felt was compatible with his work. Throughout 1920 they were together regularly, indulging in the “perpetual privacy” of Rye.

And then, in 1921, Fred disappears from George’s letters almost entirely.

So often it’s the unknowns that haunt us. What happened? The archives can’t tell us for certain. They were both generous, gregarious, caring – but it seems that Fred’s demands came to strain George’s kindness, unlike the blissful early days when Fred was happy and George dazzled.

One 1922 letter from Fred survives, its yearning subsumed and sad. Something had changed – Fred’s health maybe (rheumatism brought constant pain) but something else too.

In 1923, George’s friend HD (also queer, like many of their friends) told him: “I know you have been through something, have had some sort of psychic wound.” Fred is silent until Final Edition, a reflective autobiography finished ten days before his death, in which “a very intimate friend of mine … an artist of whimsical and imaginative work” makes Lamb House home.

These men might have lived in a different age, but their story is so familiar: love and grief and money and class, the tension between masculinity and vulnerability. And there are many such stories: queer love and loss buried in the archives, hiding in plain sight. Finding them feels both heartbreaking and heartening. Perhaps, whatever happens, what survives of us is love.


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The Conversation

Sasha Garwood does not work for, consult, own shares in or receive funding from any company or organisation that would benefit from this article, and has disclosed no relevant affiliations beyond their academic appointment.

ref. The great unknown romance of writer E.F. Benson’s life – Fred and George, a love story hidden in letters – https://theconversation.com/the-great-unknown-romance-of-writer-e-f-bensons-life-fred-and-george-a-love-story-hidden-in-letters-262745

Why do people riot?

Source: The Conversation – UK – By John Drury, Professor of Social Psychology, University of Sussex

Just over a year ago, riots swept across parts of the UK following the murder of three schoolgirls in Southport. In 2011, the police killing of Mark Duggan led to five nights of rioting that left five people dead. And in 1981, there were weeks of rioting in cities across the country in response to perceived police discrimination against black people.

In recent weeks, occasionally violent protests at asylum hotels around the country have seen a number of people arrested. Politicians have warned that further unrest is possible.

As a social psychologist specialising in the study of collective behaviour, I know the cliche that “any spark” can cause a riot is untrue. The significant incidents that lead to riots are not arbitrary. They are dramatic emblems of longstanding grievances for particular groups.

And rioting often only takes place days after such incidents, rather than being an immediate “trigger” for mass violence. Communities first discuss the incident and often try other means to achieve their goals.

There are a number of pre-conditions for riots to occur. Collective grievances, often linked with deprivation, are one of them. But not all deprived locations join in when there is a wave of riots.

In addition to grievance, another condition is the collective ability of people in the location to act upon the grievance. This relates to things like how organised people are in the location, what resources they have locally, and the number of people physically available to get involved.

As riots involve a large group of people acting as one, a shared social identity is another necessity. That is, participants must see themselves as an “us”. This sense of being part of an in-group (“us”) is defined in opposition to an out-group (“them”). The presence locally of out-groups seen by participants as linked to the grievance is an important factor in why riots happen where they do.

For example, in 1981 and 2011, poor community relations with police distinguished those locations that rioted from those that did not. In 2024, the out-group that defined the in-group was “asylum seekers and immigrants” in temporary accommodation.




Read more:
The hypocrisy at the heart of racist riots


Sometimes – albeit rarely – peaceful crowds turn into riots. My previous research with Stephen Reicher and Clifford Stott shows that how the police and the crowd interact with each other on the day is crucial in explaining this process.

This research – on student protests and anti-poll tax demonstrations as well as anti-roads direct activists and football supporters – identified a common pattern. In all cases, participants in the crowd saw themselves as acting legitimately, but felt that police were acting in illegitimate and even in dangerous ways towards them – for example threatening their right to protest. This therefore changed their views, legitimising action against police as self-defence or retribution.

At the same time, these participants also experienced the policing as indiscriminate, which enhanced a sense of shared identity in the crowd. This new sense of “we-ness” created the collective ability (support, empowerment) to act upon their new grievance against the police.

In a recent study of the 2024 anti-immigrant riots in three locations – Stoke-on-Trent, Bristol and Tamworth – my colleagues and I found a different pattern of crowd violence.

These were not, in the main, protests largely comprising people there simply to voice their concerns, who only became violent after policing interventions. Rather, there was clear evidence that many came to the events intending to physically attack asylum seekers and damage property associated with this out-group. Empowerment probably came from the rioters’ belief that enough other people felt the same way.

Social influence

One of the features of the wave of 2024, just like the waves of 1981 and 2011, is that riots influenced the likelihood of further riots in other towns. This process of social influence and spread can’t be explained by simple mechanisms like contagion.

Most people “exposed” do not join in. And for those who do, the actions they “join in” with in their local areas can be different from the actions of the rioting crowd in the source location.

Our research on multiple waves of riots suggests that rioting in one place prompts expectations and discussions among potential participants in other locations. These are about how their community, networks and peer groups might respond to the rioting in the source location.

Rather than simply mimicking those actions, potential participants are influenced by what they believe local groups relevant to them will do.

Why should people believe that others in their own area intend to riot locally in response to rioting elsewhere? One reason is they believe that enough other people, locally or in their networks and reference groups, have the same grievance as that in the source riot location.

They believe these views are widely shared locally, based on their area’s history, reputation, identity or local campaigns. For example, the presence of an active ongoing local campaign against the housing of asylum seekers in Tamworth contributed to local expectations that Tamworth would be part of the wave of riots in summer 2024.

Believing that “everyone” in one’s local network or neighbourhood will join in empowers people to take part even if there might be some personal risk – because they think they will not be alone.

The solution to events like those of summer 2024 is not only to correct misinformation about potential out-groups. It’s also necessary to challenge what they believe about other people’s beliefs. In an important way, the very large counter-demonstrations at the end of the 2024 wave may have achieved this.

If the anti-immigrant riots had continued unchallenged, observers (and supporters of the rioters) are likely to have drawn the conclusion that public opinion supports or is indifferent to violent attacks on minorities. The chilling effect on those who would otherwise be ready to speak out against racism should be obvious.

But by mobilising in large numbers, a counter-protest can demonstrate that it is anti-racism that is the mainstream, and that public opinion is closer to this view than those of the anti-immigrant rioters.


