Category: MIL-OSI

Source: The Conversation – UK – By Freya Gowrley, Lecturer in History of Art and Liberal Arts, University of Bristol

Organised by Vogue, the Met Gala this year was based around the theme of “costume art”. An accompanying exhibition of the same name opens at New York’s Metropolitan Museum of Art on May 10, with a focus on the dressed body.

Responses to the Met Gala – the US fashion event of the year – and its related Costume Art exhibition have been sharply divided. On the one hand, critics have applauded the exhibition’s use of an inclusive range of mannequins, representing a wide group of bodies that go far beyond the normal “model physique”.

On the other, this apparent celebration of diversity has been contrasted with the overwhelming thinness of the red carpet at the Gala, as well as the involvement of its honorary chairs, Amazon founder Jeff Bezos and his wife Lauren Sánchez Bezos. The couple were said to have sponsored the event to the tune of $10m (£7.4m), sparking calls for a boycott.

As the influential fashion commentators Diet Prada noted, this year’s Met Gala was more poorly received than ever before, with speculation rife about why some celebrities were missing the event.

As artwashing is now an established media tactic, the positive elements of the exhibition could be viewed as a distraction from the negative capitalistic associations of its sponsors.

However, in an age dominated by Ozempic and other GLP-1 drugs, an exhibition celebrating bodies of all shapes and sizes does far more than pay politically expedient lip service to the idea of diversity.

Diversity fights back

The exhibition – masterminded by Andrew Bolton, the British-born curator of the Costume Institute at the Met – pairs garments and artworks “organised into a series of thematic body types that reflect their pervasiveness and endurance through time and cultures”.

The choice of these thematic body types – which divide into sections including the Naked Body, the Classical Body, the Ageing Body and the Disabled Body – had been the subject of media coverage long before column inches were filled with the usual discussions of celebrity outfit choices.

Over the past month, a series of articles and related social media posts have trailed that the show would feature a physically diverse array of mannequins. This would support the exhibition’s stated aim of exploring distinct bodies across time and space. On April 21, sculptor Frank Benson – most famous for his figurative works – posted on social media that it had been the “honour of a lifetime” to create a group of mannequins for the Met’s show.

These newly commissioned mannequins allow the show to present its garments on an array of bodies – variously abled, fat and thin, and in different states of pregnancy and undress. These are not one-off pieces. As Benson confirmed, the mannequins will be transferred afterwards into the Costume Institute’s permanent collection and used in future exhibitions.

Each of the figures wears a mirrored mask, encouraging viewers’ identification with these more “realistic bodies”. In so doing, the curators utilise a highly literal but effective means of reflecting the norm within clothing and spaces usually reserved for the thinnest of bodies.

Alongside the forms of the mannequins themselves, “the Corpulent Body” (the Met’s somewhat unfortunate wording) is also invoked through specially commissioned photography and fashion design, including work by designers Karoline Vitto and Michaela Stark.

Stark has created some of her highly recognisable undergarments that truss the body in silk organza ties – resulting in pockets of fat and bulging extrusions that encourage speculation on what the beautiful erotic body might look like.

Is there a future for body positivity?

Despite this, recent data from industry insiders suggests a broader backward slide in representation that counters the narrative pushed by the exhibition. The model Felicity Hayward has done pioneering work season after season recording plus-size representation on the runways: the autumn/winter 26 lineup (shown in Europe and US in February) had the lowest numbers of size inclusive models for years.

Of the 3,840 looks shown at New York Fashion Week, only 20 were shown on plus-sized bodies. This was a staggering 50% lower than it had been the previous year.

Vogue Business interviewed a number of casting directors on this notable shift. One, Chloe Rosolek, described this “regression in inclusion” as the literal “erasure of women’s bodies”. The Costume Art exhibition seems to stand firm against this shift.

But as many social media observers have noted, the exhibition’s attempts at representing equality and body positivity feel at odds with a red carpet that was populated by an ever-thinner group of celebrities. With weight-loss easier to achieve than ever thanks to the widespread use of GLP-1 drugs, many figures in the public eye have appeared to lose significant amounts of weight.

The Gala guestlist did include a more diverse crowd, including the disabled transgender model Aariana Rose Philip, whose body one of the mannequins was based upon. But in event roundups dominated by influencers, singers and actors, this bodily diversity makes little impression.

While Instagram feeds suggest the most important and fashionable of red-carpet appearances belong to the thinnest bodies, the exhibition itself does seem to achieve its goals in furthering representation of diverse bodies. And it does so on one of the most influential and public stages.

