Seen but not forgotten: How citizen science helps document biodiversity in remote Borneo villages

Source: The Conversation – Indonesia – By Erik Meijaard, Honorary Professor of Conservation, University of Kent

When I, Erik Meijaard, worked as a wildlife consultant for a timber concession in Borneo, I often chatted with the logging truck drivers — and quickly realised that some of them knew far more about local wildlife populations than the company’s own biodiversity teams.

“If you want to see clouded leopards, ride with me in my truck — I can almost guarantee we’ll spot one or two near kilometre 38 around two in the morning,” one of the drivers told me at the time.

I didn’t spot the elusive cats that night, but two years later, early one morning, I finally found one sitting calmly beside a logging road. The driver had been right all along: these leopards really do like the roads.

Logging truck drivers spend countless hours on the road, travelling deep into remote forests. They often see wildlife, yet no one asks them about it — because spotting animals isn’t part of their job. Our programmes change that, allowing anyone with an interest in tropical wildlife to contribute their observations.

Since then, I have relied heavily on community-sourced information to monitor wildlife populations within company concessions and ensure that emerging threats are quickly detected and addressed.

I began by creating the first orangutan distribution maps in the 1990s through village interviews, later expanding the approach to 700 villages in 2008 to better understand local perceptions of forests and wildlife.

From 2019 to 2025, I ran an oil-palm-plantation–based citizen-science pilot that generated nearly 190,000 wildlife records from 4,000 workers.

These experiences show that some of the most valuable ecological knowledge rests with the people who live closest to the forest — not the scientists who visit only once a year.

How does citizen science work?

Building on that insight, Emily (who co-wrote this article with me) and I introduced a new version of the model for broader study in four villages in the Kapuas Hulu district of West Kalimantan. There, the local community manages the forest under a social forestry scheme.

We worked directly with them. Anyone with a smartphone can record wildlife sightings using our simple mobile app named Kehatiku (which in Indonesian means both “to my heart” and “my biodiversity”). Observations — from orangutan photos to gibbon audio clips — are then uploaded with GPS coordinates.

Each record then goes through a multi-stage verification process: an AI-assisted screen check for duplicate images and location mismatches, followed by review from our team of verifiers and species experts, who cross-reference field guides.

Once a record is verified, we issue a payment to the observer — ranging from around US$0.60 for a bird-call recording to about US$6 for a clear photo or video of a wild orangutan.

Since the citizen science program launched in 2023, 567 participants have recorded more than 58,000 wildlife observations from community forests — at roughly one-twentieth the cost of conventional surveys. The program creates both income and incentives to protect wildlife and their habitats.

What the data reveal?

So far, the data show unexpectedly high numbers of orangutans, gibbons, and many other species in these community forests, including several of global conservation concern.

The most frequently reported wildlife in the four Kapuas Hulu villages includes orangutans (with 9,766 nest records), white-rumped shamas, sun bear signs, long-tailed macaques, and stingless bees.

Direct sightings of Bornean orangutans and regular recordings of gibbon calls confirm that these species persist outside protected areas — even within agricultural landscapes bordering the villages.

This information is invaluable to understand how threatened mammals survive in mixed-use forests, where formal surveys are rare or expensive. We are currently doing critical testing as to whether the data are strong enough to generate statistically robust occupancy estimates — showing how wildlife species use village forest areas.

For plantations, we can already translate these findings into a living index, an important tool for developing data-driven conservation policies and interventions.

Shifting behaviour and social impact

In early 2025, we also collaborated with a local partner to conduct social baseline surveys to assess the program’s socioeconomic impact.

Initial survey results suggest a shift in perception is already underway. More than 70% of residents across the four pilot villages had heard of the initiative, and nearly two-thirds said they are interested in joining.

About a third already earn income from verified wildlife observations — typically US$30 to US$180 every three months, a meaningful supplement in communities where most households live on less than US$120 per month.

More importantly, attitudes toward wildlife are shifting. Where songbirds were once trapped and sold to traders, many villagers now choose to leave them in the forest — realising it’s more profitable to record the birds’ presence and get paid for it.

A model for inclusive, low-cost monitoring

Financial incentives have clearly boosted engagement. Observation rates rose from about 17 per village per month during the voluntary phase to more than 6,000 per month once payments were introduced.

At an average cost of just US$0.85 per observation, this approach is far cheaper than traditional transect or camera-trap surveys, which can cost US$300 per camera or more.

Not only does it reduce logistical costs, but relying on local observers also makes it possible to cover vast, remote areas.

And unlike short-term research projects, this one runs year-round — because the motivation, and the data, come from the community itself.

The programme also strengthens local governance. Regular meetings and WhatsApp groups allow residents to discuss verification results, propose rule changes, and collectively decide how to manage conflicts over shared rewards. We also close the information loop by translating wildlife observations into insights communities can use to guide their decisions.

These interactions, along with transparent payment records, are boosting accountability and participation in broader village decision-making. This transparency has helped build strong trust within the community.

On one occasion, when a participant submitted an internet-sourced photo as fake evidence, the peers insisted on removing them from the project — a proof that data integrity now matters at the community level.

Our local facilitator paying an observer. The program has also seen a recent increase in women’s participation.
Andi Erman

Beyond data: Building ownership and pride

Beyond science, the project is fostering local ownership and pride in nature. For participants, the forest has become a living asset — one that generates income through conservation. That shift in perception may be the most important outcome of all.