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The Conversation

John Drury received funding from the Economic and Social Research Council (reference ES/N01068X/1). Some of the work described here was funded by the Behavioural Research UK Leadership Hub, which is supported by the Economic and Social Research Council (reference ES/Y001044/1).

ref. Why do people riot? – https://theconversation.com/why-do-people-riot-261903

COVID, the flu and other viral infections can re-awaken dormant breast cancer cells, new study in mice shows

Source: The Conversation – UK – By Justin Stebbing, Professor of Biomedical Sciences, Anglia Ruskin University

COVID was one of the common respiratory infections shown to re-awaken breast cancer cells. MIA Studio/ Shutterstock

The worry that breast cancer may someday return is a troubling source of anxiety for many survivors of the disease. It’s understandable why, since most relapses and metastatic cancers (cancers that have spread) aren’t started by new tumours.

Rather, they’re caused by sleeper cancer cells that suddenly awaken. These “dormant” cancer cells usually colonise places such as the lungs or bones, waiting for the optimal conditions to spring back to life.

For a long time, scientists have tried to work out exactly what shakes these cancer cells out of their slumber. There were hints that chronic inflammation – from factors such as smoking or ageing – could play a role, acting as a kind of unintentional alarm clock.

But new research now provides evidence that common respiratory infections, such as the flu or COVID, are capable of stirring dormant cancer cells into action.

The new study used mice which were engineered to have breast cancer cells. These cells were designed to mimic the behaviour of dormant human cancer cells hiding in the lungs. Researchers then infected the mice with either the influenza virus, which causes the flu, or the SARS-CoV-2 virus, which causes COVID.

What they discovered was both revealing and alarming. Within days of infection, the once-quiet cancer cells started to wake up, multiply rapidly and form new metastatic lesions in the lung.

But what was driving this process? Surprisingly, it wasn’t the viruses themselves. Rather, the researchers discovered that the process was being driven by the immune response that the body mounted to fight the infection.

The body’s immune response is largely driven by a secreted molecule called interleukin-6 (IL-6). Normally, IL-6 helps coordinate the body’s defences against invaders, such as viruses. But when viral infections strike, IL-6 levels can surge.

This temporary spike appears to create the perfect storm for dormant cancer cells to shift from a sleepy, inactive mode to a state that’s highly active where the cells begin to divide.

When the scientists disabled IL-6 in the mice, the dormant cancer cells did not multiply nearly as much when the viral infection was introduced. This suggests that IL-6 acts as a crucial switch for cancer cells between a harmless state and metastasis.

The researchers also found that the reawakening of cancer cells doesn’t last forever. Within about two weeks of infection, the burst of activity settled down and the cancer cells often returned to a dormant state. However, the danger hadn’t passed.

A digital drawing depicting two cancer cells in the process of dividing.
The cancer cells stopped multiplying and returned to their dormant state after two weeks.
Christoph Burgstedt/ Shutterstock

After each infection, there were now dramatically more awakened cancer cells in the lungs, primed to begin multiplying again once triggered. This creates a greater risk for future relapses, as each episode magnifies the threat.

But why doesn’t our immune system just wipe out these cancer cells if they’re no longer dormant? The study hints that another type of immune cell – called “helper T cells” – step in. But instead of destroying the cancer cells, the T cells shield them from other immune attacks. This shows how cancer can cleverly hijack the body’s defences, turning them from destroyers into guardians.




Read more:
Unlocking the body’s defences: understanding immunotherapy


Dormant cancer cells

While these experiments were performed on mice, the researchers also looked at data from thousands of cancer survivors in the UK and US during the COVID-19 pandemic. They found that cancer patients – especially those who’d recently had respiratory infections – faced nearly double the risk of dying from cancer compared to those who did not get infected. This pattern was clearest in the months after infection – matching exactly what was seen in the mouse studies.

The link between viral infection, inflammation, and cancer relapse could help explain why cancer death rates spiked early in the pandemic, especially among those with a history of breast or other cancers. This new understanding is sobering – but also something that we can take action against.

For breast cancer survivors, and potentially survivors of other cancers, the findings highlight the importance of protecting themselves from respiratory infections – not just to avoid the illness itself, but to lower the risk of setting off dormant cancer cells that could lead to life-threatening metastasis. Measures such as vaccination and rapid treatment of infections could become part of the standard toolkit for supporting long-term health after cancer.

There are also drugs that target IL-6 which are already being used for other conditions such as Castleman’s disease and COVID. This raises questions about whether these drugs might also shield vulnerable cancer survivors from relapse during or after severe viral infections.

This recent study reminds us just how interconnected our health truly is. While viral infections are often thought to only affect us temporarily, a growing body of research shows they may exert hidden, long-term effects.

Ultimately, these are early days for translating findings from this work into human therapies. But they offer new hope that by understanding and intercepting the “wake-up calls” for dormant cancer cells, it may one day be possible to prevent cancer relapses before they ever get started – dramatically improving outcomes for survivors everywhere.

The Conversation

Justin Stebbing does not work for, consult, own shares in or receive funding from any company or organisation that would benefit from this article, and has disclosed no relevant affiliations beyond their academic appointment.

ref. COVID, the flu and other viral infections can re-awaken dormant breast cancer cells, new study in mice shows – https://theconversation.com/covid-the-flu-and-other-viral-infections-can-re-awaken-dormant-breast-cancer-cells-new-study-in-mice-shows-262464

Technology has fuelled overtourism – now it could also help to stem the tide

Source: The Conversation – UK – By Adrian Palmer, Professor of Marketing, University of Reading

The queue for a view at Iguazu Falls in Brazil. Thiago B Trevisan/Shutterstock

Tourism is not always welcomed by the people who actually live in the places so many of us want to visit. Big crowds can bring economic benefits, but they can also price out the locals and cause environmental damage.

Some blame Airbnb. Others blame the cruise ship operators, the retired “boomers” or the growing middle classes across the world, with their disposable incomes and insatiable appetite for selfies.

But one element which often gets overlooked is the role of technology.

Historically, new transport technology has been a huge driver of the tourism industry. In the UK, for example, 19th-century railway expansion introduced mass tourism to coastal towns including Bournemouth and Blackpool.

In the 1960s, cheaper air travel did the same for destinations abroad, with places such as Majorca and the Spanish Costa del Sol becoming accessible to hoards of new visitors.

But new modes of transport are no longer the main driver of mass tourism. There are no imminent new ways of travelling by land, air or sea which will fuel change in the industry in the way that trains and planes once did.

Now the effects of technology are more subtle, as the online world transforms the way we travel across the real world.

The internet has blurred the distinction between residents and tourists. The surge in working from home, itself made possible by the internet, means that some people can live where they like to play, instead of prioritising proximity to the office or commuter trains.

Then there are the “digital nomads” who embrace the idea of remote working to the extent that they are able to live anywhere in the world with a decent internet connection.

The rise of social media has also had a big impact on tourism, spreading stories and images about previously little-known attractions. A few viral videos can quickly turn quiet backwaters into travel hotspots.