Fat studies scholar Jeannine A. Gailey argues that people who are fat are simultaneously paid undue attention on account of their “taking up too much space”, and are also ignored due to the perception of fatness as both undesirable and morally questionable.

Conversations around what kind of bodies are valued through forms of representation feel very relevant to the aims of Costume Art, thanks to its prominent portrayal of fat, ageing and disabled bodies.

Despite its problematic associations with Bezos, Costume Art nevertheless provides a highly visible – and thereby meaningful – counter to the world of ever-shrinking thinness that Hollywood appears to cling to, perhaps offering the body positivity movement a much needed life raft. However, now that anyone can access these weight-loss shortcut drugs, one wonders how long body positivity can remain afloat.

Freya Gowrley does not work for, consult, own shares in or receive funding from any company or organisation that would benefit from this article, and has disclosed no relevant affiliations beyond their academic appointment.

– ref. How super-skinny red carpet trend at Met Gala clashes with own its body-positive Costume Art show – https://theconversation.com/how-super-skinny-red-carpet-trend-at-met-gala-clashes-with-own-its-body-positive-costume-art-show-282450

Source: The Conversation – UK – By Fiona Cross, Researcher in Animal Cognition, University of Canterbury

As a child, the mere glimpse of a spider used to send me screaming and running for cover. I was convinced that spiders were my enemies. I thought they were out to get me.

These days, I run towards spiders, not away from them. I can partly thank a spider for helping me with that. This is a special spider affectionately known as the mosquito terminator.

Mosquito terminators (Evarcha culicivora) are small spiders, about 5mm long. They are a species of jumping spider from the family Salticidae, the largest family of spiders. Like all jumping spiders, these little predators have good eyesight and they hunt for their prey like stealthy cats.

Jumping spiders live almost everywhere around the world (even on Mount Everest) and they are found in a variety of shapes, sizes and colours. The quickest, most convenient way to identify a jumping spider is simply by looking at it: if it looks back at you with two big eyes in front of its face, it’s a jumping spider.

Most jumping spiders mainly eat insects. Mosquito terminators are no exception, eating a wide range of insects. But they do have a distinct prey preference. Just like Arnold Schwarzenegger of The Terminator fame, these little predators are on a mission to seek and destroy — in their case, they target mosquitoes.

Mosquito terminators take this preference to an extreme. They particularly like the mosquitoes they eat to be full of blood. If they are presented with a blood-carrying mosquito alongside another kind of insect, even a mosquito not carrying blood, they will choose the blood-carrying mosquito nine times out of ten.

Blood-carrying mosquitoes are an important part of this spider’s diet. They can also help mosquito terminators attract mates. After dining on a blood-carrying mosquito, these spiders acquire a blood perfume that then attracts the opposite sex.

An antidote to malaria?

These spiders are found in the Lake Victoria region of Kenya and Uganda. Mosquito-transmitted diseases, such as malaria, are prevalent in this part of the world. These diseases kill hundreds of thousands of people each year.

Anopheles mosquitoes, which can transmit malaria, are known to be anthropophilic – they like being in the company of people. They are attracted to our breath and the smell of our feet. Being near us helps these mosquitoes to find blood meals.

Mosquito terminators also live near people, and it turns out they like the smell of our feet, too. Just like Anopheles, these spiders are more attracted to our previously-worn socks than to unworn socks. Mosquito terminators are currently the only spiders known to be anthropophilic. Being near us might help these spiders to find their favourite prey.

My research has further investigated this prey preference and how these spiders use their tiny brains. Amazingly, they can identify a blood-carrying mosquito by either smell or sight, even if they have never eaten or seen a mosquito before. This suggests that their penchant for blood-carrying mosquitoes is hard-wired or innate.

My research has also explored whether the colour red is of special importance to these spiders. The redness of a blood-carrying mosquito darkens over time as the blood gets digested. This darker colour becomes less attractive to these spiders.

The importance of redness extends to the spiders’ bodies too. A female mosquito terminator is mostly brown in colour, but the males have little bright red faces. Cover that bright red face with black eyeliner, and males are less certain that they are encountering a potential rival. Females are also less inclined to choose a male with a concealed red face, preferring those with bright red faces instead.

Mosquito terminators are not harmful to people and nor are they vampires – they cannot bite us directly to drink our blood. They also cannot rid the world of malaria. For one thing, releasing mosquito terminators in different habitats will not work. Yet these and other jumping spiders play an important role in nature. So, next time a spider turns and looks back at you, watch closely – your new eight-legged friend may be a jumping spider.

Fiona Cross receives funding from the Royal Society of New Zealand Marsden Fund.