With mobile networks and digital payment systems now widespread across Indonesia, this low-cost, scalable model could be expanded to thousands of villages. Citizen science can become a cornerstone of future wildlife conservation — and Indonesia could lead the way in making it happen.

From the truck drivers who spotted clouded leopards in the 1990s to today’s smartphone-armed villagers, the message is clear: science and stewardship thrive when everyone can take part — and be fairly rewarded for it.

The Conversation

Erik Meijaard menerima dana dari Wildlife Futures dan Arcus Foundation

Emily Meijaard bekerja di Borneo Futures Sdn Bhd the organization that developed the citizen science-based monitoring approach discussed in the article

ref. Seen but not forgotten: How citizen science helps document biodiversity in remote Borneo villages – https://theconversation.com/seen-but-not-forgotten-how-citizen-science-helps-document-biodiversity-in-remote-borneo-villages-269621

Frozen rewrote Disney princess narrative – and it’s still relevant

Source: Radio New Zealand

In the final week of November 2013, Disney released a little film set in a fictional kingdom in Norway in the 1840s.

Inspired by Hans Christian Andersen’s The Snow Queen, it told the tale of two sisters who are close as children but become estranged as adults.

You might have heard of it — Frozen, a film that transcended typical box office success to become a cultural touchstone for children around the world.

The sisters are, of course, the imperious Elsa, voiced by Tony Award-winning actor Idina Menzel, and the ebullient Anna, voiced by Kristen Bell, both princesses of Arendelle.

Directed by Chris Buck (Tarzan, Surf’s Up) and Jennifer Lee (the co-writer of Wreck-It Ralph), Frozen earned more than $US1.2 billion at the box office.

Released in Australia on Boxing Day, it was the highest-grossing film of 2013 and the highest-grossing animated film until the live-action remake of The Lion King surpassed it in 2019.

The film was groundbreaking in other ways.

Lee, initially brought on as a writer, was the first woman to direct a full-length Disney animated film and the first female director of a feature film to gross more than US$1 billion.

Frozen also won a raft of awards, including Academy Awards for Best Animated Feature and Best Original Song, and a Grammy for its soundtrack.

Its cultural power can be felt closer to home. Fossick through any child’s dress-up box and you will find a replica of Elsa’s dress in ice-blue polyester.

Just why Frozen captured the zeitgeist, when Disney films with strong female protagonists such as Brave or Mulan didn’t, has been the subject of much discussion — and at least one academic conference — in the 12 years since the film was released.

So, what made Frozen different?

As a character, Elsa's "not exactly personable", Turnbull says. "She's nervous and afraid and guarded."

As a character, Elsa’s “not exactly personable”, Turnbull says. “She’s nervous and afraid and guarded.”

Disney

Not your typical Disney princess

Frozen didn’t just break box office records.

It also broke the mould of the typical Disney narrative, placing two sisters rather than a heterosexual romance as the film’s central relationship.

“[Unlike] Cinderella, Sleeping Beauty-type fairy tales … it didn’t end with a marriage; it did end with a rescue, but it wasn’t a prince or a man saving the day, it was two sisters saving each other,” Samantha Turnbull, author of The Anti-Princess Club, told ABC Radio National’s Earshot in 2015.

“It was a story about sisterhood, about strong young women saving themselves and putting their relationship with each other first.”

Frozen subverted the Disney stereotype in other ways.

For one, Elsa was not like other Disney princesses, who generally did not possess magical powers.

Their raison d’être tended to be love and marriage, two things for which Elsa holds zero interest.

“Characters like Cinderella and Sleeping Beauty, they have no interests or passions or even real flaws; they’re just perfect one-dimensional characters,” Turnbull said.

Elsa was different: multi-layered, flawed and relatable.

“She can’t control her ice powers, and as a way of dealing with that, she isolates herself from the rest of the world … almost at the expense of her relationship with her sister.”

Elsa of Arendelle and Anna of Arendelle from the 2013 Disney film Frozen

Buck says the film’s creators were driven by the question: “How can we portray a new idea of real love?”

Disney

The smash-hit Let It Go

And then there’s the song.

‘Let It Go’, a chart-topping power ballad, was composed by husband-and-wife team Robert Lopez and Kristen Anderson-Lopez.

With its emotive refrain — “let it go, let it go, can’t hold it back any more” — and persuasive message of self-affirmation, ‘Let It Go’ quickly took on a life of its own.

The song has soundtracked countless children’s birthday parties and accumulated more than 940 million streams on Spotify to date.

Journalist and critic Dorian Lynskey told Earshot that ‘Let It Go’ was “an incredibly positive song for children to be embracing” in its rejection of shame and guilt.

“As girls grow up, they are often invited to feel shame and guilt about how they look or how they behave,” he said.

“[Let It Go is] a rejection of all the things that people expect from [Elsa] and this ownership of who she is and what she can do and how thrilling that is.”

The song was embraced by some in the LGBTQI community, who viewed it as a coming-out-of-the-closet anthem.

For others who saw Elsa as a neurodivergent heroine, ‘Let It Go’ was an expression of her refusal to continue pretending to be neurotypical and masking her true self.

“It had all these different meanings for different groups,” Lynskey said.

“That could only happen because the central message is so powerful and is about asserting your individuality and not bowing to people who want to make you feel shame about it.”