Just ask residents of the once-quiet Italian ski resort of Roccaraso, which was overwhelmed by a surge of visitors in January 2025 thanks to some Tiktok videos by the Italian social media influencer, Rita De Crescenzo.

The online world has also closed a gap which previously existed between tourism destinations and their distant customers. Pre-internet, the global tourism industry relied on travel agencies and printed media. Now, every hotel or resort is a click away, with platforms like Airbnb (which hosted 5 million rental properties in 2024) transforming the sector.

The effects of artificial intelligence on tourism are less certain. But perhaps it could be part of a solution.

Virtual vacations?

AI could be used to help create bespoke, personal tourism experiences in locations that really need tourists, thus reducing the harm caused to overcrowded locations or fragile eco-systems. The travel industry could also use it to make more accurate predictions about travel patterns, helping places like Barcelona and Venice to manage their number of visitors.

AI-enhanced virtual reality also has the potential to let people have experiences of tourism destinations from afar, with research suggesting “virtual holidays” could dramatically change the tourism sector.

After all, many of us have swapped other real-life experiences like shopping and work meetings to something we do via a screen. There is even evidence of an emerging preference for playing online sports over the real-life versions.

But could virtual tourism become so attractive that it significantly reduces the real thing? Will tourists really be content with seeing a virtual version of an artistic or natural wonder, instead of queuing for hours to experience it as part of a crowd?

Similar questions were asked when colour television developed in the 1960s. Would, for example, the vivid portrayal of wildlife in African game reserves reduce the need for tourists to travel there? Who would bother with the expense and effort of going to Kenya or Botswana, when they could be seen up close from the comfort of a sofa?

The outcome, though, was the exact opposite. There is evidence that wildlife programmes have actually stimulated demand to see the real thing. Similarly, popular films and TV shows set in beautiful locations make people want to visit them, with anticipation and expectation adding value to the final tourist experience.

Man standing on sofa in surfing pose wearing VR headset.
From couch to California.
Marcos Mesa Sam Wordley/Shutterstock

So, while we can be pretty sure AI will affect tourism – as it will every industry – we don’t yet know whether its overall impact will be to reduce pressure on the world’s most popular places, or further stimulate demand.

And it may not be technology that has the final say – concerns about climate change and economic pressures may influence global travel patterns first. But one thing is for sure: overtourism is not over yet.

The Conversation

Adrian Palmer has received funding from British Academy for a study of the role of social media in tourism visits

He is an unpaid member of the UK Government”s Department for Culture, Media and Sports College of Experts. This a non-political advisory research body.

ref. Technology has fuelled overtourism – now it could also help to stem the tide – https://theconversation.com/technology-has-fuelled-overtourism-now-it-could-also-help-to-stem-the-tide-258435

A Bermuda stalagmite reveals how the Gulf Stream shifted – and what it might do as the climate changes further

Source: The Conversation – UK – By Edward Forman, PhD Candidate, Climate Tipping Points, University of Southampton

Beneath the subtropical paradise, Bermuda hosts a vast network of caves which contains records of Earth’s climate history. Inside are mineral deposits called speleothems – including stalagmites on the cave floors more than six-foot tall. These grow slowly as water drips down from the cave ceiling, gaining a millimetre every few years.

The stalagmites record the chemical signals of the dripwater that formed them. Cold weather tends to be windier, for example, leading to more sea spray and more seawater in the dripwater. Analysing the chemistry of one of these stalagmites has thus enabled us to indirectly reconstruct past sea surface temperatures.

Our latest research, published in the journal Communications Earth & Environment, harnesses this information to show a long-term picture of Atlantic Ocean temperatures, with a datapoint every ten days back to the year 1449. This record shows the Gulf Stream moved northward 300 years ago – a sign that a major system of ocean currents called the Atlantic Meridional Overturning Circulation (Amoc) started weakening then.

The Gulf Stream is a major ocean current that moves warm surface water from the Gulf of Mexico northward across the Atlantic, helping keep western Europe mild. As the water travels north it cools and sinks, flowing back south at depth. Together, these processes form part of the ocean conveyor belt known as Amoc.

If Amoc slows down too much, it could lead to dramatic regional climate change. Northern Europe would experience extreme cooling of up to 15°C, and rainfall and weather patterns across the tropics and subtropics would move and intensify.

Scientists agree that this system is crucial for regulating climate, but there is great uncertainty surrounding its stability. Although some studies suggest there has been no recent weakening, most agree the system has weakened in response to rising global temperatures. However, we don’t know for how long, and by how much, the Amoc has been slowing.

One fingerprint of Amoc change is the position of the Gulf Stream. When the Amoc weakens, the Gulf Stream moves northward, crossing the Atlantic at higher latitudes. This is what our Bermudan stalagmite has revealed: before the year 1720, ocean temperatures were unusually high. This period coincides with the little ice age, a cold interval in the northern hemisphere between approximately 1300 and 1850.

After 1720, Bermudan sea surface temperatures cooled substantially for more than a century. At the same time, records to the north (along the east coast of North America) show the opposite: warming where there had previously been cold temperatures.

This shift suggests the Amoc may have begun weakening a long time ago, starting around 1720 – before widescale industrialisation. This indicates that the system may be more sensitive than previously thought, because it responded to natural melting of ice sheets earlier than expected.

It could also mean the current Amoc is closer to a tipping point than expected. If a tipping point is crossed, the weakening would become self-perpetuating and lead to a near-complete shutdown of these vital ocean currents.

A warning signal

As global temperatures pass 1.5°C over the next few years, many climate models predict further weakening of the Amoc – and potentially even a collapse this century. The Intergovernmental Panel on Climate Change, the global committee assessing climate science, estimates there is up to a 10% chance of collapse before 2100 – but new research suggests this probability could be even higher.

Our study adds further historical context, showing that even small changes in ocean circulation can have large regional consequences. A sustained movement of the Gulf Stream would lead to changing regional temperatures, rainfall patterns and more extreme weather. This could have serious implications for wildlife and food security, as ecosystems struggle to adapt to the changing climate.

Even if the Amoc does not cross a tipping point soon, our research shows the weakening could still have a significant impact on regional climate patterns. The record does not just tell us about the past – it’s a warning that any amount of slowing down could have serious effects.


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The Conversation

James Baldini received funding from the European Research Council (grant number 240167).