– ref. Meet the mosquito terminator – a spider that likes us and eats our enemies – https://theconversation.com/meet-the-mosquito-terminator-a-spider-that-likes-us-and-eats-our-enemies-279483

Source: The Conversation – UK – By Ebru Işıklı, Postdoctoral Research Fellow in Sociology, University College Dublin

When earthquakes struck Turkey and Syria in February 2023, more than 50,000 people were killed and thousands more were injured.

One month after the disaster, a bank employee named Efe Demir died by suicide in İstanbul. Before his death, he had sent an email to colleagues questioning the actions and motivations of his employer, saying he felt that the organisation prioritised profit over caring for clients who were victims of the tragedy.

The bank strongly denied the allegations, but Demir’s accusation highlights a broader, and often invisible, problem: how a corporate approach, especially in times of crisis, can cause employees to experience psychological harm.

Sometimes referred to as “moral injury” or “ethical suffering”, it often involves feelings of distress that arise when workers are compelled to act solely in the interest of profit.

The psychiatrist Christophe Dejours, who specialises in work and mental health, has argued that the complexities of work require employees to constantly expend emotional and cognitive energy navigating moral dilemmas.

Those dilemmas could be to do with a company’s environmental record for example, or how it relates to a country engaged in a military conflict. Moral injury does not arise only from what workers are required to do.

It can also take the form of intense feelings of isolation when an employee feels what a company is doing is wrong, but nobody is doing anything about it.

Eventually, moral injury can become a deep crisis, with workplace suicide as its most tragic manifestation.

Disasters amplify moral harm

Moral injury is commonly used to describe the experiences of workers in care-giving professions such as medicine or nursing, where decisions can carry life or death consequences. But moral injury can appear in many occupations, especially during disasters, when individuals suddenly feel a heightened responsibility for others.

For employees like Demir, the earthquake in Turkey was not only a national tragedy – it was a moment when the employer’s values were put to the test. For Demir, among other allegations was an accusation that the bank had not looked after customers who have been affected by the earthquake, in terms of their ability to repay loans or be given credit.

Such cases are rarely publicised. Employers often move quickly to protect their reputation, while colleagues fear retaliation and families hesitate to link suicide to work.

The connection can be difficult or even impossible to prove. There research which suggests that employee suicide can serve as a final attempt to expose injustice.

Modern work often involves tasks that are legal but morally questionable, whether it’s carefully manipulating clients, competing unfairly or remaining silent about harm. Employees may become unwilling participants in practices that violate ethical standards – and this is precisely what makes these experiences difficult for the employee to talk about.

Read more:
Why OpenAI is a prime example of the ethical limits of capitalism

Even though physical dangers in the workplace are recognised, psychological dangers such as ethical conflict and feelings of loss of integrity often remain unacknowledged. Long-term exposure to ethically ambiguous environments can reshape someone’s character, moral sensibilities and sense of self. Over time, Dejours argues, workers numb themselves to others’ suffering – and eventually, to their own.

In countries such as France and Japan, work-related suicides are part of public debate, thanks to labour activists. In France, unions such as the CFE-CGC actively fight workplace bullying and at a global level, the International Trade Union Confederation Ituc named work-related suicide as a priority issue in a campaign on psychosocial hazards.

To confront moral injury at work, especially in an era of overlapping crises, whether it’s environmental, geopolitical or natural, research suggests that many organisations need to pay more attention to the ethical integrity of their employees. Professional dignity is not just about the terms of work – the hours, the pay and conditions – but also what we produce at work.

This also means expanding occupational safety to include not just physical risks but moral and psychological hazards – and talking more openly about the ethically questionable tasks that people may be asked to commit at work.

If you’re struggling with suicidal thoughts, the following services can provide you with support:

In the UK and Ireland – call Samaritans UK at 116 123.

In the US – call the National Suicide Prevention Lifeline at 1-800-273-TALK (8255) or IMAlive at 1-800-784-2433.

In Australia – call Lifeline Australia at 13 11 14.

In other countries – visit IASP or Suicide.org to find a helpline in your country.

Ebru Işıklı does not work for, consult, own shares in or receive funding from any company or organisation that would benefit from this article, and has disclosed no relevant affiliations beyond their academic appointment.

– ref. When your workplace doesn’t match your ethical outlook – the problem of ‘moral injury’ – https://theconversation.com/when-your-workplace-doesnt-match-your-ethical-outlook-the-problem-of-moral-injury-272001

Source: The Conversation – UK – By Roja Hadianamrei, Senior Lecturer in Pharmaceutical Science, University of Portsmouth

The first ever avian influenza vaccine recently started trials in the UK. This marks a milestone in the prevention of bird flu infections in humans.