The Frozen franchise continues

The Frozen juggernaut generated an enthusiastic fan culture with an apparently insatiable appetite for merchandise.

At last count, my children’s toy box contained at least seven Elsa and Anna dolls in various iterations. We have the Lego, the dress (of course), as well as the detachable white-blonde plait. We’ve had Elsa birthday parties and bought Elsa’s wand at Disney on Ice.

And it’s not just girls who fell for Elsa’s icy reserve. At my daughter’s 5th birthday, a little boy was very excited to turn up in his favourite costume, an Elsa dress.

Frozen’s cultural influence shows no signs of waning. Frozen 2 eclipsed the first film’s box office success, earning more than $1.4 billion, and, inevitably, the franchise is set to continue with Frozen 3 slated for release in 2027 and Frozen 4 in the works, too.

As Stephen Langston, a senior lecturer at the University of the West of Scotland, noted in The Conversation, it cleared the way for a new crop of Disney films that featured strong female heroines and storylines unrelated to romance, including Moana, Encanto, Turning Red — and, of course, Frozen 2, released in 2019.

“The legacy of these trailblazing productions is testament to the power of inclusive storytelling, proving that there is immense value in narratives that look beyond traditional norms and celebrate the diversity of the human experience,” he wrote.

– Published by EveningReport.nz and AsiaPacificReport.nz, see: MIL OSI in partnership with Radio New Zealand

Ce que l’argot des collégiens nous dit des stéréotypes de genre chez les jeunes

Source: The Conversation – in French – By Anne Gensane, Enseignante chercheuse en sociolinguistique, Université d’Artois

Habiles pour inventer de nouveaux mots, les jeunes s’affranchissent-ils pour autant des stéréotypes de genre ? Une étude sur les pratiques argotiques d’élèves de l’enseignement secondaire nous offre un regard sur la manière dont ils reproduisent ou bousculent les rapports de force sociaux.


Dans une société de plus en plus soucieuse de l’égalité femme-homme, on souhaite que la langue en soit un vecteur. L’écriture inclusive témoigne de ces efforts. Mais qu’en est-il des façons de parler des jeunes ? Intègrent-elles ces préoccupations ? S’affranchissent-elles vraiment des stéréotypes de genre ?

Une étude sociolinguistique de terrain, fondée sur un corpus d’expressions argotiques récoltées dans des établissements du secondaire, permet d’interroger leurs représentations et la manière dont elles s’écartent des normes sociales ou les reproduisent.

Avant tout, il est crucial de rappeler que les jeunes dont nous parlons ne constituent pas une catégorie homogène. Certains viennent des zones périphériques de grandes villes, d’autres de milieux ruraux, ils peuvent connaître ou non des contacts multiculturels… Autant de facteurs qui influencent directement les pratiques linguistiques et la manière dont les stéréotypes de genre sont exprimés et vécus.

Un argot contemporain misogyne ?

Parmi près de 300 termes collectés dans l’étude, un grand nombre évoque directement le corps, notamment sous un angle sexuel. L’étude lexicale montre un déséquilibre quantitatif et qualitatif entre les représentations des corps masculins et féminins. Le sexe masculin est le plus fréquent (« zboub » qui est d’origine arabe, ou « chibre »). Pour ce qui est du corps féminin, il est fréquemment réduit à des métaphores dégradantes ou idéalistes, et cela en dit long sur cette hiérarchie sociale.

On peut citer la métaphore de l’animalité avec des mots comme : « chatte », ou « schnek » qui désigne un escargot en allemand ; la métaphore de la consommation avec, par exemple, « de la peufra » : il s’agit ici du verlan de « frappe », lui-même jouissant d’une signification imagée et pouvant aussi désigner de la drogue de bonne qualité ; ou, très présente, la prostituée : « keh », d’origine arabe, ou « tchoin », d’origine nouchi (un argot ivoirien très présent également dans l’argot contemporain). Ces mots participent de la disqualification sociale des femmes, en les réduisant à leur rôle dans la sexualité masculine.

Mais cet argot contemporain est-il pour autant intrinsèquement misogyne ? Si une grande majorité des termes semblent dévaloriser les femmes, leur usage n’est pas toujours aussi simple. Certaines expressions, comme « avoir de la moule » inversent parfois la hiérarchie, associant le sexe féminin à la chance.

Il apparaît que ce n’est pas tant l’argot en lui-même qui est sexiste ou misogyne, mais les pratiques sociales dans lesquelles il s’inscrit et qui, parfois, évoluent. Les termes suivants illustrent une violence symbolique. La « beurette à chicha » désigne littéralement une jeune femme d’origine maghrébine (« beur » étant le verlan tronqué de « arabe ») présente dans un bar à chicha. Ce que cela signifie vraiment ? Une jeune femme qui est trop visible, tout comme la « tana » (vraisemblablement la forme tronquée de « Ana Montana », personnage de série télévisée).

Ces catégories langagières semblent moins désigner des réalités sociales qu’elles n’organisent une grille de lecture stéréotypée des conduites féminines dans l’espace public. Le fait que ces termes soient employés par d’autres jeunes filles souligne la complexité des mécanismes de reproduction ou de résistance à la norme.

La femme qui dit : une « terreur argotique féministe » ?