Edward Forman does not work for, consult, own shares in or receive funding from any company or organisation that would benefit from this article, and has disclosed no relevant affiliations beyond their academic appointment.

ref. A Bermuda stalagmite reveals how the Gulf Stream shifted – and what it might do as the climate changes further – https://theconversation.com/a-bermuda-stalagmite-reveals-how-the-gulf-stream-shifted-and-what-it-might-do-as-the-climate-changes-further-261614

Weight loss jabs and cancer risk: here’s what you need to know about the research so far

Source: The Conversation – UK – By Nadine Wehida, Senior Lecturer in Genetics and Molecular Biology, Kingston University

Haberdoedas Photography, CC BY-SA

So many people in western countries are turning to weight loss drugs such as Wegovy/Ozempic and Mounjaro that concerns have started to emerge about maintaining ready supplies. But with popularity comes scrutiny, and rising demand isn’t the only potential problem with weight loss jabs.

Gastrointestinal side-effects such as nausea, vomiting and constipation are common across these drugs, which are known as GLP-1 receptor agonists. Then there’s the now infamous “Ozempic face” – a gaunt, aged appearance that can result from rapid weight loss.

More serious concerns have also begun to surface, including possible links to eye disease, reduced libido and a potential increased risk of certain cancers. However, we’re still in the early days of understanding what the risks might be and the evidence for them is limited.

The most significant cancer-related worry is thyroid cancer. Studies in rodents found that high doses of GLP-1 drugs caused thyroid tumours, although this hasn’t been definitively proven in humans.

Still, a large-scale French study did find a potential link between GLP-1 use and thyroid cancer, especially in patients who used the drug for more than a year. As a precaution, these medications are not recommended for people with a personal or family history of thyroid cancer or specific genetic conditions that increase the risk of thyroid tumours.

There have also been concerns about pancreatic cancer, mostly because of early reports of pancreatitis: inflammation of the pancreas, which can, in some cases, be fatal. However, current studies have not confirmed a direct link between GLP-1 drugs and pancreatic cancer.

Concerns here are particularly relevant because of how the drugs work. Wegovy and Ozempic are brand names for a type of GLP-1 receptor agonist known as semaglutide. Originally developed to treat type 2 diabetes, it works by activating receptors in the pancreas to increase insulin release and reduce glucagon – a hormone that raises blood sugar.

Together, these effects help lower blood-sugar levels. The weight loss effects come from the drug’s ability to act on receptors in the brain as well as in gut and fat cells, to help to reduce appetite.

Mounjaro (the brand name for the compound tirzepatide) takes things a step further. It works not only on the GLP-1 receptor but also on a second one – the GIP (glucose-dependent insulinotropic polypeptide) receptor.

By stimulating both, tirzepatide boosts the pancreas’s ability to produce insulin and improves insulin sensitivity – meaning the body’s cells respond more effectively to insulin, helping regulate blood sugar more efficiently. This dual action results in even greater weight loss than semaglutide alone, making Mounjaro the latest star in the fight against obesity.

Tirzepatide has not been associated with increased cancer risk in clinical trials so far. However, like other GLP-1 drugs, it still carries the thyroid cancer warning based on earlier animal research. Interestingly, preliminary studies in animals suggest tirzepatide might even shrink certain tumours, including breast cancer, but these findings are still very early and not yet applicable to humans.

Obesity is also a cancer risk

It’s important to remember that obesity itself is a well established risk factor for several cancers, including breast, colon, liver and uterine cancers. By helping people lose significant amounts of weight and improve their metabolic health, GLP-1 drugs could indirectly reduce the risk of developing these conditions.

In fact, some population studies have found lower rates of obesity-related cancers in people using GLP-1 medications compared to those taking other treatments. However, it’s still unclear whether the reduced cancer risk comes from the drug’s action or from the weight loss itself. More research is needed to fully understand this connection.

So, the current picture is reassuring, yet tinged with uncertainty. The overall cancer risk associated with GLP-1 drugs and tirzepatide appears to be low.

But it’s important to emphasise that these medications are not recommended for people with a personal or family history of certain types of thyroid cancer, or also endocrine conditions such as multiple endocrine neoplasia syndrome, because these conditions may increase sensitivity to hormone-related tumour growth.

Weight-loss injections are not risk free, but they also hold enormous potential. It remains to be unravelled whether they’re miracle cures or just the latest chapter in the long saga of weight loss. One thing is certain: the conversation is far from over.

These drugs are rewriting the rules on how we think about weight, health, and risk. In the battle to outsmart the scales, they offer hope, science and a fair bit of gamble amidst the hype.

The Conversation

The authors do not work for, consult, own shares in or receive funding from any company or organisation that would benefit from this article, and have disclosed no relevant affiliations beyond their academic appointment.

ref. Weight loss jabs and cancer risk: here’s what you need to know about the research so far – https://theconversation.com/weight-loss-jabs-and-cancer-risk-heres-what-you-need-to-know-about-the-research-so-far-262146

Escribir a mano y hacer pausas ayuda a recordar

Source: The Conversation – (in Spanish) – By María del Valle Varo García, Research assistant professor, Universidad de Deusto

Farknot Architect/Shutterstock

Detengámonos un instante y observemos el suave fluir de estas palabras bajo nuestros ojos, ese vaivén silencioso y la voz que las lee en nuestra cabeza. ¿Cuántas de ellas permanecerán contigo dentro de cinco minutos? ¿Y cuántas se alojarán, sin esfuerzo, en nuestra memoria mañana? La pregunta no es trivial. Vivimos en una época en la que la velocidad domina nuestra forma de aprender y, paradójicamente, también de olvidar.

No todas las palabras se procesan al mismo ritmo. Quizá haya oído que una persona puede leer entre 200 y 300 palabras por minuto, escuchar unas 150 o leer al tacto en braille incluso menos. Pero esa velocidad no equivale a comprensión: de hecho, más allá de las 500 palabras por minuto, la asimilación se desploma de forma drástica. Y lo que se absorbe, ¿realmente se conserva? No necesariamente. Devorar palabras con avidez no es lo mismo que nutrirse de su esencia.

Distintas memorias en una

Para que las palabras cobren sentido y se transformen en ideas o conceptos duraderos, deben primero atravesar el espacio frágil y efímero de la memoria operativa –también llamada memoria a corto plazo–, encargada de mantener activa la información mientras el cerebro la procesa. Pero no basta.

Para que lo retenido se estabilice, la información necesita almacenarse en un tipo de memoria semántica, afectiva, espacial o temporal. Recordar unas vacaciones implica una memoria episódica, teñida de emoción y lugar; en cambio, saber que la capital de Italia es Roma remite a una memoria semántica, desprovista de contexto personal.

¿A mano o a golpe de tecla?

Cuesta encontrar, hoy por hoy, un espacio donde el teclado no haya desplazado a la tinta o al grafito casi por completo. Sin embargo, conviene recordar que la escritura a mano sigue siendo una herramienta poderosa para el desarrollo cognitivo: escribir manualmente activa una red más amplia de regiones cerebrales –motoras, sensoriales, afectivas y cognitivas– que la mecanografía. Esta última, más eficiente en velocidad, exige menos recursos neuronales y favorece una participación pasiva de la memoria operativa.