The vaccine targets the H5N1 flu strain, which causes severe infections in bird populations worldwide. However, this strain of bird flu virus is also able to spread to humans in rare cases through direct contact with infected birds or poultry products.

This latest trial hopes to test the vaccine in people who are most at risk of acquiring bird flu. This includes people who work in poultry industry and people who are above 65 years of age.

Bird flu vaccine

This new bird flu vaccine is an mRNA-based vaccine. This is the same technology that was used in some COVID vaccines.

Messenger ribonucleic acid (mRNA) acts as a messenger between the genes and the microscopic factories inside human cells that produce proteins. It carries a message from the genes to these cellular factories to produce proteins with specific structures.

For instance, mRNA plays a role in producing the enzymes that regulate our metabolism, the haemoglobin that carries oxygen to our tissues and the antibodies that protect us against infections.

Vaccines that use mRNA technology deliver instructions to cellular protein production factories, telling them to produce certain proteins that are normally present on the surface of a specific virus.

By doing so, these vaccines generate a fake disease which is less severe than the actual disease caused by the virus. The immune system sees the viruses or any parts of them (such as proteins) as intruders and tries to destroy them.

Once the fake disease has been suppressed, the immune system will hold a memory of this particular virus. That way, if a person contracts the virus in the future, the immune system will respond very quickly and very strongly to destroy the viruses and stop the spread of the disease.

But in order for an mRNA vaccine to be effective, it needs to be efficiently transported from the site of administration to the blood and immune cells. Like a letter that needs an envelope to be delivered from sender to recipient, the mRNA also needs the right carrier so it can be delivered to the immune cells.

Similar to the COVID vaccines, this new bird flu vaccine uses microscopic fatty spheres called lipid nanoparticles to carry the mRNA. These microscopic envelopes are around 100-200 manometers in size (that’s almost 100,000 times smaller than a penny).

They’re made of a combination of different fats (lipids) that form a microscopic sphere inside which the mRNA is enveloped. Different combinations of fats are used to customise the lipid nanoparticles to the cargo they carry. This maximises the mRNA load they can carry and ensures they don’t fall apart before delivering their cargo.

Before the introduction of mRNA-based vaccines and lipid nanoparticle technology, most influenza vaccines were developed by genetically modifying or chemically inactivating the viruses. While these live attenuated or inactivated viruses couldn’t induce a full scale infection, they still triggered an immune response.

But this process was very costly, time consuming and had varied success. So it was only reserved for the viruses that were on the World Health Organization’s priority list. As bird flu has historically posed a low infection risk to humans, there hasn’t been an incentive to develop a vaccine for it.

But advances in mRNA technology and lipid nanoparticles have now provided us with the tools for developing effective vaccines against a greater number of viral infections in a fast and cost-effective manner – including lower priority diseases, such as bird flu.

Preventing the next pandemic

Although bird flu currently poses a very low threat to humans, it does have the potential to cause a pandemic if its spread is not controlled.

There are some key reasons for this. In birds, H5N1 is highly virulent and new strains evolve rapidly. It also has the potential to crossover into a variety of mammalian species – including humans.

Infection with bird flu can cause severe illness that is hard to treat in vulnerable people. This includes those over the age of 65 and people with a compromised immunity (such as cancer patients and people who have received organ transplants). Therefore, it could have serious repercussions if the virus was able to spread more readily between birds and humans.

The vaccine trial is a proactive attempt to protect people against the possibility of a future pandemic and to protect those who are more vulnerable to severe bird flu infections.

The lipid nanoparticle technology the bird flu vaccine uses also has broader health applications beyond infectious diseases. One application is in developing cancer vaccines, where they will be used for treating an existing cancer in patients.

I lead a research group at the University of Portsmouth that works on developing new mRNA-based vaccines against different types of cancer including breast, cervical and colorectal cancers using lipid nanoparticles. The same technology is used in Moderna’s mRNA vaccine against melanoma that is currently in trial in the UK.

The mRNA that is used in cancer vaccines instructs a type of immune cell called dendritic cells to produce the same proteins that are expressed on tumour cells. The lipid nanoparticles act as envelopes to carry this mRNA to these cells.

These cells produce and present the cancer proteins to the other members of immune system, including T cells. As a result, the body will see the tumour cells as an intruder and will try to destroy them just as it does with the viruses.

Advances in mRNA synthesis and lipid nanoparticle technology mark a new era in vaccination. These new technologies enable us to produce new vaccines more quickly and to customise them to achieve higher effectiveness. This is of paramount importance for preventing pandemics in the future.

Roja Hadianamrei does not work for, consult, own shares in or receive funding from any company or organisation that would benefit from this article, and has disclosed no relevant affiliations beyond their academic appointment.