Le langage reflète une hiérarchie des genres, où les garçons bénéficient de plus de liberté d’expression que les filles, soumises à un contrôle social important. Ce qui ne veut pas dire qu’il n’y a pas de contrôle d’un autre type chez les garçons ; on peut observer que ce phénomène s’inscrit notamment dans une certaine valorisation de la virilité, tant physique que linguistique (on pense aussi aux insultes féminisantes).

Avoir recours à une certaine hexis corporelle (manière de se tenir, de s’habiller…) et à un langage cru serait une forme de manifestation de la virilité et, alors, un moyen de marquer la distinction sociale attendue. En revanche, les femmes sont traditionnellement perçues comme plus élégantes lorsqu’elles adoptent des normes linguistiques plus prestigieuses, rejetant les formes de langage populaire pour exprimer une identité sociale différente, voire opposée à celle des hommes.

Parler d’une « terreur argotique féministe » sur le modèle de l’ouvrage d’Irene n’est peut-être pas si exagéré. À la suite de l’autrice, il s’agirait de réfléchir à la place que détient la violence dans la lutte contre les inégalités. Certaines jeunes filles se réapproprient des termes plutôt vulgaires pour affirmer leur autorité, parfois pour choquer ou pour se défendre dans un environnement marqué par la domination masculine.

Ainsi, des expressions comme « avoir les couilles » sont utilisées par des filles revendiquant par la même occasion une forme de pouvoir symboliquement associé aux hommes. Mais ne reproduiraient-elles pas, dans le même temps, cette discrimination stéréotypée ?

Le langage des jeunes filles est un terrain plus complexe qu’il n’y paraît. Certaines collégiennes de Cergy (Val-d’Oise) enregistrées dans le Multicultural Paris French, un grand corpus oral, expliquent qu’elles utilisent ces termes violents ou grossiers pour s’adapter à un univers où les garçons imposent leur domination. Simone de Beauvoir affirme que c’est potentiellement en s’assimilant à ces modes de fonctionnement masculin que la femme s’affranchira.

Le langage devient un réflexe dans un environnement symboliquement hostile, une manière de se défendre face à un monde qui attend des filles qu’elles soient discrètes. L’usage d’un langage perçu comme masculin peut être dès lors défensif. Mais est-ce bien pour autant une volonté desdits garçons d’être agressifs ?

Un conservatisme linguistique pudique ?

Parler ainsi (encore faudrait-il déterminer ce qu’est ce « ainsi »), c’est peut-être aussi l’assurance de gérer symboliquement les frontières entre espace privé et espace public. Le locuteur, garçon ou fille, jeune ou moins jeune, provenant d’un quartier populaire ou bourgeois, pourrait chercher à maîtriser l’accès à son identité telle qu’il ou elle la conçoit, à filtrer ce qu’il ou elle expose de son intimité en usant de ce lexique.

Cela est reconduit par ailleurs dans les thématiques amoureuses des morceaux de rap qu’ils semblent préférer écouter : auraient-ils donc besoin de se cacher derrière une apparente violence des stéréotypes genrés pour se protéger ? Dans ce cadre, l’excès verbal des jeunes ne serait pas analysable comme étant d’ordre exhibitionniste, mais pourrait bien plutôt paradoxalement aider à la dissimulation de soi.

Il peut être étonnant que, malgré l’inventivité linguistique des jeunes contemporains (catégorie, on l’a dit, fort hétérogène), leur langage semble reproduire des hiérarchies de genre anciennes. Les « codes » sont bousculés, mais n’en restent pas moins ancrés dans des normes sociales bien établies.

Cela montre que les jeunes n’échappent pas à une sorte de conservatisme sociolinguistique. Si leur langage peut être vu comme un miroir de la société dans laquelle ils évoluent, il semble que cette société peine à se débarrasser de beaucoup de formes de domination.

The Conversation

Anne Gensane ne travaille pas, ne conseille pas, ne possède pas de parts, ne reçoit pas de fonds d’une organisation qui pourrait tirer profit de cet article, et n’a déclaré aucune autre affiliation que son organisme de recherche.

ref. Ce que l’argot des collégiens nous dit des stéréotypes de genre chez les jeunes – https://theconversation.com/ce-que-largot-des-collegiens-nous-dit-des-stereotypes-de-genre-chez-les-jeunes-268125

How the first Bible to include a map helped spread the idea of countries with borders

Source: The Conversation – UK – By Nathan MacDonald, Professor of the Interpretation of the Old Testament, University of Cambridge

Five hundred years ago the first Bible featuring a map was published. The anniversary has passed uncelebrated, but it transformed the way that Bibles were produced. The map appeared in Christopher Froschauer’s 1525 Old Testament, which was published in Zürich and widely distributed in 16th-century central Europe.

Yet despite being a groundbreaking moment in the Bible’s history, the initial attempt was hardly a triumph.

It is flipped along the north-south axis (meaning it’s back to front). As a result, the Mediterranean appears to the east of Palestine, rather than to the west. It illustrates how little many in Europe knew about the Middle East that such a map could have been published without anyone in the printer’s workshop questioning it.

The map had originally been drawn about a decade earlier by the celebrated Renaissance painter and printmaker Lukas Cranach the Elder, based in Wittenberg in latterday Germany. Written in Latin, it shows Palestine with various important holy sites such as Jerusalem and Bethlehem. At the bottom, you can see the mountains of Sinai and the path taken by the Israelites as they escaped slavery in Egypt.