Frente a ello, el uso de la memoria operativa de forma activa (mediante herramientas analógicas) resulta más beneficioso tanto en el aula como en contextos clínicos relacionados con el deterioro cognitivo.

Las pausas son sagradas

El ritmo y la pausa son también determinantes en este tránsito de la memoria operativa a la memoria a largo plazo. Las pausas activas –momentos breves en los que interrumpimos el estudio para estirarnos, caminar o contemplar algo sin propósito inmediato– permiten al cerebro reorganizar lo aprendido y consolidarlo con mayor solidez.

Sin embargo, hoy, esas pausas suelen combinarse con actividades que implican el uso de pantallas: móviles, televisión, tabletas. Si pudiéramos hacer un símil con el ejercicio físico, podríamos imaginarnos en un gimnasio donde corremos a 12 km/h en las pausas entre series. Algo muy parecido ocurre cuando usamos los descansos para consumir vídeos rápidos, leer titulares o desplazarnos sin rumbo en redes sociales: la mente no descansa, no consolida, y la atención se fragmenta.

Trabajo durante el sueño

La neurociencia subraya también el papel crucial del sueño en la consolidación de la memoria. Durante el sueño de ondas lentas, el cerebro entra en un estado de sincronización neuronal caracterizado por la predominancia de ondas delta (0,5–4 Hz), las cuales favorecen la reactivación de trazas mnésicas –huellas que quedan en la mente después de una experiencia, y que sirven como base para la memoria y la posibilidad de recuerdo–.

Estas oscilaciones lentas crean un entorno de baja interferencia sensorial que facilita el diálogo entre el hipocampo y la neocorteza. En particular, se ha observado que las ondas theta (4–8 Hz), más frecuentes durante la fase REM (Rapid Eye Movement) y también presentes en fases NREM (Non-Rapid Eye Movement) ligeras, median esta transferencia. En concreto, permiten el paso de recuerdos desde su almacenamiento temporal en el hipocampo hacia regiones corticales de almacenamiento a largo plazo.

Sueño de ondas lentas en una electroencefalografía.
Wikimedia Commons., CC BY

Asimismo, los husos del sueño –breves patrones de actividad cerebral que ocurren durante el sueño ligero, generadas principalmente por el tálamo– se asocian con el refuerzo de conexiones neuronales relevantes.

Diversos estudios con polisomnografía y neuroimagen han mostrado correlaciones entre la densidad de estos husos y el rendimiento en tareas de memoria episódica. Se ha propuesto que estas oscilaciones actúan como una especie de «marcador de relevancia» que selecciona qué información merece ser consolidada.

Así, mientras dormimos, el cerebro ejecuta de manera automática un proceso de reorganización y refuerzo de la memoria. Prioriza lo significativo y depura lo irrelevante. No es casual que, al despertar, una melodía o una frase aparentemente trivial retornen a la conciencia sin esfuerzo: son el eco de ese meticuloso trabajo nocturno en el que se escribe la memoria.

Retomar buenas costumbres

Comprender cómo aprendemos nos revela también cómo deberíamos vivir. No se trata solo de reducir el uso de pantallas, sino de recuperar un ritmo más humano. Escribir a mano ayuda a activar las redes neuronales en profundidad; pensemos, por ejemplo, en los apuntes de una clase y en cómo, al releerlos, las ideas resurgen con más claridad.

Por otro lado, es recomendable retomar la costumbre de hacer pausas verdaderas, lejos de dispositivos: observar el vuelo de un pájaro, sentir la respiración, estirar el cuerpo.

También es útil reforzar lo aprendido mediante breves ejercicios de recuperación activa –por ejemplo, explicar en voz alta un fragmento leído hace una hora–.

Además, no debemos subestimar el papel del sueño profundo: es allí donde la memoria madura y fija lo aprendido. Solo cuando le concedemos el tiempo necesario para descansar y procesar, el conocimiento arraiga de verdad. Así, las palabras que lee hoy podrán convertirse en recuerdos vivos, capaces de acompañarlo más allá de los siguientes cinco minutos, quizás toda la vida.

The Conversation

María del Valle Varo García no recibe salario, ni ejerce labores de consultoría, ni posee acciones, ni recibe financiación de ninguna compañía u organización que pueda obtener beneficio de este artículo, y ha declarado carecer de vínculos relevantes más allá del cargo académico citado.

ref. Escribir a mano y hacer pausas ayuda a recordar – https://theconversation.com/escribir-a-mano-y-hacer-pausas-ayuda-a-recordar-262076

¿Dónde están las diseñadoras?

Source: The Conversation – (in Spanish) – By M. Mar Martínez-Oña, Investigadora y profesora, UDIT – Universidad de Diseño, Innovación y Tecnología

Montaje realizado para el proyecto RED-Diseña. Miguel Ocariz

Las mujeres siempre han estado presentes en la historia del arte. E incluso han sido las protagonistas absolutas… como objetos de deseo. Es decir, podían ejercer el papel de musas, pero se les vetó el rol de creadoras.

Esta invisibilidad de las artistas es una situación que a lo largo de los siglos se normalizó a través de la divulgación e imposición de una historia del arte creada desde un perspectiva androcéntrica.

Hubo que esperar a finales del siglo XX, concretamente a la década de los años 70, a que la historiadora Linda Nochlin se cuestionase dónde estaban las artistas. Nochlin planteaba por qué se habían obviado sus nombres y la necesidad de preguntarse precisamente eso. Exigía, por tanto, rescatarlas del olvido.

Esta injusticia se intenta corregir desde finales del siglo XX a través de investigaciones que buscan reescribir la historia. Entre las figuras reivindicadas encontramos a Sofonisba Anguissola, Artemisa Gentileschi, Élisabeth Vigée-Lebrun, Camille Claudel, Maruja Mallo, Remedios Varo y un largo etcétera de mujeres.

Pero los estudios se han centrado principalmente en las denominadas artes mayores (arquitectura, escultura y pintura). Sin embargo, aquellas que realizaron su labor artística dentro de las denominadas artes menores o artes decorativas –que, tras la Revolución Industrial del siglo XIX, pasaron a entremezclarse con el denominado diseño industrial y con el actual diseño de producto– siguen sin conocerse.

Por eso, merece la pena saber quiénes han sido las mujeres que han desarrollado su trabajo artístico en esta disciplina, aunque en su momento no se conociesen o sus obras fuesen firmadas por otros diseñadores hombres (maridos, padres, hermanos, etc).