– ref. A bird flu vaccine for humans is being trialled – here’s how it works – https://theconversation.com/a-bird-flu-vaccine-for-humans-is-being-trialled-heres-how-it-works-281594

Source: The Conversation – UK – By Michelle Spear, Professor of Anatomy, University of Bristol

I wouldn’t say that I’m afraid of heights. I can stand on a cliff path or look out from a tall building without the rush of panic people often associate with vertigo. What I really dislike is something much harder to explain: the peculiar feeling in my feet.

It’s a sensation that’s difficult to describe. It isn’t numbness, it isn’t tingling either. The closest I can come is a strange awareness in the soles of my feet – a kind of buzzing.

For a long time I assumed this was just an odd personal quirk. But many people report something similar when standing near a drop. Around one-quarter of people describe some level of discomfort at height, and in experimental settings most participants show measurable changes in balance and posture when exposed to a drop. Far from being irrational, it reflects a remarkably elegant piece of neurological engineering.

At height, the nervous system shifts balance control. Sensory input from the feet is “upregulated” (dialled up), postural muscles (muscles that help you stay upright, balanced and stable) stiffen slightly, and movements become more cautious. This is part of normal proprioception – the body’s internal sense of where it is in space.

Unlike vision, which tells you where things are around you, proprioception tells you where you are.

Near a drop, the brain begins to rely more heavily on signals from the feet, effectively turning up their volume. Small shifts in pressure and sway are amplified, and control of movement becomes tighter and more deliberate. This is quite different from vertigo. Vertigo arises from disturbances in the inner ear or its connections, creating a false sensation of movement, often described as spinning.

The feeling at height is not that the world is moving, but that the body is being held more carefully in place.

What’s striking is that this response is not unique to those who notice it. The nervous system makes these adjustments in almost everyone. For most, it remains in the background. For others, it rises into awareness as a peculiar sensation.

Why the feet?

As the body’s primary point of contact with the ground the feet are one of its richest sources of sensory information. The soles contain a dense population of specialised receptors, including Merkel cells, Meissner corpuscles and Pacinian corpuscles, each tuned to different aspects of pressure, stretch and movement.

Merkel cells respond to sustained pressure, giving a continuous readout of how weight is distributed across the foot – whether you are leaning slightly forward, back, or to one side.

Meissner corpuscles are more sensitive to light touch and subtle changes, detecting the small shifts that occur as the body sways.

Pacinian corpuscles, deeper in the tissue, are exquisitely sensitive to vibration and rapid changes in pressure, allowing the nervous system to detect even the smallest disturbances in contact with the ground.

Under ordinary conditions, these receptors work quietly in the background, allowing you to stand, walk and shift your weight without conscious thought. But near an edge with a drop, their importance is suddenly elevated. The margin for error narrows. Small changes in pressure – the subtle sway of the body, the shifting of weight from heel to forefoot – carry greater consequence.

The nervous system responds by increasing the gain on these signals. In effect, it listens more closely to the feet.

That heightened input does not feel the same for everyone. Some people describe a buzzing or tingling in the soles. Others report a sense of heaviness, as though their feet are being drawn more firmly into the ground. Some feel an urge to grip with their toes, or to widen their stance. Others notice a faint unsteadiness, a need to hold still, or a curious reluctance to move forward. Why is it that some people experience this so vividly, while others are unaware?

Part of the answer lies in how we process sensory information. The signals from the feet are being generated in almost everyone standing near an edge, but not all of them reach conscious awareness. The brain continuously filters incoming information, prioritising what seems most relevant.

In some people, that filter is more permissive. Subtle changes in pressure, sway and muscle activity are allowed through, registering as a distinct sensation in the soles. In others, the same information is handled automatically, without ever rising to conscious notice.

Attention plays a role too. Once a sensation has been noticed, the brain becomes more likely to detect it again.

There are also differences in sensory sensitivity. Some people are simply better at detecting fine changes in touch and position – a heightened form of proprioception. For them, the shift in balance control near an edge may feel more pronounced.

Context matters as well. Fatigue, stress, or unfamiliar surroundings can all make the system more noticeable. What this means is that the sensation itself is not unusual. What varies is the degree to which it is perceived. The same neurological adjustment is taking place either way – quietly in the background for some, and vividly, almost curiously, present for others.

Michelle Spear does not work for, consult, own shares in or receive funding from any company or organisation that would benefit from this article, and has disclosed no relevant affiliations beyond their academic appointment.

– ref. Why do heights make your feet feel strange? – https://theconversation.com/why-do-heights-make-your-feet-feel-strange-279172