Lucas Cranach the Elder's map of the Holy Land in Christopher Froschauer's Old Testament.
Lucas Cranach the Elder’s map of the Holy Land in Christopher Froschauer’s Old Testament.
The Wren Library, The Master and Fellows of Trinity College, Cambridge, CC BY-SA

Look closely and you can see the Israelites and their tents, plus various vignettes of the events on their journey. The landscape is more European than Middle Eastern, though, reflecting the printmakers’ ignorance of this region. There are walled towns with numerous trees and, in contrast with reality, the Jordan meanders rather more dramatically towards the Dead Sea, and the coastline has more bays and coves.

In the previous century, Europeans had rediscovered the second-century Greco-Roman geographer Ptolemy, and with him the art of making accurate maps that used latitude and longitude (insofar as longitude could be estimated at that time – it greatly improved in later centuries). With the advent of printing, Ptolemy’s Cosmographia had taken Europe by storm. His scientific treatise on geography was published and his maps of the ancient world reproduced.

Printers soon discovered, however, that purchasers desired contemporary maps. Soon new maps of France, Spain and Scandinavia were published. To our eyes these are truly modern. North is at the top of the page and the locations of cities, rivers and coastlines are presented highly accurately.

Map of France from Ptolemy's Cosmographia.
Modern map of France in Ptolemy’s Cosmographia, the 1486 (1482) Ulm Printing.
Stanford University, CC BY-SA

These maps rapidly replaced medieval mapping with its symbolic approach to the world, such as the famous Hereford mappa mundi of the known world circa 1300, where it was more about conveying cultural or religious meaning than geographical accuracy. Except, that is, in one case: Palestine.

The early modern printers of Ptolemy also gave their readers a “modern map of the Holy Land” that was nothing of the sort. It was a medieval map produced not by using latitude and longitude, but using a grid to measure distances between different locations. It was orientated with the east at the top of the page and the west at the bottom. It portrayed the holy sites of Christianity and divided the land of Palestine into tribal territories.

Cranach’s map blends these two types of maps. At its top and bottom edges it has lines of meridian, but the coastline is slanted so that the entire map is orientated with the north-east at the top of the page.

It is as though Cranach couldn’t quite decide what type of map to create. Its portrayal is realistic and modern, but the map is full of symbolic geography: as your eye passes over, you journey with the Israelites from Egyptian bondage to the promised land, with all its resonant locations, such as Mount Carmel, Nazareth, the River Jordan and Jericho.

Perceptions of Palestine

The map was characteristic of Europe’s lack of interest in Palestine, then part of the Ottoman empire. What European book buyers cared for was the strange hybrid space that is the “Holy Land”: somewhere that was in our world, but also not part of it.

The towns the map portrayed were those that had flourished two millennia earlier, which for Christians were in some sense more real. They were part of the imaginative space described in their churches and scriptures.

Nicholas Poussin's The Crossing of the Red Sea 1633-34
The exodus of the Israelites as depicted in Nicholas Poussin’s The Crossing of the Red Sea (1633-34).
Wikimedia, CC BY-SA

That curious juxtaposition of ancient and modern was particularly consequential when it came to the mapping of Palestine into 12 tribal territories. The 12 tribes that descended from Jacob symbolised Christianity’s claim as true heir of Israel and its holy sites, and also what the holy sites represented: the inheritance of the heavenly Jerusalem. Lines on the map communicated the eternal promises of God.

But in the early modern period, lines began to be used to mark the borders between sovereign states. The maps of the Holy Land, neatly divided amongst the Israelite tribes, set the agenda for cartographers. As the 16th century went on, more and more maps in atlases divided the world among distinct nations with clearly defined borders.

The fact that a map divided into territories appeared in the Bible gave apparently religious authorisation for a world full of borders. Lines that had once symbolised the boundless divine promises now communicated the limits of political sovereignties.

Within Bibles themselves, maps had arrived for good. The following years saw printers experiment with various configurations, but eventually they were to settle on four maps: one of the wilderness wanderings of the Israelites, one of the territories of the 12 tribes, one of Palestine at the time of Jesus, and one of the apostle Paul’s missionary journeys.

There is a pleasing symmetry: two maps for the Old Testament, two for the New Testament. But also, two maps of journeys and two maps of the Holy Land. Such symmetries communicated the connections between events: the Old Testament was fulfilled in the New Testament, and Judaism in Christianity.

The first map in a Bible is therefore a fascinating moment in history, but a troubling one. It transformed the Bible into something like a Renaissance atlas, but deeply embedded in assumptions about Christian superiority: the Holy Land of Christian imagination displacing contemporary Palestine, and Christianity superseding Judaism.

It was also one of the agents in creating the modern world of distinct nation states. In many ways, we’ve been living with the consequences ever since.

The Conversation

Nathan MacDonald does not work for, consult, own shares in or receive funding from any company or organisation that would benefit from this article, and has disclosed no relevant affiliations beyond their academic appointment.

ref. How the first Bible to include a map helped spread the idea of countries with borders – https://theconversation.com/how-the-first-bible-to-include-a-map-helped-spread-the-idea-of-countries-with-borders-270901

Passengers speak of ‘chaos’ and hours-long queues as A320 software recall paralyses NZ airports

Source: Radio New Zealand

Airbus A320neo flight delays - Auckland Airport - 29 November 2025

Travellers across New Zealand faced queues, cancelled flights and missed family events. Photo: RNZ/Calvin Samuel

Travellers across New Zealand faced six-hour queues, cancelled flights, missed family events and last-minute scrambles for alternatives – as the global grounding of Airbus A320 aircraft rippled through airline schedules on Saturday.