Hacia una mayor visibilidad

Afirmar que Ludwig Mies van der Rohe fue un gran diseñador y, además, el autor de la silla Barcelona (uno de los iconos del diseño moderno) es un hecho aceptado. Sin embargo, si la afirmación que hacemos es que Lilly Reich fue una gran diseñadora y, además, coautora de la silla Barcelona, probablemente tendríamos que aportar pruebas para poder justificarlo.

Pero así es: Reich fue una diseñadora y arquitecta alemana, socia y compañera de Mies van der Rohe, con el que trabajo durante más de diez años, colaborando activamente en todos los diseños, aunque la autoría se le otorgaba a él. Sin embargo, en los últimos años, gracias a la investigación, podemos decir que la autoría de la silla Barcelona es compartida. Así lo indicó Sonja Günther en 1988, la que se considera como la primera biografía de Lilly Reich.

En el caso de España, las diseñadoras estaban invisibilizadas hasta que, en los años 80 del siglo XX, en pleno auge del diseño, se comenzaron a escuchar nombres femeninos. A esa primera generación de diseñadoras, pioneras, la siguieron muchas otras.

Así lo recogemos en el libro Diseñadoras españolas de finales del siglo XX. En él hablamos de mujeres como Lola Castelló, quien desarrolló su actividad sobre todo en el diseño de mobiliario, con obras tan destacadas como las mesas La Camilla o Carmen. También de Nani Marquina –quien destaca por su novedosa visión en la creación artística en torno a la alfombra–, de la reconocida arquitecta –y también diseñadora– Carme Pinós y de Pati Núñez, una de las pioneras en diseño gráfico.

Pero quizás los nombres más invisibilizados, y que recuperamos, hayan sido los de las mujeres que desarrollaron su labor artística en torno a la animación, como Ángela Iturriza e Isabel Herguera.

El caso Delaunay

Desde el proyecto de investigación RED-Diseña, en UDIT, hemos comenzado a catalogar a las diseñadoras en diferentes ámbitos (arquitectura, moda, ilustración, fotografía, animación, diseño industrial, de producto, de videojuegos, etc). No nos limitamos a España: abarcamos diversas geografías y épocas históricas, desde las pioneras como Mary Morris –que trabajó junto a su padre, el también diseñador Willian Morris)– hasta la actualidad, con jóvenes que apuestan por la innovación y la sostenibilidad como herramientas de cambio social.

Una mujer sentada y vestida con sombrero, sombrilla, chaleco y falda.
Sonia Delaunay en una fotografía en la que viste prendas que vendía en la tienda que tuvo durante un tiempo en Madrid, Casa Sonia, c. 1918-20.
Wikimedia Commons

Entre todas las creadoras catalogadas destaca Sarah Ilínichna Stern, más conocida como Sonia Delaunay (ya que utilizó el apellido de su marido), quien durante una etapa de su vida vivió en España. Delaunay se caracterizó por ser una artista multidisciplinar, que desarrolló un intenso trabajo en varios aspectos del diseño –desde la moda y los tejidos hasta los libros–, además de ser pintora, empresaria y escenógrafa, entre otras cosas.

Su inquietud artística también la impulsó a investigar nuevas formas de crear. Actualmente se la considera cofundadora del orfismo (uso rítmico del color para crear movimiento), aunque durante muchos años este mérito se le otorgó solamente a su marido, Robert Delaunay. Posteriormente ambos evolucionaron al simultaneísmo–que empleaba el color para crear espacios y formas en una pintura– y acabaron orientándose artísticamente hacia la abstracción. Defendieron los fundamentos de un arte nuevo que rechazaba los medios tradicionales, afirmando la capacidad constructiva y la dinámica del color.

Cuadro abstracto con formas y círculos de colores fuertes.
Prismas eléctricos, de Sonia Delaunay (1914).
Wikimedia Commons

Tras el fallecimiento de Robert, Sonia siguió trabajando. El resultado fue una fructífera obra artística personal, con una identidad propia que se pone de manifiesto en todas sus creaciones. Quiso dejar atrás las antiguas tradiciones y contribuir al avance social de las mujeres desde el diseño, rompiendo con el conservadurismo. A pesar de su gran carisma artístico, durante años su obra fue invisibilizada frente a la de su compañero. Devolverle su autoría junto a su papel en la historia del arte es una cuestión de justicia.

A partir de estos ejemplos, queda patente que es necesario cuestionar la antigua historia del diseño –que divulgaba solo las obras de artistas masculinos– y reescribirla, otorgando el lugar que les corresponde a todas aquellas mujeres que desarrollaron su trabajo en este ámbito. Estos referentes deben estar presentes para el estudio del pasado, el presente y el futuro de la disciplina.

The Conversation

M. Mar Martínez-Oña no recibe salario, ni ejerce labores de consultoría, ni posee acciones, ni recibe financiación de ninguna compañía u organización que pueda obtener beneficio de este artículo, y ha declarado carecer de vínculos relevantes más allá del cargo académico citado.

ref. ¿Dónde están las diseñadoras? – https://theconversation.com/donde-estan-las-disenadoras-253688

Restaurar el patrón natural de los fuegos ayudaría a conservar los ecosistemas y evitar incendios peligrosos

Source: The Conversation – (in Spanish) – By Lluís Brotons, Investigador científico CREAF-CSIC, Consejo Superior de Investigaciones Científicas (CSIC)

ChameleonsEye/Shutterstock

Debido a las sequías y a las altas temperaturas, los incendios forestales están desarrollando nuevas formas de propagación. Este fenómeno supone todo un reto tanto para los efectivos de extinción como para la ciencia, que indaga nuevas alternativas de gestión.

Un estudio liderado por el Centro de Investigación Ecológica y Aplicaciones Forestales (CREAF) propone soluciones para mejorar la salud de los ecosistemas y sus procesos naturales al tiempo que ayuden a reducir los incendios forestales más peligrosos y masivos.

El trabajo pretende restaurar los patrones de incendio a través de prácticas como la quema en mosaico localizado que es aquella que se realiza en áreas con diferentes tipos de ecosistemas que se encuentran muy cerca unos de otros. Otras opciones incluyen dejar que ciertos incendios ardan de forma natural, reintroducir especies animales que se alimentan de la maleza o cambiar los patrones hidrológicos.

Esta visión, conocida en Europa como renaturalización o rewilding , busca lograr un sistema socioecológico equilibrado, a pleno rendimiento, que sea capaz de soportar perturbaciones naturales como pequeños incendios, plagas o sequías gracias a la diversidad de paisajes resilientes al cambio climático.

Es importante aclarar que la idea se basa en identificar nuevos regímenes de incendios que beneficien los procesos ecológicos a medida que el clima cambia, no en volver a los antiguos patrones.