While the software recall affects airlines worldwide, in New Zealand’s airport terminals, passengers described a morning of confusion, contradictory information and mounting frustration.

Birthday plan ‘out the window’

One Wellington-bound passenger said their day began with a text message at 9.30am, warning of Jetstar delays, but this didn’t prepare them for the scene inside Auckland Airport.

A Wellington-bound passenger said they would likely miss their daughter's birthday due to the delay.

A Wellington-bound passenger said they would likely miss their daughter’s birthday, due to the delay. Photo: Calvin Samuel

“I walked into a line that we could have been waiting another couple of hours for, so yeah, it wasn’t great,” they said.

By the time they reached the counter, every remaining Jetstar flight to Wellington was fully booked.

“I had a birthday plan for my daughter today and now that’s out the window,” they said. “I’m going to try and get a flight on [Air] New Zealand today… otherwise, I’ll be waiting until tomorrow morning.”

They said Jetstar had not offered compensation so far.

“Basically, I’ll pay money for a flight that I’m not even going to take at the moment.”

Six hours in line

For Christchurch-bound traveller Miguel, the delays were even longer.

Christchurch-bound traveller Miguel's flight was initially pushed back by 30 minutes, then an hour, before being cancelled.

Miguel’s flight was initially pushed back by 30 minutes, then an hour, before being cancelled. Photo: Calvin Samuel

His 8.25am flight was initially pushed back by 30 minutes, then an hour, before being cancelled altogether.

“I’m not so happy, definitely,” he told RNZ, adding he has been queuing for “maybe six hours”.

Jetstar eventually booked him onto a mid-afternoon flight, leaving him waiting in the terminal for most of the day.

‘Five different staff told me five different things’

Another passenger, April, said the experience was overwhelming, especially as she was travelling solo and visiting Auckland for the first time.

April, who was visiting Auckland for the first time, said the experience was overwhelming.

April said her flight was rebooked, cancelled, then rebooked again. Photo: Calvin Samuel

Her 11.50am Jetstar flight was rebooked, cancelled, then rebooked again, before she received conflicting instructions about whether she could board.

“I had five different staff tell me five different things,” she said.

“My boarding pass was cancelled and I didn’t know if I could still get on. I was really lost.”

Jetstar eventually re-issued her flight for a later departure – but she abandoned it altogether.

“I ended up rebooking with Air New Zealand instead, because I was just so confused. I’ll just get a refund from Jetstar.”

She said staff were kind, but the queues were impossible for her to manage.

“I’ve got chronic pain, I can’t stand in that queue. Someone said they’d been waiting two-and-a-half hours, another said six hours.

“I couldn’t do that at all.”

Overseas travellers caught in chaos

A group of friends from Blenheim, returning from a long multi-stop trip through Asia, said the Auckland cancellation was just the latest setback.

A group of friends from Blenheim said the Auckland cancellation was just the latest setback after returning from a long, multi-stop trip through Asia.

A group of friends from Blenheim said the Auckland cancellation was just the latest setback. Photo: Calvin Samuel

“We’ve had about eight flights so far, and every single flight has either been cancelled or delayed,” one said.

Their flight from Melbourne to Auckland arrived late and the onward domestic flight was cancelled shortly before boarding.

“We were at the back of the line – too many people. We missed our chance to get a flight… now we’ve been pushed back to tomorrow morning.”

After three changes to their onward connections, they abandoned their plan to fly home to Blenheim.

“Instead of doing that, we’re just flying to Christchurch and driving.”

Why is this happening?

The widespread disruption stems from an urgent software recall affecting a large portion of the global Airbus A320 fleet.

Airbus A320neo flight delays - Auckland Airport - 29 November 2025

The widespread disruption stems from an urgent software recall affecting a large portion of the global Airbus A320 fleet. Photo: RNZ/Calvin Samuel

Airbus said intense solar radiation may, in rare cases, corrupt data inside a flight-control computer known as the ELAC – the system that translates pilot inputs into elevator and aileron movements.

The fault was linked to a 30 October JetBlue incident, where a sudden uncommanded altitude loss injured passengers.

An Iberia Airbus A320-251N prepares for takeoff in Madrid, Spain, on 12 October, 2025.

A Airbus A320 in Madrid, Spain on 12 October, 2025. Photo: AFP/ Urban and Sport – Joan Valls

Regulators have ordered airlines to update or revert the software, before affected aircraft can operate again.

Some updates take about two hours, but aircraft requiring hardware changes may face longer delays.

Air NZ, Jetstar responses

Air New Zealand has said all A320neo aircraft will receive the software patch before their next flight, but is allowing other A320 flights to continue until 1pm Sunday, with cancellations expected across the fleet.

An Air New Zealand Airbus A320 aircraft departing Wellington Airport on 27 June, 2022.

An Air New Zealand Airbus A320 at Wellington Airport, 2022. Photo: AFP/ William West

Jetstar passengers told RNZ they received limited information beyond repeated delay notifications.

Despite the chaos, some passengers said staff were doing the best they could.

“They’ve been really helpful,” one stranded traveller said. “It’s out of their hands – it’s a global crisis.”

More disruption likely

With thousands of A320s worldwide affected, delays and cancellations are expected to continue throughout the weekend.

“I’m just going to sit here and see how long I last,” April said. “That’s pretty much all anyone can do today.”

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– Published by EveningReport.nz and AsiaPacificReport.nz, see: MIL OSI in partnership with Radio New Zealand

Why are screen villains always drinking milk?

Source: Radio New Zealand

Whether it’s Alex DeLarge from A Clockwork Orange (1971), Hans Landa from Inglourious Basterds (2009), Homelander from The Boys (2019–), or Anton Chigurh from No Country for Old Men (2007) – there’s no denying there’s something sinister about onscreen milk-drinkers.

The most recent character to join these ranks is Victor Frankenstein, as imagined by Guillermo del Toro in the new Netflix film adaptation of Mary Shelley’s 1818 novel.

At first glance, del Toro’s Frankenstein is a mistreated child-turned-excited inventor. However, his ambition swiftly turns to cruelty when he fails to recognise intelligence in his creation, in the same way his own father failed to recognise his intelligence.

Quentin Tarantino described his 2009 hit Inglourious Basterds as his "masterpiece."

Quentin Tarantino described his 2009 hit Inglourious Basterds as his “masterpiece.”

AFP

– Published by EveningReport.nz and AsiaPacificReport.nz, see: MIL OSI in partnership with Radio New Zealand

Live – Air NZ cancels flights as global A320 fleet grounded

Source: Radio New Zealand

Live – Air New Zealand cancelled multiple flights on Saturday, with all A320 aircraft grounded due to a global software problem.

Airbus said a recent incident involving an A320 family aircraft had revealed intense solar radiation could corrupt data critical to the functioning of flight controls.

The company has ordered an immediate change to a “significant number” of its best-selling A320 jets, which threatened to disrupt half the world’s airlines.

Air NZ chief safety and risk officer Nathan McGraw said “as a precaution” all A320neo aircraft in its fleet would receive a software update before operating their next passenger service.

“This will lead to disruption across a number of our A320neo flights on Saturday and we’re expecting a number of cancellations to services across that fleet.

“We will contact customers directly if their flight is affected. Customers can also check the latest updates on their flight through the Air NZ app or website. We will provide an update when we have more information on the impact to our services on Saturday.”

Airbus A320s were commonly used on Air NZ’s Australia and Pacific Island routes.

In a statement, the plane manufacturer said: “Airbus acknowledges these recommendations will lead to operational disruptions to passengers and customers.

“We apologise for the inconvenience caused and will work closely with operators, while keeping safety as our number one and overriding priority.”

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– Published by EveningReport.nz and AsiaPacificReport.nz, see: MIL OSI in partnership with Radio New Zealand

Air NZ cancels flights as global A320 fleet grounded

Source: Radio New Zealand

AUCKLAND, NEW ZEALAND - DECEMBER 17: Air New Zealand Airbus A320 landing at Auckland International Airport on December 17, 2017 in Auckland

Air New Zealand says all A320neo aircraft in its fleet will receive a software update. Photo: 123RF

Air New Zealand cancelled multiple flights on Saturday, with all A320 aircraft grounded due to a global software problem.

Airbus said a recent incident involving an A320 family aircraft had revealed intense solar radiation could corrupt data critical to the functioning of flight controls.

The company has ordered an immediate change to a “significant number” of its best-selling A320 jets, which threatened to disrupt half the world’s airlines.

Air NZ chief safety and risk officer Nathan McGraw said “as a precaution” all A320neo aircraft in its fleet would receive a software update before operating their next passenger service.

“This will lead to disruption across a number of our A320neo flights on Saturday and we’re expecting a number of cancellations to services across that fleet.

“We will contact customers directly if their flight is affected. Customers can also check the latest updates on their flight through the Air NZ app or website. We will provide an update when we have more information on the impact to our services on Saturday.”

Airbus A320s were commonly used on Air NZ’s Australia and Pacific Island routes.

In a statement, the plane manufacturer said: “Airbus acknowledges these recommendations will lead to operational disruptions to passengers and customers.

“We apologise for the inconvenience caused and will work closely with operators, while keeping safety as our number one and overriding priority.”

Sign up for Ngā Pitopito Kōrero, a daily newsletter curated by our editors and delivered straight to your inbox every weekday.

– Published by EveningReport.nz and AsiaPacificReport.nz, see: MIL OSI in partnership with Radio New Zealand

Toy Story turns 30: Pixar’s animated comedy went to infinity and beyond

Source: Radio New Zealand

Sorry to make you feel old, but Toy Story has officially turned 30.

Released in 1995, it has been three decades since audiences first heard the opening notes of ‘You’ve Got a Friend in Me’ and were introduced to the toy box of characters.

The film follows pull-string cowboy doll Woody, voiced by Tom Hanks, whose place as Andy’s favourite toy is threatened with the introduction of the delusional astronaut Buzz Lightyear, voiced by Tim Allen.

Toy Story, 1995.

Toy Story, 1995.