Leer más:
El cambio climático ha aumentado el riesgo de incendios, pero aún podemos influir en cómo y dónde se producen


El fuego puede generar vida

Nuestro estudio propone soluciones que refuercen procesos naturales, hoy perdidos, que podrían contribuir a disminuir los fuegos de alta intensidad. Eso significa aprovechar el papel de la fauna, las plantas, los humanos y ciertas perturbaciones como la sequía, e incluso de los propios incendios.

Aunque es algo que la mayoría desconoce, el fuego genera vida y desempeña un papel crucial a la hora de mantener la naturaleza en equilibrio. Por ejemplo, la rica biodiversidad que caracteriza al Mediterráneo se debe en gran parte a los incendios. En Brasil, el fuego estimula la floración del 66 % de las plantas del Cerrado, la sabana tropical más grande de Sudamérica. Y, en el norte de Australia, las poblaciones de rata canguro se encuentran en declive debido a la falta de fuegos, que hacen prosperar un tipo de hierba del que se alimenta este marsupial.

Como evidencian estos y otros casos, la renaturalización permitiría recuperar especies y procesos naturales y, al tiempo, regímenes de fuegos beneficiosos tanto para la biodiversidad como para las actividades humanas, especialmente a la hora de disminuir el riesgo de incendios muy intensos, como los que actualmente arden en Portugal.

Gracias a la renaturalización, podríamos disponer de paisajes en los que el fuego tenga un rol clave de modelización y protección, pero sin que llegue a descontrolarse.




Leer más:
La era de los incendios que ya no podemos apagar


Una naturaleza que se autorregula

Ayudar a la conservación de ecosistemas implica facilitar que recuperen sus dinámicas complejas y su capacidad de autoregulación.

En las Montañas Rocosas de Norteamérica, los castores represan los ríos, lo que altera la humedad del suelo y evita que los incendios alcancen ciertas áreas. En Mozambique, los búfalos se alimentan de especies vegetales específicas de la sabana, permitiendo áreas llanas que podrían actuar como barreras naturales a la hora de evitar la propagación del fuego. Con el fin de construir su nido, el ’malleefowl’, un pájaro endémico de Australia, excava y deshace material combustible que podría propagar un incendio.

En sistemas forestales mediterráneos, la renaturalización podría dirigirse, por un lado, a promover árboles grandes y bosques más maduros, que creen microclimas más frescos, mejoren el ciclo del agua y del carbono, ofreciendo troncos que son hábitats naturales de muchas especies y madera muerta como base de alimento de hongos e insectos. Y por otro, a aprovechar los fuegos locales y las sequías que favorecen la discontinuidad del bosque al provocar la muerte de algunos árboles.

Ejercer, de manera estratégica, un menor control en la extinción de incendios forestales puede tener grandes beneficios, como nos enseña el caso de Canejan, un pueblo en los Pirineos donde se utilizó un incendio no planificado para alcanzar objetivos preestablecidos de gestión, como promover hábitats abiertos y controlar la invasión de arbustos.

No obstante, en la actualidad, en vez en de aprovechar los procesos naturales de autoregulación, se da prioridad a una gestión de la naturaleza altamente controlada, artificial y costosa, donde la intervención humana intensiva manipula sus dinámicas y mantiene paisajes amenudo artifialmente estáticos o rígidos.




Leer más:
Soluciones basadas en la naturaleza para adaptar la gestión del agua al cambio climático


El fuego como aliado: las quemas localizadas

Entre las posibles prácticas de renaturalización que proponemos destacamos las quemas localizadas para abrir espacios en zonas clave. Este tipo de soluciones funciona como reclamo para distintas especies endémicas de mariposas y aves, cuyas poblaciones han disminuido de manera alarmente en los últimos cuarenta años. La quema en mosaico no sólo beneficiaría a la biodiversidad, sino que evitaría el riesgo de incendios peligrosos.

Como en toda gestión medioambiental, estas estrategias requieren de una cuidadosa planificación. Por ejemplo, la decisión de no apagar un fuego constituye una práctica sólo apta cuando el entorno no representa un riesgo para humanos, en entornos con especies acostumbradas a convivir con las llamas y de las que se benefician.

No obstante, la renaturalización podría ayudar en muchos casos a mitigar algunos riesgos que los patrones de incendios alterados provocan, como la pérdida de vidas, hogares y bienes naturales.

Volver a un régimen de fuego más conectado a los procesos naturales supone redefinir el rol de las sociedad en su control. Eso no implica excluir el componente humano de los ecosistemas, sino otorgar mayor autonomía a los demás seres del entorno natural.

El fin es dejar que el sistema funcione de forma más equilibrada asumiendo al fuego como una perturbación, que los bosques sean más resilientes y se reduzcan costes en su gestión a largo plazo.

The Conversation

Lluís Brotons es miembro de conservacio.cat (https://defensapatrimoninatural.wordpress.com/2015/08/16/conservacio-cat/)

Ella Plumanns Pouton esta empleada por el proyecto wildE de Horizon Europe (GAP-101081251) . Esta reserca tanbien recibió apoyo financial por el MCIN/AEI por el proyecto de RESFIRE (PID2023-152690OB-C21) y AGAUR, Generalitat de Catalunya (2021 SGR 00889).

ref. Restaurar el patrón natural de los fuegos ayudaría a conservar los ecosistemas y evitar incendios peligrosos – https://theconversation.com/restaurar-el-patron-natural-de-los-fuegos-ayudaria-a-conservar-los-ecosistemas-y-evitar-incendios-peligrosos-262314

El genocidio es un delito fundamentalmente político: por qué es importante para Gaza

Source: The Conversation – (in Spanish) – By Antonio Míguez Macho, Profesor de Historia Contemporánea, Universidade de Santiago de Compostela

Gaza, Palestina. Julio de 2025. IndonesiaStudio/Shutterstock

“Cuando un sabio señala la luna, el necio mira el dedo”.

Este proverbio, atribuido a Confucio, apunta a la tendencia humana a centrarse en el mensaje, el mensajero o el concepto en lugar de en la realidad que este refleja, especialmente cuando dicha realidad puede resultar incómoda o perturbadora. Hoy en día, esta noción resulta muy relevante para la matanza y la hambruna que se están produciendo en Gaza.

Muchos académicos, abogados, periodistas y funcionarios han calificado las acciones del Gobierno de Israel en Palestina como genocidio, crímenes de guerra o crímenes contra la humanidad. El Gobierno de Israel y sus aliados refutan estas acusaciones, pero a menudo lo hacen basándose en el antisemitismo o en motivos ocultos, en lugar de en la verdad objetiva sobre los hechos en sí. Al mismo tiempo, muchos activistas utilizan estos conceptos sin comprender plenamente sus implicaciones teóricas.

El genocidio es distinto de otros crímenes. No es una palabra que deba utilizarse a la ligera, ni una forma de describir un delito común a mayor escala. El genocidio requiere una base política e ideológica que permita justificar, tanto a nivel institucional como colectivo, el exterminio de un pueblo y su cultura, y lo presenta como una medida legítima o incluso deseable.

Por lo tanto, para pensar en términos de genocidio, debemos mirar más allá del individuo y analizar los episodios de violencia masiva como acontecimientos políticos, históricos y antropológicos.

Conceptualización del genocidio

Aunque los genocidios se han producido a lo largo de la historia de la humanidad, el término en sí es un neologismo acuñado por el abogado polaco Raphael Lemkin a principios de la década de 1940. Lo hizo reconstruyendo varios acontecimientos históricos que habían provocado la destrucción de culturas.

Basándose en el trabajo del antropólogo polaco Bronisław Malinowski, encontró ejemplos de tal destrucción en la expansión colonial europea por todo el mundo y en actos como el asesinato en masa de armenios en Anatolia durante la Primera Guerra Mundial. Tras evaluar estos acontecimientos, llegó a la conclusión de que no existían instrumentos jurídicos o políticos eficaces para proteger a los grupos culturales de una amenaza inminente de destrucción. Esto le llevó a luchar por el reconocimiento internacional de un marco protector de este tipo.




Leer más:
¿Qué es un genocidio?


El propio Lemkin experimentó la ausencia de garantías cuando se vio obligado a huir de la persecución nazi, dejando atrás a muchos miembros de su familia que serían asesinados por su identidad judía durante la Segunda Guerra Mundial. Mientras se encontraba exiliado en Estados Unidos tras el fin de la guerra, logró convencer a la recién creada Organización de las Naciones Unidas (ONU) para que adoptara su nuevo concepto.

En la Resolución 96 de la Asamblea General de las Naciones Unidas, de 11 de diciembre de 1946, se aprecia claramente la influencia de Lemkin y la presencia de elementos históricos y antropológicos en la definición de genocidio. La Resolución, titulada “El crimen de genocidio”, dice lo siguiente:

El genocidio es la negación del derecho a la existencia de grupos humanos enteros, como el homicidio es la negación del derecho a la vida de seres humanos individuales; tal negación del derecho a la existencia conmociona la conciencia de la humanidad, causa grandes pérdidas a la humanidad en forma de contribuciones culturales y de otra índole representadas por estos grupos humanos, y es contraria a la ley moral y al espíritu y los objetivos de las Naciones Unidas. Muchos casos de tales crímenes de genocidio han ocurrido cuando grupos raciales, religiosos, políticos y de otra índole han sido destruidos, total o parcialmente.

Crimen colectivo, víctimas colectivas

A partir de ese momento, comenzaron los intentos de encajar el concepto en marcos jurídicos y políticos. Pero el genocidio no es una norma jurídica o política claramente definida. Se trata más bien de una forma de entender un tipo singular de proceso violento, y los debates sobre cómo definirlo continúan hasta hoy.

Pensadores influyentes como Philippe Sands –especialmente su obra seminal de 2016 Calle Este-Oeste– han reforzado la creencia común en la superioridad jurídica del concepto de crímenes contra la humanidad. Esto se debe en gran medida a que Sands sigue el argumento de Hersch Lauterpacht, que hace hincapié en la primacía del individuo. Sin embargo, el genocidio es un delito intrínsecamente colectivo, tanto en lo que se refiere a sus autores como a sus víctimas.

Según algunas interpretaciones del argumento de Sands, el individuo tiene prioridad porque encaja en nuestras nociones y estructuras establecidas de justicia penal, que están construidas para identificar y enjuiciar a los autores individuales de delitos específicos. Sin embargo, cuando se trata del genocidio, la aplicación de este marco siempre ha tenido menos que ver con el rigor jurídico y más con la debilidad política. En pocas palabras, es más fácil enjuiciar a un puñado de cabecillas que a todo un gobierno o un ejército.

Pero incluso este modelo individualizado se queda corto. A pesar de los numerosos llamamientos para que se reconozcan las acciones del Gobierno israelí como genocidio, incluidos los de grupos de derechos humanos con sede en Israel, en los últimos meses países como Hungría y Estados Unidos han hecho alarde de las órdenes de detención de la Corte Penal Internacional contra funcionarios israelíes. Los aliados de Israel en Estados Unidos, Reino Unido y la Unión Europea también se han negado a tomar medidas políticas mediante la aplicación de sanciones y siguen suministrando armas a Israel.

Esto demuestra que el genocidio es un delito fundamentalmente político. No puede haber enjuiciamiento en virtud del derecho internacional sin una aplicación política, ya sea en forma de presión diplomática o de acciones militares más directas contra el agresor.




Leer más:
Mirando a Srebrenica para entender Gaza: ¿cómo se prueba la intención de destruir a un grupo?


Genocidio en Palestina

Cuando hablamos de genocidio, debemos ser específicos. La cuestión clave no es determinar si se han cumplido las condiciones para juzgar a los autores concretos de actos concretos de violencia como genocidas, sino comprender la lógica que subyace a esas prácticas. Una condena por genocidio o crímenes contra la humanidad no salva vidas, pero el mero hecho de considerar que se está cometiendo o se ha cometido un genocidio tiene profundas implicaciones políticas.

Sin embargo, lo que estamos presenciando en Gaza demuestra la fuerza de este concepto, no su debilidad. Como académicos, debatimos si el tipo de violencia masiva utilizada por Israel constituye genocidio, pero también lo hace la opinión pública indignada que protesta en las calles de todo el mundo. Lo mismo ocurre con el Gobierno israelí y sus partidarios: no pueden evitar pensar en el genocidio, aunque solo sea para negarlo.

Definir la violencia de Israel en Palestina como genocidio no detendrá las matanzas, pero tampoco lo haría ninguna otra clasificación jurídica. Aceptar tal interpretación solo sirve para desviar la atención de quien es, en última instancia, responsable: la política.

Independientemente de las dudas o limitaciones, pensar y hablar sobre el genocidio sigue siendo una herramienta poderosa para mantener la mirada fija en la luna y no en el dedo que la señala.

The Conversation

Antonio Míguez Macho no recibe salario, ni ejerce labores de consultoría, ni posee acciones, ni recibe financiación de ninguna compañía u organización que pueda obtener beneficio de este artículo, y ha declarado carecer de vínculos relevantes más allá del cargo académico citado.

ref. El genocidio es un delito fundamentalmente político: por qué es importante para Gaza – https://theconversation.com/el-genocidio-es-un-delito-fundamentalmente-politico-por-que-es-importante-para-gaza-262667