Photo12 via AFP

– Published by EveningReport.nz and AsiaPacificReport.nz, see: MIL OSI in partnership with Radio New Zealand

Green transition targets are not realistic – how to decarbonise at the right pace

Source: The Conversation – UK – By Siavash Alimadadi, Research Associate at the Centre for Sustainable Business, King’s College London

Andrzej Rostek/Shutterstock

While the UK needs to accelerate its energy transition, targets are being missed, projects run into delays, and the public wonders why progress feels so slow. The temptation is to blame politics, funding or technology. Yet there is a deeper reason the road to net zero keeps stalling.

Everything in our modern life, from our roads to our factories, have been built around readily available fossil fuels. As a result, we expect things to happen quickly, to last indefinitely and to disappear without consequence.

Why this expectation? Burning coal, oil and gas taps carbon and sunlight that were locked away over millions of years and releases that energy in a matter of decades. That compression of deep time (the vast geological timescales of Earth’s history) into human time gives the impression that highways, buildings and plastics can be produced at speed and endure without limits. Through burning fossil fuels, millions of years worth of stored sunlight and energy can be transformed into concrete, plastics and electricity in a matter of hours.

When we talk about decarbonisation, we are not just changing fuels. We are being asked to change this entire pace of living.

Fossil fuels made energy cheap and abundant, and so our economies were organised around speed. We learned to pour concrete and we assumed it would stand for decades. We built factories that ran day and night and supply chains that delivered instantly. Convenience became normal.

In this context, it makes sense that governments promise to “accelerate” the green transition. The problem is that the very systems we are trying to fix still run on the rhythms of the fossil era. They are not designed to slow down or pivot quickly.




Read more:
Five ways to improve net zero action – our new research highlights lessons from the past


The North Sea’s recent “tieback” oil licences help show what is really happening.

The UK government’s new North Sea strategy is a case in point. The introduction of “transitional energy certificates” or “tiebacks” allow new drilling on or near existing fields. So while the UK has committed to banning all new oil and gas licences, some new fossil fuel extraction is still permitted.

Instead of marking a clean break from fossil fuels, they extend existing infrastructure by linking smaller oil fields to older platforms. This approach is faster and cheaper than starting new projects. On the surface, it looks like progress. But it keeps the old system going rather than rethinking it.

This logic shows up in how we build, too. Concrete is a telling example. In 2025 the UK announced its first carbon capture retrofit for a cement plant in Padeswood, North Wales. This so-called “net zero” cement factory will trap around 800,000 tonnes of carbon dioxide each year and start producing low-carbon cement in 2029.

This is a major technical step forward. Yet the retrofit does not change how cement is made. It simply adds a filter to an existing process that heats ancient limestone to very high temperatures. It still relies on the idea that we can turn geological time into buildings in hours and have them endure for centuries.

The four-year retrofit shows how slow it is to adapt a single plant, but the real lesson is that governments, industries and societies are investing heavily to keep the same rapid tempo of construction, rather than imagining different materials or building practices.

stone processing for cement industry
Decarbonising the cement industry will be a slow process.
Vera Larina/Shutterstock

The electricity grid reveals a similar mismatch. For years Britain’s electricity network connected projects on a first come, first served basis. This model assumed a steady trickle of large fossil fuel plants. The surge of renewables has overwhelmed it.

By late 2025 there were more than 700 gigawatts of generation and demand projects waiting in the queue – over four times the capacity needed to meet the government’s 2030 clean power target. Some developers have been waiting a decade for a connection. The backlog exists not because there is a shortage of projects, but because the system was never designed to handle so many small, decentralised schemes.

Regulators are now reforming the queue to prioritise “shovel-ready” projects. That is a necessary fix, but it is also an admission that our assumptions of endless, rapid growth have outpaced the physical network we built.

These examples reveal a deeper pattern. We are not only managing emissions or upgrading technology. We are holding on to the pace and habits shaped by the fossil era. The green transition often involves making the old system more efficient, rather than asking what a truly different future would require.

Many also expect this transition to be as quick and frictionless as the fossil fuel era made everything seem. Yet decarbonising means reworking industries and infrastructure that took decades to build.

Cement plants last half a century. Power lines take years to plan and construct. Even the most optimistic timelines involve years of design, consultation and construction. This is not a failure; it is the reality of shifting away from a system designed for speed and permanence without patience.

Resetting the clock

Recognising this mismatch does not mean giving up on urgency. Climate change demands swift action. But urgency is not the same as haste. Instead of expecting every solution to scale overnight, we need to design policies and industries in a way that respects how long things take, and, indeed, whose timing counts.

For example, do policies align with corporate investment cycles, election calendars or the slower timelines of ecosystems and future generations? Whose timeframes shape action?

Building a low-carbon economy will not feel like the rapid transformations of the past. It will involve repairing, adapting and sometimes slowing down. But if we want to move beyond fossil fuels, we cannot keep living on fossil time. A successful transition will be one that aligns our policies, industries and daily lives with the slower, more regenerative rhythms of the world we depend on.


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The Conversation

Jonatan Pinkse receives funding from the ESRC – The Productivity Institute.

Siavash Alimadadi does not work for, consult, own shares in or receive funding from any company or organisation that would benefit from this article, and has disclosed no relevant affiliations beyond their academic appointment.

ref. Green transition targets are not realistic – how to decarbonise at the right pace – https://theconversation.com/green-transition-targets-are-not-realistic-how-to-decarbonise-at-the-right-pace-270720